Susan Carson – författare
707 kr
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Papers of Martin Luther King, Jr., Volume III
Birth of a New Age, December 1955-December 1956
942 kr
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Papers of Martin Luther King, Jr., Volume IV
Symbol of the Movement, January 1957-December 1958
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Threshold of a New Decade, January 1959–December 1960
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Papers of Martin Luther King, Jr., Volume VI
Advocate of the Social Gospel, September 1948–March 1963
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1 091 kr
Läs direkt efter köp
1 091 kr
Läs direkt efter köp
1 091 kr
Läs direkt efter köp
Papers of Martin Luther King, Jr., Volume VI
Advocate of the Social Gospel, September 1948–March 1963
1 091 kr
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2 420 kr
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779 kr
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While experiential staging is well documented in tourism studies, not enough has been written about the diverse types of experiences and expectations that visitors bring to the tourist space and how communities respond to, or indeed challenge, these expectations. This book brings together new ideas about cultural experiences and how communities, creative producers, and visitors can productively engage with competing interests and notions of experience and authenticity in the tourist environment.
Part I considers the experiences of communities in meeting the needs of cultural tourists in an international context. Part II analyses the relationships between individualcultural tourists, the community, and digital technology. Finally, Part III responds to new methodologies in relation to interactions between government and regional policy and community development.
Focusing on the way in which communities and visitors ‘perform’ new forms of cultural tourism, Performing Cultural Tourism is aimed at undergraduate students, researchers, academics, and a diverse range of professionals at both private and government levels that are seeking to develop policies and business plans that recognize and respond to new interests in contemporary tourism.
779 kr
Läs direkt efter köp
While experiential staging is well documented in tourism studies, not enough has been written about the diverse types of experiences and expectations that visitors bring to the tourist space and how communities respond to, or indeed challenge, these expectations. This book brings together new ideas about cultural experiences and how communities, creative producers, and visitors can productively engage with competing interests and notions of experience and authenticity in the tourist environment.
Part I considers the experiences of communities in meeting the needs of cultural tourists in an international context. Part II analyses the relationships between individualcultural tourists, the community, and digital technology. Finally, Part III responds to new methodologies in relation to interactions between government and regional policy and community development.
Focusing on the way in which communities and visitors ‘perform’ new forms of cultural tourism, Performing Cultural Tourism is aimed at undergraduate students, researchers, academics, and a diverse range of professionals at both private and government levels that are seeking to develop policies and business plans that recognize and respond to new interests in contemporary tourism.