T. R. Hummer – författare
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6 produkter
6 produkter
Häftad, Engelska, 2011
258 kr
Skickas inom 10-15 vardagar
T. R. Hummer's new and characteristically pyrotechnic collection takes its title from the rare (in English) singular form of the common word ""ephemera."" In a work of startling originality, the poet presents a meditation on ephemerality from the point of view of the ephemeron itself as it passes, be it the individual, the atom, the particle.Hummer's work is existential and atemporal. The scope of the poems gradually broadens from the opening section, also called ""Ephemeron,"" through ""Either/Or,"" which is a fulcrum, on to plural ""Ephemera."" The vision that emerges is haunting, evoking the aftermath of a physical, psychological, and spiritual apocalypse.Relentless in its stalking of the boundary between being and nonbeing, Ephemeron becomes a tour-de-force that shines a spotlight into dark corners of Being, revealing yet more darkness.
Häftad, Engelska, 2014
258 kr
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In Christian theology, a skandalon is a distraction from grace, a maze of error where we wander pointlessly, wasting our lives. To the ancient Greeks, a skandalon was the trigger of a trap. T. R. Hummer's labyrinthine new collection encompasses these meanings and more, as its poems take various paths - some beguiling, some grotesque, some instructive, some opaque - to unexpected destinations. Undergirding the collection is a series of progressive vignettes entitled ""Victims of the Wedding,"" which follows the quarrels and couplings of a human man and woman as well as the angel and demon who observe them.Skandalon presents poems that consider the subtle, tragic, and ridiculous responses of creatures who lose themselves in a world they had wrongly imagined to be their own.
Häftad, Engelska, 2018
274 kr
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A poetic study of the eternal, T. R. Hummer's new collection Eon, as with the other volumes in this trilogy, Ephemeron and Skandalon, offers meditations on the brief arc of our existence, death, and beyond. With vivid, corporeal imagery and metaphysical flourishes, the poet explores how the dead influence the ways we understand ourselves. Anchored with a series of poems that can be read as extended epitaphs, the collection closes with a gesture toward the redemptive power of love. In the tradition of Rainer Maria Rilke, Emily Dickinson, and Philip Levine, Eon shows us the power of being ""simple expressions of our earth. It imagined us, / And was imagined by something nameless in return.
Häftad, Engelska, 2006
465 kr
Skickas inom 5-8 vardagar
Music, race, politics, and conscience. In these eight essays written over the span of a decade and a half, T. R. Hummer explains how, for him, such abiding concerns revolve around the practice of poetry and the evolution of a culturally responsible personal poetics. Hummer writes about the suicide of poet Vachel Lindsay, the culture wars at the National Endowment for the Arts, the 1991 Persian Gulf War, the divided soul of his native American South, and the salving, transcendent practice of musicianship. Inevitably entwined with a personal or cultural component, Hummer's criticism is thus grounded in experience that is always familiar and often straight to the heart in its rightness.In one of those statements of "poetic purpose" that goes hand in hand with a residency, guest editorship, or lecture tour, Hummer once wrote that "poetry inhabits and enunciates an incommensurable zone between individual and collective, between body and body politic, an area very ill-negotiated by most of us most of the time. Our culture, with its emphasis on the individual mind and body, teaches us very little about how even to think about the nature of this problem. . . . E pluribus unum is a smokescreen: what pluribus; what unum? And yet this phrase is an American mantra, as if it explained something." This is a quintessential Hummer moment: a writer has just given himself a good reason to quit. What Hummer knows must happen next is what The Muse in the Machine is all about.
E-bok
Engelska, 2011321 kr
Läs direkt efter köp
Music, race, politics, and conscience. In these eight essays written over the span of a decade and a half, T. R. Hummer explains how, for him, such abiding concerns revolve around the practice of poetry and the evolution of a culturally responsible personal poetics. Hummer writes about the suicide of poet Vachel Lindsay, the culture wars at the National Endowment for the Arts, the 1991 Persian Gulf War, the divided soul of his native American South, and the salving, transcendent practice of musicianship. Inevitably entwined with a personal or cultural component, Hummer's criticism is thus grounded in experience that is always familiar and often straight to the heart in its rightness.In one of those statements of "poetic purpose" that goes hand in hand with a residency, guest editorship, or lecture tour, Hummer once wrote that "poetry inhabits and enunciates an incommensurable zone between individual and collective, between body and body politic, an area very ill-negotiated by most of us most of the time. Our culture, with its emphasis on the individual mind and body, teaches us very little about how even to think about the nature of this problem. . . . E pluribus unum is a smokescreen: what pluribus; what unum? And yet this phrase is an American mantra, as if it explained something." This is a quintessential Hummer moment: a writer has just given himself a good reason to quit. What Hummer knows must happen next is what The Muse in the Machine is all about.
E-bok
PDF, Engelska, 2011461 kr
Läs direkt efter köp
Music, race, politics, and conscience. In these eight essays written over the span of a decade and a half, T. R. Hummer explains how, for him, such abiding concerns revolve around the practice of poetry and the evolution of a culturally responsible personal poetics. Hummer writes about the suicide of poet Vachel Lindsay, the culture wars at the National Endowment for the Arts, the 1991 Persian Gulf War, the divided soul of his native American South, and the salving, transcendent practice of musicianship. Inevitably entwined with a personal or cultural component, Hummer's criticism is thus grounded in experience that is always familiar and often straight to the heart in its rightness.In one of those statements of "e;poetic purpose"e; that goes hand in hand with a residency, guest editorship, or lecture tour, Hummer once wrote that "e;poetry inhabits and enunciates an incommensurable zone between individual and collective, between body and body politic, an area very ill-negotiated by most of us most of the time. Our culture, with its emphasis on the individual mind and body, teaches us very little about how even to think about the nature of this problem. . . . E pluribus unum is a smokescreen: what pluribus; what unum? And yet this phrase is an American mantra, as if it explained something."e; This is a quintessential Hummer moment: a writer has just given himself a good reason to quit. What Hummer knows must happen next is what The Muse in the Machine is all about.