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Dreiser''s careful preservation of his papers bears new fruit with the publication of his personal diaries for the years 1902-26. This volume presents all seven of Dreiser''s hitherto unpublished American diaries, the intermittent journals he kept during the most productive years of his literary career. Together they constitute a revealing self-portrait as well as a valuable commentary on the American scene during the first quarter of the twentieth century. They offer reflections on turn-of-the-century Philadelphia, the American South and Mid-West, Greenwich Village of the nineteen-teens, and Hollywood of the twenties. The diaries begin in 1902, when Dreiser was at a low point after the "suppression" of Sister Carrie, and continue until 1926, when he was enjoying the greatest success of his career with An American Tragedy.This publication constitutes in its entirety a new source for biographical and critical study. This is particularly true of the diaries covering Dreiser''s experience in Philadelphia, Greenwich Village, and with Helen Richardson—all of which were not available to previous biographers. The present Introduction by Professor Riggio is the first biographical narrative to make use of these materials. Future biographers will now be able to speak with more assurance of Dreiser''s whereabouts, the people he knew, what he was reading, which writings were in progress, and of his fascinating private affairs in general. In addition, these diaries will be of interest to students of Dreiser''s literary art, as they reveal subtle aspects of how Dreiser viewed the external world and transmuted it in his daily creative efforts.
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A candid and intimate chapter in the life of a modern woman, Yvette Eastman''s vivid narrative also contributes richly to the life story of Theodore Dreiser. Dearest Wilding: A Memoir records the journey that took Yvette Szekely from an upper-middle-class scholar''s home in Budapest to the intellectual and artistic centers of urban America in the 1920s and 1930s.In 1929 sixteen-year-old Yvette Szekely met Dreiser, who was fifty-eight at the time, and within a year he became her lover. Dreiser remained central to her life—as lover, father figure, and mentor—until his death in 1945. Her portrait of Dreiser, who is by no means idealized, is of a complex man—often troubled, suspicious, and jealous, but also caring and supportive.The book is much more than an account of a sixteen-year relationship, however. It describes Eastman''s attempt to understand her bond with Dreiser, forcing her back to her childhood, to memories of her distinguished but distant father who remained in Hungary, and to the early experiences that made the aging Dreiser so important to her life. In an afterword, the author thoughtfully reflects on the patterns of love and loss that form part of her past.Dearest Wilding is a valuable primary source in literary history and among the last documents from this era. One of the most important figures in the memoir is Max Eastman, whose early relationship with Yvette Szekely resulted in marriage years later.As perhaps the last reminiscence of Dreiser and his circle that will ever appear, Dearest Wilding: A Memoir promises rewarding reading.