Stuart Lindsay – författare

Nanoscience is not physics, chemistry, engineering or biology. It is all of them, and it is time for a text that integrates the disciplines. This is such a text, aimed at advanced undergraduates and beginning graduate students in the sciences. The consequences of smallness and quantum behaviour are well known and described Richard Feynman''s visionary essay ''There''s Plenty of Room at the Bottom'' (which is reproduced in this book). Another, critical, but thus far neglected, aspect of nanoscience is the complexity of nanostructures. Hundreds, thousands or hundreds of thousands of atoms make up systems that are complex enough to show what is fashionably called ''emergent behaviour''. Quite new phenomena arise from rare configurations of the system. Examples are the Kramer''s theory of reactions (Chapter 3), the Marcus theory of electron transfer (Chapter 8), and enzyme catalysis, molecular motors, and fluctuations in gene expression and splicing, all covered in the final Chapter on Nanobiology. The book is divided into three parts. Part I (The Basics) is a self-contained introduction to quantum mechanics, statistical mechanics and chemical kinetics, calling on no more than basic college calculus. A conceptual approach and an array of examples and conceptual problems will allow even those without the mathematical tools to grasp much of what is important. Part II (The Tools) covers microscopy, single molecule manipulation and measurement, nanofabrication and self-assembly. Part III (Applications) covers electrons in nanostructures, molecular electronics, nano-materials and nanobiology. Each chapter starts with a survey of the required basics, but ends by making contact with current research literature.

This scholarly monograph examines the concept of Chernobyl trauma by situating it at the interface of clinical diagnoses of survivors’ Post-Traumatic Stress Disorder, their expressions of this trauma in published testimonials translated into English, and through English-language literary explorations of contemporary Soviet trauma. It establishes a new perspective on the intergenerational and international reception of the nuclear disaster, one shaped by Soviet cultural memory as well as Science Fiction and the literary aesthetics of the Gothic. The monograph analyses first-generation Chernobyl survivors’ imaginative reconstruction of events through testimony in the face of the Soviet Party’s attempts to sublimate the narrative of the disaster into an official account. It also discusses the ways in which a second generation represents inherited, traumatic memory through a literary diaspora of Chernobyl and Soviet-Kazakh Semipalatinsk nuclear trauma, and how English-speaking writers not personally involved in the disaster engage in its memorialisation through discourses of horror and collective mourning.