Tea Fredriksson – författare

In response to the recent ‘spectral turn’ within criminology this book presents, for the first time, a concise, comprehensive, approachable and critically engaged guide to hauntology for criminological researchers and graduate students.Hauntology is, in essence, a mode of analysing the repressions, absences and lacks that shape our social world. The book outlines how criminological researchers may welcome hauntings into their work, to escape the ontological tethers of administrative criminology and to reveal the importance of absence in their work. Specifically, the book is structured around key criminological themes, from prisons to the environment, and examines how the lens of ‘haunting’ helps unlock new critical enquiry by revealing the voices that are all too often buried. In doing so, it presents an examination of how hauntological concepts can be ‘read’ criminologically as well as addressing how they can be used to expand criminological imagination.Throughout the book, we use hauntology to amplify the significance of justice within criminology as an intellectual and ethical endeavour. We argue that a spectral attitude bolsters our ability to ‘do justice’ to our research, our questions, our participants, our subjects, our objects, and what counts as criminological knowledge.The book is guided by the following objectives:• To introduce the importance of hauntology for encountering the spectres repressed within criminological knowledge and research.• To outline the key concepts of hauntology to offer new critical insight into their application across the field of criminology.• To examine the multiple ways hauntology stretches the ontological and epistemological foundations of criminological research.• To produce an approachable, comprehensive and theoretically driven compendium that both motivates and guides current and future research across all areas of criminology.Hauntology: An Introduction for Criminologists is a guide for criminologists that is designed to, for the first time, help direct future hauntological research and enhanced learning capacity across the discipline of criminology.

In response to the recent ‘spectral turn’ within criminology this book presents, for the first time, a concise, comprehensive, approachable and critically engaged guide to hauntology for criminological researchers and graduate students.Hauntology is, in essence, a mode of analysing the repressions, absences and lacks that shape our social world. The book outlines how criminological researchers may welcome hauntings into their work, to escape the ontological tethers of administrative criminology and to reveal the importance of absence in their work. Specifically, the book is structured around key criminological themes, from prisons to the environment, and examines how the lens of ‘haunting’ helps unlock new critical enquiry by revealing the voices that are all too often buried. In doing so, it presents an examination of how hauntological concepts can be ‘read’ criminologically as well as addressing how they can be used to expand criminological imagination.Throughout the book, we use hauntology to amplify the significance of justice within criminology as an intellectual and ethical endeavour. We argue that a spectral attitude bolsters our ability to ‘do justice’ to our research, our questions, our participants, our subjects, our objects, and what counts as criminological knowledge.The book is guided by the following objectives:• To introduce the importance of hauntology for encountering the spectres repressed within criminological knowledge and research.• To outline the key concepts of hauntology to offer new critical insight into their application across the field of criminology.• To examine the multiple ways hauntology stretches the ontological and epistemological foundations of criminological research.• To produce an approachable, comprehensive and theoretically driven compendium that both motivates and guides current and future research across all areas of criminology.Hauntology: An Introduction for Criminologists is a guide for criminologists that is designed to, for the first time, help direct future hauntological research and enhanced learning capacity across the discipline of criminology.

This book provides a nuanced, critical analysis of desistance from crime, particularly through the lens of women’s experiences. It develops desistance theory by interrogating the concept of normalcy, highlighting how normative societal expectations cause harms on desistance journeys. Through this lens, the book uncovers tensions between desistance as a journey towards societal (re)integration and the resistance desisters experience when encountering state institutions and social norms. Being no longer part of the old life, and not yet part of the new, desisters face both familiar and unfamiliar harms.A key conceptual contribution is the book’s critique of normalcy as both an aspirational and oppressive goal. The work illustrates how the pursuit of mainstream inclusion can expose desisters to both new and continuous harms. These include surveillance and stigma, social and literal death, gendered violence, and economic precarity. By engaging with feminist and temporal criminological theories, the book sheds light on how desisters’ experiences reveal the dark side of normalcy, calling into question whether its pursuit is wholly desirable.With its focus on the intersections of gender, stigma, and social control, this work advances academic debates on desistance, proposing a rethinking of how criminal justice systems and support frameworks engage with those transitioning out of criminalized lifestyles. It will appeal to students and scholars of criminology, desistance, gender studies, recovery from addiction, and to practitioners and policy-makers in these fields.

Through a study of ten commercially published prison autobiographies, Haunting Prison: Exploring the Prison as an Abject and Uncanny Institution unveils how prison is narrativized and socially represented as an abject and uncanny institution, shedding new light on what prison is and does in Western carceral imaginations.Unveiling the layers of editing that position prison autobiographies between fact and fiction, Tea Fredriksson delves into how true crime’s claims to factuality coexist with the genre’s inescapable horror iconography. In a thematic analysis of how autobiographical prison stories make prison ‘come alive’ on the page as a site of abject horror and eerie unsettlement, Haunting Prison: Exploring the Prison as an Abject and Uncanny Institution explores how prison functions as a storied institution, both as a physical site of subterranean horrors and in terms of the many-layered stories told about prison and the bodies within it. Showcasing how prison expresses and distills the normative social anxieties of the global North-West and linking othering processes and unsettling likenesses as common narrational themes, Fredriksson reveals how prison is both an abject other to and a haunting, uncanny double of the outside world.A refreshing take on the study of true crime data, Haunting Prison: Exploring the Prison as an Abject and Uncanny Institution is appealing reading for scholars interested in qualitative research methods for studying crime, punishment and victimhood in popular culture.This series has been renamed to “Emerald Studies in Culture, Crime, Criminal Justice and the Arts” effective for 2025 publications onward.