Tony Harrison - Böcker

Tony Harrison published his first pamphlet of poems in 1964 and for over fifty years has been a prominent force in modern poetry. His poetic range is truly far-reaching, from the intimate tenderness of family life and personal love, to war poems written from Bosnia and savage public outcries against politicians. In The Collected Poems, Harrison draws deeply both on classical tradition and on the vernacular of the street. Combining the private and the public in a way Harrison has made distinctly his own, and drawing on his working-class upbringing in Leeds, these are powerful poems for modern times.This is the first complete paperback collection of one of Britain's most controversial and critically acclaimed poets.'Tony Harrison is the greatest poet of the second half of the 20th century. . . He writes brilliantly about class, love and Britain' Daniel Radcliffe'Harrison is a masterly technician, and the most fiery and indelible English poet of the age. This book is a vineyard on a volcano' Paul Farley

Mens health covers a variety of physical, psychological, social, lifestyle and political factors, all of which will be covered in the book. As the whole concept is still emerging, the text will not attempt to be either comprehensive or definitive, but will be seen to add to the pool of knowledge and help set the agenda for future work.

This third collection of Tony Harrison's theatre work contains three plays, all of which were written to be performed in specific places in the world. Poetry or Bust, performed in September 1993, is about the Airedale poet John Nicholson (1790-1843) and was devised for the former wool-combing shed at Salts Mill, Saltaire, not a hundred yards from where Saltaire drowned. The Kaisers of Carnuntum was performed on 2 June 1995 in the Roman amphitheatre of Petronell/Carnuntum in Austria and has the bloody Commodus, a Roman Emperor and son of the philosopher Marcus Aureliues, returning to the former Roman frontier town.

This second collection of Tony Harrison's poetry for the stage contains his adaptations of Molière, Racine and Victor Hugo. Included are the plays The Misanthrope, Phaedra Britannica and The Prince's Plays.The volume contains introductions, written by Tony Harrison, to each of the plays.

This fourth collection of Tony Harrison's poetry for stage contains his highly acclaimed translations of Aeschylus, Aristophanes and Euripides. Included are the plays The Oresteia, and The Common Chorus (Parts I and II).This volume contains introductions, written by Tony Harrison, to each of the plays.

This fifth collection of Tony Harrison's masterly poetry for the stage contains introductions by the author to each of the plays.The Trackers of Oxyrhynchus was voted one of the best 100 plays of the twentieth century by the National Theatre Millennium Poll:'One of the most brilliantly original things the National has ever done.' Sunday Times'A wonderfully witty, provocative piece of theatre.' Guardian'Harrison has created a glorious piece of total theatre.' Time Out'Square Rounds is clearly a work of genius . . . It's so brilliant you leave the theatre in a kind of exhilarated pessimism.' Boston Globe'It would be a stony soul who didn't salute Harrison's reckless theatrical audacity . . . A stunningly original piece of theatre.' Guardian'Let's hand it to Tony Harrison: when it comes to taking theatrical risks, he has no rival.' The TimesTony Harrison is the recipient of the Northern Rock Foundation Writer's Award 2004.

Tony Harrison's sixth collection includes a foreword by Lee Hall. The book contains Harrison's translation of Euripides's Hecuba, which inaugurated the modern amphitheatre of Delphi in 2005; the remarkable Fram, which opened at the National Theatre in 2008; and Iphigenia in Crimea, after Euripides, which premiered on BBC Radio 3 to mark Tony Harrison's eightieth birthday in 2016.'Tony is that incredibly rare beast: as great a playwright as he is a poet.' Lee Hall 'I am convinced that Tony Harrison is one of the truly great poets writing in English today.' Melvyn BraggHecuba 'Harrison's urgent translation never lets us forget the aching topicality of Euripides' study of the powerful and the powerless.' Guardian Fram'Harrison brings gloriously rich life to the stage, by turns funny and rending. His couplets are a feast for rhyme junkies.' Financial Times'As visually resplendent a piece of theatre as you will see all year. The words more than hold their own, however, expressing in rhymes to be relished that poetry might yet, if not lead us out of the darkness, at least make us feel ashamed we're still stuck in it.' Sunday Times Iphigenia in Crimea Set in Sebastapol, 1854, inthe midst of the Crimean war, a lieutenant decides to stage an all-male production of Euripides's tragedy. After initial raucous incredulity, the atmosphere changes as the men commit themselves to the drama until, as it draws to a close, ancient and modern worlds collide and warfare resumes in earnest.

Tony Harrison's v. was written during the Miners' Strike of 1984-85 when he visited his parents' grave in a Leeds cemetery and found it vandalised by obscene graffiti. In the book-length poem, he confronts the foul-mouthed skinhead thug responsible, who becomes a foil for his own anger and alienation. The political and media reaction to v. would make a book in itself. This is that book. As well as Tony Harrison's poem and Graham Sykes's photographs, this new edition of v. includes press articles, letters, reviews, a defence of the poem and film by director Richard Eyre, and a transcript of the phone calls logged by Channel Four on the night of the broadcast. Channel Four’s film of v. won the Royal Television Society’s Best Original Programme Award.The Star: 'A plan to televise a poem packed with obscenities caused outrage last night. ITV chiefs intend to screen a reading of Tony Harrison's verse v. which is full of four-letter words.'Daily Mail: A torrent of four-letter filth… the most explicitly sexual language yet beamed into the nation's living rooms… the crudest, most offensive word is used 17 times.'Gerald Howarth, MP: 'It is full of expletives and I can't see that it serves any artistic purpose whatsoever.'Mary Whitehouse: 'This work of singular nastiness.'Sir Harold Pinter: 'The criticism against the poem has been offensive, juvenile and, of course, philistine. It should certainly be broadcast.'Sir Richard Eyre: 'If I had the slightest influence over educational policy in this country, I'd see that v. was a set text in every school in the country, but of course if we lived in that sort of country, the poem wouldn't have needed to be written.'