Teresa Nicholas – författare

In 2000, readers voted Willie Morris (1934–1999) Mississippi''s favorite nonfiction author of the millennium. After conducting over fifty interviews and combing through over eighty boxes of papers in the archives at the University of Mississippi, many of which had never been seen before by researchers, Teresa Nicholas provides new perspectives on a Mississippi writer and editor who changed journalism and redefined what being southern could mean. More than fifty photographs—some published here for the first time, including several by renowned photographer David Rae Morris, Willie''s son—enhance the exploration. From an early age, Willie demonstrated a talent for words. At the University of Texas at Austin, he became a controversial editor of the Daily Texan. He later studied history as a Rhodes Scholar in Oxford, England, but by 1960 he was back in Austin, working as editor for the highly regarded Texas Observer. In 1967 Willie became the youngest editor of the nation''s oldest magazine, Harper''s. His autobiography, North Toward Home, achieved critical as well as artistic success, and it would continue to inspire legions of readers for decades to come. In the final tally, he published hundreds of newspaper and magazine articles, along with twenty-three books. His work covered the gamut from fiction to nonfiction, for both adults and children, often touching on the personal as well as the historical and the topical, and always presented in his lyrical prose. In 1980, he returned to his home state as writer-in-residence at the University of Mississippi. In 1990, he married his editor at the University Press of Mississippi, JoAnne Prichard, and they made a home in Jackson. With his broad knowledge of history, his sensitivity, and his bone-deep understanding of the South, he became a celebrated spokesman for and interpreter of the place he loved.

Growing up in the Delta town of Yazoo City, Mississippi, Teresa Nicholas believed that she and her country-born and -bred mother weren’t close. She knew little of her mother’s early life as a sharecropper during the Great Depression, but whenever she brought up the subject, her taciturn mother would snap, "You ask too many questions, young’un."Nicholas left Mississippi to attend college, then settled in New York to work in the hard-driving world of commercial book publishing. Twenty-five years later, eager for a change, she and her husband decided to shift careers to writing, trading their home in the New York suburbs for a casita in the Mexican Highlands. But as her mother’s health deteriorated, Nicholas found herself spending more time in the small town she thought she had left behind. Over long afternoons in front of Turner Classic Movies, she grew closer to her mother, coaxing stories from her about her hardscrabble past—until a major stroke threatened to silence her mother's newfound voice.Torn between her new home in Mexico and her old home in Mississippi, Nicholas struggled to find her place in the world. She discovered that the past isn’t always the way we remember it, and as the years ticked by, that she and her mother could grow closer still. The Mama Chronicles: A Memoir is a funny and poignant account of a mother-daughter relationship and, ultimately, a meditation on acceptance and what it means to call a place home.

Winner of the 2022 Mississippi Institute of Arts and Letters Award for Life WritingGrowing up in the Delta town of Yazoo City, Mississippi, Teresa Nicholas believed that she and her country-born and -bred mother weren’t close. She knew little of her mother’s early life as a sharecropper during the Great Depression, but whenever she brought up the subject, her taciturn mother would snap, “You ask too many questions, young’un.” Nicholas left Mississippi to attend college, then settled in New York to work in the hard-driving world of commercial book publishing. Twenty-five years later, eager for a change, she and her husband decided to shift careers to writing, trading their home in the New York suburbs for a casita in the Mexican Highlands. But as her mother’s health deteriorated, Nicholas found herself spending more time in the small town she thought she had left behind. Over long afternoons in front of Turner Classic Movies, she grew closer to her mother, coaxing stories from her about her hardscrabble past—until a major stroke threatened to silence her mother''s newfound voice. Torn between her new home in Mexico and her old home in Mississippi, Nicholas struggled to find her place in the world. She discovered that the past isn’t always the way we remember it, and as the years ticked by, that she and her mother could grow closer still. The Mama Chronicles: A Memoir is a funny and poignant account of a mother-daughter relationship and, ultimately, a meditation on acceptance and what it means to call a place home.

Winner of the 2022 Mississippi Institute of Arts and Letters Award for Life WritingGrowing up in the Delta town of Yazoo City, Mississippi, Teresa Nicholas believed that she and her country-born and -bred mother weren’t close. She knew little of her mother’s early life as a sharecropper during the Great Depression, but whenever she brought up the subject, her taciturn mother would snap, “You ask too many questions, young’un.” Nicholas left Mississippi to attend college, then settled in New York to work in the hard-driving world of commercial book publishing. Twenty-five years later, eager for a change, she and her husband decided to shift careers to writing, trading their home in the New York suburbs for a casita in the Mexican Highlands. But as her mother’s health deteriorated, Nicholas found herself spending more time in the small town she thought she had left behind. Over long afternoons in front of Turner Classic Movies, she grew closer to her mother, coaxing stories from her about her hardscrabble past—until a major stroke threatened to silence her mother''s newfound voice. Torn between her new home in Mexico and her old home in Mississippi, Nicholas struggled to find her place in the world. She discovered that the past isn’t always the way we remember it, and as the years ticked by, that she and her mother could grow closer still. The Mama Chronicles: A Memoir is a funny and poignant account of a mother-daughter relationship and, ultimately, a meditation on acceptance and what it means to call a place home.

A descendant of Lebanese Catholic immigrants on her father''s side and Baptist sharecroppers on her mother''s, Teresa Nicholas recounts in Buryin'' Daddy a southern upbringing with an unusual inflection. As the book opens, the author recalls her charmed early childhood in the late 1950s, when she and her family live with her grandparents in a graceful old bungalow in Yazoo City, Mississippi. But when the author is five, her eccentric father—secretive, penurious, autocratic, hoarding—moves his growing family into a condemned duplex nearby. Separated from her beloved grandmother and chafing under her father''s erratic discipline, the girl longs to flee from the awful decrepit house. When she''s a teenager, she and her father find themselves on conflicting sides of the civil rights movement and their arguments grow more painful, until a scholarship to a northeastern college provides the means of her escape. Two decades later, Nicholas has built a successful career in book publishing in New York. When her father dies suddenly, she returns to Mississippi for the funeral and to spend a month in the hated duplex as her mother comes to terms with her husband''s passing. But as she sorts through the strange detritus of her father''s life, the author comes to understand that he was far more complex than the angry man she thought she knew. And as she draws closer to her surprisingly resilient mother, affected by stroke but full of blunt country talk, she finds that her mother is also far from the naïve, helpless creature she remembers. Through a series of surprising and oddly humorous discoveries, the author and her mother will begin to unravel her father''s poignant secrets together in this graceful and generous exploration of the intermingling of shame and love that lie at the heart of family life.

In 2000, readers voted Willie Morris (1934–1999) Mississippi''s favorite nonfiction author of the millennium. After conducting over fifty interviews and combing through over eighty boxes of papers in the archives at the University of Mississippi, many of which had never been seen before by researchers, Teresa Nicholas provides new perspectives on a Mississippi writer and editor who changed journalism and redefined what being southern could mean. More than fifty photographs—some published here for the first time, including several by renowned photographer David Rae Morris, Willie''s son—enhance the exploration. From an early age, Willie demonstrated a talent for words. At the University of Texas at Austin, he became a controversial editor of the Daily Texan. He later studied history as a Rhodes Scholar in Oxford, England, but by 1960 he was back in Austin, working as editor for the highly regarded Texas Observer. In 1967 Willie became the youngest editor of the nation''s oldest magazine, Harper''s. His autobiography, North Toward Home, achieved critical as well as artistic success, and it would continue to inspire legions of readers for decades to come. In the final tally, he published hundreds of newspaper and magazine articles, along with twenty-three books. His work covered the gamut from fiction to nonfiction, for both adults and children, often touching on the personal as well as the historical and the topical, and always presented in his lyrical prose. In 1980, he returned to his home state as writer-in-residence at the University of Mississippi. In 1990, he married his editor at the University Press of Mississippi, JoAnne Prichard, and they made a home in Jackson. With his broad knowledge of history, his sensitivity, and his bone-deep understanding of the South, he became a celebrated spokesman for and interpreter of the place he loved.