Tom Chivers – författare

'A lyrical meditation on landscapes and cities, vivid reportage and a memoir. And also a beautifully realised and moving read.' Financial Times'A beguiling mix of history, geology, folklore and memoir that captivated me from the first page.' Lara Maiklem, author of Mudlarking'Tom Chivers brings a poet's sensibility to this book about the hidden parts of the capital, mixing the past with the present, the known with the unknown and his personal story with social history and geology.' Bernardine Evaristo, author of Girl, Woman, OtherWhat secrets lie beneath a city?Tom Chivers follows hidden pathways, explores lost islands and uncovers the geological mysteries that burst up through the pavement and bubble to the surface of our streets. From Roman ruins to a submerged playhouse, from an abandoned Tube station to underground rivers, Chivers leads us on a journey into the depths of the city he loves.A lyrical interrogation of a capital city, a landscape and our connection to place, London Clay celebrates urban edgelands: in-between spaces where the natural world and the metropolis collide. Through a combination of historical research, vivid reportage and personal memoir, it will transform how you see London, and cities everywhere.'Tom Chivers, with the forensic eye of an investigator, the soul of a poet, is an engaging presence; a guide we would do well to follow.' Iain Sinclair, author of The Last London

City State showcases the work of twenty-seven London writers between the ages of 16 and 36. From hyperlinked walks of Battersea bombsites and guerilla gardening projects to jagged urban lyrics and dark hymns to the East End, City State presents a confident, entertaining and truly diverse snapshot of the best new poetry from London.Featuring poems by: Jay Bernard, Caroline Bird, Ben Borek, Siddhartha Bose, Tom Chivers, Swithun Cooper, Alex Davies, Inua Ellams, Laura Forman, Wayne Holloway-Smith, Christopher Horton, Kirsten Irving, Annie Katchinska, Amy Key, Chris McCabe, Marianne Munk, Holly Pester, Heather Phillipson, Nick Potamitis, Imogen Robertson, Jacob Sam-La Rose, Ashna Sarkar, Jon Stone, Barnaby Tidman, Ahren Warner, James Wilkes, Steve Willey"We are offered London as a test case for a new diversity of means and manner, from sassy performance scripts to the solid blocks of densely disjunctive language characterised as innovative or avant-garde. [City State proposes] a central space that is also the meeting place of many edges."Philip Gross, Poetry London"City State is [a] journey across the metropolis in rush hour: a journey that by turns bewilders, delights and throws up unpalatable truths. The anthology showcases a real range of styles, from Jacob Sam-La Rose's heartfelt verse, to Chris McCabe's complex, darkly witty observations. Though diverse, the poets featured here often seem to riff around several themes that are associated with London itself: dislocation, escapism, breathlessness."Helen Mort"Performance poets are wedged side by side with the new crop of post-langpo practitioners and sculptors of sound; formalism and new narrative jostle for position with cut-ups, found poems and the inheritors of a confessional poetics [...] What seems to unit the best of the poets here is a quality of looking outward: they are aware of, and play with, the possibilities of language and form; they draw on a recognisable tradition but refresh it, linguistically and subjectively [...] There is a great deal of vitality and versatility among the younger generation of emerging poets in the country's capital."Simon Turner"Here is a good, deep shaft drilled into the poetry of the capital. [...] What I like about this anthology is its range. There are poets here who, I guess, could fit into the latest Bloodaxe catalogue with relative ease. There are others, like Nick Potamitis or Steve Wiley and Alex Davies, who are much more experimental and are carrying on the work of poets such as Allen Fisher and Iain Sinclair. And there are poets coming out of a more performance-oriented stream such as Jacob Sam-La Rose, whose wonderfully ironic 'How to be Black' is one of the many highlights of this collection.[...] A true anthology of what's going on in poetry now."Steven WalingTom Chivers (editor) was born in 1983 in South London. A writer, editor and promoter of poetry, his publications include The Terrors (Nine Arches Press, 2009) and How To Build A City (Salt Publishing, 2009). A winner of the inaugural Crashaw Prize, he is Associate Editor of Tears in the Fence, was Poet in Residence at The Bishopsgate Institute, London, and has appeared on BBC Radio 3 and 4. Tom is Director of Penned in the Margins and Co-Director of London Word Festival.

SHORTLISTED FOR THE ROYAL SOCIETY TRIVEDI SCIENCE BOOK PRIZE 2024 'Fascinating, witty and perspective-shifting' Oliver Burkeman'A remarkable book about a remarkable theorem' Will Storr'Witty, lively and best of all, extremely nerdy. I learned a lot and so will you' Tim HarfordThomas Bayes was an eighteenth-century Presbyterian minister and amateur mathematician whose obscure life belied the profound impact of his work. Like most research into probability at the time, his theorem was mainly seen as relevant to games of chance, like dice and cards. But its implications soon became clear.Bayes' theorem helps explain why highly accurate screening tests can lead to false positives, causing unnecessary anxiety for patients. A failure to account for it in court has put innocent people in jail. But its influence goes far beyond practical applications. A cornerstone of rational thought, Bayesian principles are used in modelling and forecasting. 'Superforecasters', a group of expert predictors who outperform CIA analysts, use a Bayesian approach. And many argue that Bayes' theorem is not just a useful tool, but a description of almost everything - that it is the underlying architecture of rationality, and of the human brain.Fusing biography, razor-sharp science communication and intellectual history, Everything Is Predictable is a captivating tour of Bayes' theorem and its impact on modern life. From medical testing to artificial intelligence, Tom Chivers shows how a single compelling idea can have far-reaching consequences.

A fascinating intellectual history that takes a comparatively little-known but important idea and shows how it affects huge areas of our lives

SHORTLISTED FOR THE ROYAL SOCIETY TRIVEDI SCIENCE BOOK PRIZE 2024'Fascinating, witty and perspective-shifting . . . I finished it not only better informed about a captivating branch of mathematics, but with an invigorating sense of greater purchase on the world' OLIVER BURKEMANThomas Bayes was an eighteenth-century Presbyterian minister and amateur mathematician whose obscure life belied the profound impact of his work. Fusing biography, razor-sharp science communication and intellectual history, Everything Is Predictable is a captivating tour of Bayes' theorem and its impact on modern life. From medical testing to artificial intelligence, Tom Chivers shows how a single compelling idea can have far-reaching consequences.

Every day, most of us will read or watch something in the news that is based on statistics in some way. Sometimes it'll be obvious - 'X people develop cancer every year' - and sometimes less obvious - 'How smartphones destroyed a generation'. Statistics are an immensely powerful tool for understanding the world, but in the wrong hands they can be dangerous.Introducing you to the common mistakes that journalists make and the tricks they sometimes deploy, HOW TO READ NUMBERS is a vital guide that will help you understand when and how to trust the numbers in the news - and, just as importantly, when not to.

How To Build A City is the Crashaw Prize-winning debut collection of poetry by Tom Chivers. It is a poetic interrogation of the twenty-first century urban experience, drawing on the history, culture, society and topography of London. Chivers takes his cue from radical writers such as Iain Sinclair and Barry MacSweeney to create an impressionist poetry, marked by playful riddling, found texts and unusual juxtapositions. How To Build A City is peopled by ghosts of London’s past as well as the distinctly modern spectres of spam email, international terrorism and the credit crunch.The title piece is a choppy, sardonic investigation of contemporary East London, a travelogue that never really leaves Liverpool Street Station. Some of the poems are personal accounts of love and loss, including ‘Thom, C & I’, a long sequence of lyrical fragments cut from a diary written by the poet’s mother. Other poems take the reader away from the city to the fenlands of Medieval East Anglia, apple-heavy Himalayan gardens and the bleak uplands of Northern England.How To Build A City captures the mood of a fluctuating, unstable metropolis that is continually coming to terms with multiple and conflicting identities.

Did you know that an invisible mountain is rising above the streets of the capital - and, at over 1,400 metres, it is Britain's highest peak? This ingenious new book is an account of the ascent of Mount London by a hardened team of writers, poets and urban cartographers, each one scaling a smaller mountain within the city - from Crystal Palace (112m) to Primrose Hill (78m) - until the accumulative climb exceeds the height of Ben Nevis.Also available as an eBook here.The essays and stories in Mount London unpeel London's history, geography and psychogeography, reimagining the city as mountainous terrain and exploring what it's like to move through the urban landscape. Ascents of London's natural peaks are offset by expeditions to the artificial mountains of the city - the Shard (306m), the chimneys of Battersea Power Station (103m) - and the search for 'ghost hills' in the back streets of Whitechapel and Finsbury.Mount London is a unique and visionary record of the vertical city. With contributions by Iain Sinclair, Helen Mort, Joe Dunthorne, Sarah Butler, Inua Ellams, Bradley Garrett and many more.