Su Holmes – författare

The study of audience relations with star / celebrity culture has often been marginalised in Star/Celebrity Studies. This book brings together new research which explores a range of audience encounters with celebrities, moving across social media, royal weddings, national identity to questions of age, gender and class. In doing so, the essays illuminate the complex and negotiated nature of audience investments in celebrity culture, collectively questioning the often simplistic and dismissive judgements that are made about audience/ celebrity relationships in this regard. The book provides a dedicated space to showcase a range of current work in the field, seeking to both consolidate and stimulate what is a vibrant and crucial aspect of studying celebrity culture.

The study of audience relations with star / celebrity culture has often been marginalised in Star/Celebrity Studies. This book brings together new research which explores a range of audience encounters with celebrities, moving across social media, royal weddings, national identity to questions of age, gender and class. In doing so, the essays illuminate the complex and negotiated nature of audience investments in celebrity culture, collectively questioning the often simplistic and dismissive judgements that are made about audience/ celebrity relationships in this regard. The book provides a dedicated space to showcase a range of current work in the field, seeking to both consolidate and stimulate what is a vibrant and crucial aspect of studying celebrity culture.

Celebrity culture has a pervasive presence in our everyday lives – perhaps more so than ever before. It shapes not simply the production and consumption of media content but also the social values through which we experience the world. This collection analyses this phenomenon, bringing together essays which explore celebrity across a range of media, cultural and political contexts.

The authors investigate topics such as the intimacy of fame, political celebrity, stardom in American ‘quality’ television (Sarah Jessica Parker), celebrity ''reality'' TV (I’m a Celebrity … Get Me Out of Here!), the circulation of the porn star, the gallery film (David/David Beckham), the concept of cartoon celebrity (The Simpsons), fandom and celebrity (k.d. lang, *NSYNC), celebrity in the tabloid press, celebrity magazines (heat, Celebrity Skins), the fame of the serial killer and narratives of mental illness in celebrity culture.

The collection is organized into four themed sections:

Celebrity culture has a pervasive presence in our everyday lives – perhaps more so than ever before. It shapes not simply the production and consumption of media content but also the social values through which we experience the world. This collection analyses this phenomenon, bringing together essays which explore celebrity across a range of media, cultural and political contexts.

The authors investigate topics such as the intimacy of fame, political celebrity, stardom in American ‘quality’ television (Sarah Jessica Parker), celebrity ''reality'' TV (I’m a Celebrity … Get Me Out of Here!), the circulation of the porn star, the gallery film (David/David Beckham), the concept of cartoon celebrity (The Simpsons), fandom and celebrity (k.d. lang, *NSYNC), celebrity in the tabloid press, celebrity magazines (heat, Celebrity Skins), the fame of the serial killer and narratives of mental illness in celebrity culture.

The collection is organized into four themed sections:

This book brings together some of the seminal interventions which have structured the development of stardom and celebrity studies, while crucially combining and situating these within the context of new essays which address the contemporary, cross-media and international landscape of today's fame culture. From Max Weber, Walter Benjamin and Roland Barthes to Catherine Lumby, Chris Rojek and Graeme Turner.At the core of the collection is a desire to map out a unique historical trajectory - both in terms of the development of fame, as well as the historical development of the field.

This book brings together some of the seminal interventions which have structured the development of stardom and celebrity studies, while crucially combining and situating these within the context of new essays which address the contemporary, cross-media and international landscape of today's fame culture. From Max Weber, Walter Benjamin and Roland Barthes to Catherine Lumby, Chris Rojek and Graeme Turner.At the core of the collection is a desire to map out a unique historical trajectory - both in terms of the development of fame, as well as the historical development of the field.

This collection seeks to interrogate such phenomena by forging a greater conceptual, theoretical and historical dialogue between celebrity studies and critical gender studies. It takes as its starting point the understanding that female celebrity is a particularly fraught cultural phenomenon with ideological and industrial implications that warrant careful scrutiny. In moving across case studies from the 19th century to the present day, this book works from the assumption that the case study should play a crucial role in generating debate about the dialogue between ''past'' and ''present'', and the individual essays seek to reflect this spirit of enquiry

This collection seeks to interrogate such phenomena by forging a greater conceptual, theoretical and historical dialogue between celebrity studies and critical gender studies. It takes as its starting point the understanding that female celebrity is a particularly fraught cultural phenomenon with ideological and industrial implications that warrant careful scrutiny. In moving across case studies from the 19th century to the present day, this book works from the assumption that the case study should play a crucial role in generating debate about the dialogue between ''past'' and ''present'', and the individual essays seek to reflect this spirit of enquiry