Tzvetan Todorov – författare

One of the most terrible legacies of our century is the concentration camp. Countless men and women have passed through camps in Nazi Germany, Communist China, and the Soviet bloc countries. In Voices from the Gulag, Tzvetan Todorov singles out the experience of one country where the concentration camps were particularly brutal and emblematic of the horrors of totalitarianism—communist Bulgaria. The voices we hear in this book are mostly from Lovech, a rock quarry in Bulgaria that became the final destination for several thousand men and women during its years of operation from 1959 to 1962. The inmates, though drawn from various social, professional, and economic backgrounds, shared a common fate: they were torn from their homes by secret police, brutally beaten, charged with fictitious crimes, and shipped to Lovech. Once there, they were forced to endure backbreaking labor, inadequate clothing, shelter, and food, systematic beatings, and institutionalized torture.We also hear from guards, commandants, and bureaucrats whose lives were bound together with the inmates in an absurd drama. Regardless of their grade and duties, all agree that those responsible for these "excesses" were above or below them, yet never they themselves. Accountability is thereby diffused through the many strata of the state apparatus, providing legal defenses and "clear" consciences. Yet, as the concluding section of interviews—with the children and wives of the victims—reminds us, accountability is a moral and historical imperative.The testimonies in Voices from the Gulag were written specifically for this volume or have been published in the Bulgarian press or on Bulgarian television. Todorov compiled them for this book and has written an introductory essay—a lucid and troubling analysis of totalitarianism and the role that terror and the concentration camp play in such a world. He reflects upon his own experience living in Bulgaria during the years when Lovech was in operation. It is through that experience that Todorov has sought to understand the totalitarian horrors of our century.Although Lovech and the other camps of Soviet Russia and Eastern Europe have been closed down, concentration camps still exist in the countries whose communist regimes remain in power—Vietnam, China, North Korea, and Cuba. The voices in this book remind us that we are never completely safe from the threat of totalitarianism, a threat that we all must face. As Todorov writes, "I cannot say that these stories do not concern me."

"We are all confronted, at one time or another, with choices as to what sort of life we will lead." So Tzvetan Todorov begins Frail Happiness, an important interpretation of Rousseau, one suffused with Todorov’s own moral seriousness and intellectual depth. While ranging widely through Rousseau’s corpus with skill and scholarly authority Todorov returns, again and again, to the fragile yet persistent hope for human happiness.

Originally published in 1982, this is an anthology of studies by French literary theorists representing the most significant contributions to the field made in France in the preceding fifteen years. The essays were published here in English for the first time and cover, among other topics, the methodology of literary studies, the specifics of literary creation, the different facets and levels of the text, and the issues raised by the classification of literature into genres and periods. Biographical notes on the authors and an introduction are provided by the editor. The contributors all reflect in varying degrees the influence of structural linguistics, and this collection will be of value for all those, on whichever side of the debate, concerned with the impact and importance of this method of approach for the study of literature.

This is a collection in translation of recent essays by Tzvetan Todorov, one of the most eminent of today's literary critics. The essays concentrate on the idea of genre, literary or otherwise, and ask such questions as: What is literature? What is genre? Which are the major literary genres? In the first section, Todorov proposes definitions for the notions of literature, discourse, and genre. Following is a general discussion of the two principal literary genres, fiction and poetry. In the final section, Todorov examines individual authors as case studies: among them Poe, Dostoyevsky, Baudelaire, Conrad, and James.

This is a collection in translation of recent essays by Tzvetan Todorov, one of the most eminent of today's literary critics. The essays concentrate on the idea of genre, literary or otherwise, and ask such questions as: What is literature? What is genre? Which are the major literary genres? In the first section, Todorov proposes definitions for the notions of literature, discourse, and genre. Following is a general discussion of the two principal literary genres, fiction and poetry. In the final section, Todorov examines individual authors as case studies: among them Poe, Dostoyevsky, Baudelaire, Conrad, and James.

Examines the struggle between Totalitarianism and democracy and its effects on human life and consciousness. This book explores the history of the twentieth century not only by analyzing its spectacular political conflicts but also by offering profiles of several individuals who resisted the strictures of the communist and Nazi regimes.

Available in English for the first time, Imperfect Garden is both an approachable intellectual history and a bracing treatise on how we should understand and experience our lives. In it, one of France's most prominent intellectuals explores the foundations, limits, and possibilities of humanist thinking. Through his critical but sympathetic excavation of humanism, Tzvetan Todorov seeks an answer to modernity's fundamental challenge: how to maintain our hard-won liberty without paying too dearly in social ties, common values, and a coherent and responsible sense of self. Todorov reads afresh the works of major humanists--primarily Montaigne, Rousseau, and Constant, but also Descartes, Montesquieu, and Toqueville. Each chapter considers humanism's approach to one major theme of human existence: liberty, social life, love, self, morality, and expression. Discussing humanism in dialogue with other systems, Todorov finds a response to the predicament of modernity that is far more instructive than any offered by conservatism, scientific determinism, existential individualism, or humanism's other contemporary competitors.Humanism suggests that we are members of an intelligent and sociable species who can act according to our will while connecting the well-being of other members with our own. It is through this understanding of free will, Todorov argues, that we can use humanism to rescue universality and reconcile human liberty with solidarity and personal integrity. Placing the history of ideas at the service of a quest for moral and political wisdom, Todorov's compelling and no doubt controversial rethinking of humanist ideas testifies to the enduring capacity of those ideas to meditate on--and, if we are fortunate, cultivate--the imperfect garden in which we live.

This illuminating analysis by one of the world's leading intellectuals addresses fundamental questions about the new world disorder exemplified by the war on terrorism, the Iraq conflict and its aftermath and the current state of transatlantic relations.In eight concise chapters, Todorov discusses the use of force versus diplomacy, the emergence of new powers and the reactions of different players such as the UK, France, Poland and the United Nations, to the imperialist turn in US foreign policy. He argues that a new Europe is capable of reducing its dependence on the United States and assuming more responsibilities in the area of foreign affairs, would be the most effective way of counter-balancing America's current dominance of global politics. Drawing on his vast knowledge of history and philosophy, Todorov has written an insightful and timely book that, without simplyfying the issues, is accessible to all.

This illuminating analysis by one of the world's leading intellectuals addresses fundamental questions about the new world disorder exemplified by the war on terrorism, the Iraq conflict and its aftermath and the current state of transatlantic relations.In eight concise chapters, Todorov discusses the use of force versus diplomacy, the emergence of new powers and the reactions of different players such as the UK, France, Poland and the United Nations, to the imperialist turn in US foreign policy. He argues that a new Europe is capable of reducing its dependence on the United States and assuming more responsibilities in the area of foreign affairs, would be the most effective way of counter-balancing America's current dominance of global politics. Drawing on his vast knowledge of history and philosophy, Todorov has written an insightful and timely book that, without simplyfying the issues, is accessible to all.

The political history of the twentieth century can be viewed as the history of democracy’s struggle against its external enemies: fascism and communism. This struggle ended with the fall of the Berlin Wall and the collapse of the Soviet regime. Some people think that democracy now faces new enemies: Islamic fundamentalism, religious extremism and international terrorism and that this is the struggle that will define our times. Todorov disagrees: the biggest threat to democracy today is democracy itself. Its enemies are within: what the ancient Greeks called 'hubris'.Todorov argues that certain democratic values have been distorted and pushed to an extreme that serves the interests of dominant states and powerful individuals. In the name of ‘democracy’ and ‘human rights’, the United States and some European countries have embarked on a crusade to enlighten some foreign populations through the use of force. Yet this mission to ‘help’ others has led to Abu Ghraib and Guantanamo, to large-scale destruction and loss of life and to a moral crisis of growing proportions. The defence of freedom, if unlimited, can lead to the tyranny of individuals.Drawing on recent history as well as his own experience of growing up in a totalitarian regime, Todorov returns to examples borrowed from the Western canon: from a dispute between Augustine and Pelagius to the fierce debates among Enlightenment thinkers to explore the origin of these perversions of democracy. He argues compellingly that the real democratic ideal is to be found in the delicate, ever-changing balance between competing principles, popular sovereignty, freedom and progress. When one of these elements breaks free and turns into an over-riding principle, it becomes dangerous: populism, ultra-liberalism and messianism, the inner enemies of democracy.

Focusing on theories of verbal symbolism, Tzvetan Todorov here presents a history of semiotics. From an account of the semiotic doctrines embodied in the works of classical rhetoric to an exploration of representative modern concepts of the symbol found in ethnology, psychoanalysis, linguistics, and poetics, Todorov examines the rich tradition of sign theory. In the course of his discussion Todorov treats the works of such writers as Aristotle, Cicero, Quintilian, Augustine, Condillac, Lessing, Diderot, Goethe, Novalis, the Schlegel brothers, Levy-Bruhl, Freud, Saussure, and Jakobson.

In Symbolism and Interpretation, Tzvetan Todorov examines two aspects of discourse: its production, which has traditionally been the domain of rhetoric, and its reception, which has always been the object of hermeneutics. He analyzes the diverse theories of symbolism and interpretation that have been elaborated over the centuries and considers their contribution to a general theory of verbal symbolism, discussing a wide range of thinkers, from the Sanskrit philosophers and Aristotle to the German Romantics and contemporary semioticians.Todorov begins by examining general ideas of linguistic symbolism and the interpretive process. He then turns to a detailed consideration of two of the most influential and pervasive interpretative strategies in Western thought: the patristic exegesis of Augustine and Aquinas, and the philological exegesis foreshadowed in the work of Spinoza, developed by Wolf, Ast, Boeckh, and Lanson, and criticized by Schleiermacher. Todorov clarifies in masterly fashion the intricacies of the many schools of thought and refines the concepts crucial to critical theory today, including the distinctions between language and discourse, direct and indirect meaning, sign and symbol. Ably translated by Catherine Porter, Symbolism and Interpretation provides a coherent and innovative framework that is indispensable to the study of semiotics, its history, and its future.

"This, the first of Todorov's books to be translated into English (it was originally published in French in 1970), is brilliant.... Todorov's attempt to formulate a general theory for studying themes without subordinating literary theory to the social sciences makes this book indispensable to serious students of literature."― Library JournalIn The Fantastic, Tzvetan Todorov seeks to examine both generic theory and a particular genre, moving back and forth between a poetics of the fantastic itself and a metapoetics or theory of theorizing, even as he suggest that one must, as a critic, move back and forth between theory and history, between idea and fact. His work on the fantastic is indeed about a historical phenomenon that we recognize, about specific works that we may read, but it is also about the use and abuse of generic theory.As an essay in fictional poetics, The Fantastic is consciously structuralist in its approach to the generic subject. Todorov seeks linguistic bases for the structural features he notes in a variety of fantastic texts, including Potocki's The Sargasso Manuscript, Nerval's AurÉlia, Balzac's The Magic Skin, the Arabian Nights, Cazotte's Le Diable Amoureux, Kafka's The Metamorphosis, and tales by E. T. A. Hoffman, Charles Perrault, Guy de Maupassant, Nicolai Gogol, and Edgar A. Poe.

Focusing on theories of verbal symbolism, Tzvetan Todorov here presents a history of semiotics. From an account of the semiotic doctrines embodied in the works of classical rhetoric to an exploration of representative modern concepts of the symbol found in ethnology, psychoanalysis, linguistics, and poetics, Todorov examines the rich tradition of sign theory. In the course of his discussion Todorov treats the works of such writers as Aristotle, Cicero, Quintilian, Augustine, Condillac, Lessing, Diderot, Goethe, Novalis, the Schlegel brothers, Levy-Bruhl, Freud, Saussure, and Jakobson.

In Symbolism and Interpretation, Tzvetan Todorov examines two aspects of discourse: its production, which has traditionally been the domain of rhetoric, and its reception, which has always been the object of hermeneutics. He analyzes the diverse theories of symbolism and interpretation that have been elaborated over the centuries and considers their contribution to a general theory of verbal symbolism, discussing a wide range of thinkers, from the Sanskrit philosophers and Aristotle to the German Romantics and contemporary semioticians.Todorov begins by examining general ideas of linguistic symbolism and the interpretive process. He then turns to a detailed consideration of two of the most influential and pervasive interpretative strategies in Western thought: the patristic exegesis of Augustine and Aquinas, and the philological exegesis foreshadowed in the work of Spinoza, developed by Wolf, Ast, Boeckh, and Lanson, and criticized by Schleiermacher. Todorov clarifies in masterly fashion the intricacies of the many schools of thought and refines the concepts crucial to critical theory today, including the distinctions between language and discourse, direct and indirect meaning, sign and symbol. Ably translated by Catherine Porter, Symbolism and Interpretation provides a coherent and innovative framework that is indispensable to the study of semiotics, its history, and its future.

In Life in Common Tzvetan Todorov explores the construction of the self and offers new perspectives on current debates about otherness. Through the seventeenth century, solitude was considered the human condition in the Western philosophical tradition. The self was not dependent on others to perceive itself as complete. Todorov sees a reversal of this thinking beginning with the writings of Jean-Jacques Rousseau in the eighteenth century. For the first time the self was defined as incomplete without the other, and the gaze no longer served only to satisfy personal vanity but constituted the fundamental requisite for human identity. Todorov traces the far-reaching implications of Rousseau's new vision of the self and society through the political, philosophical, and psychoanalytical theories of Adam Smith, Georg Wilhelm Friedrich Hegel, Georges Bataille, Melanie Klein, and others, and the relevant literary works of Karl Philipp Moritz, the Marquis de Sade, and Marcel Proust. In an original study of the bond between parent and child, Todorov develops a compelling vision of the self as social.

A classic in its field, The Conquest of America is a study of cultural confrontation in the New World, with implications far beyond sixteenth-century America. The book offers an original interpretation of both Columbus's discovery of America and the Spaniards' subsequent conquest, colonization, and destruction of pre-Columbian cultures in Mexico and the Caribbean. Using sixteenth-century sources, the distinguished French writer and critic Tzvetan Todorov examines the beliefs and behavior of the Spanish conquistadors and of the Aztecs, adversaries in a clash of cultures that resulted in the near extermination of Mesoamerica's Indian population. A new foreword by Anthony Pagden discusses the implications of Todorov's landmark study.

The celebrated scholar Tzvetan Todorov offers a study examining the complex relationship between "ethics" and "history". Exploring such questions as "How does one measure and experience freedom in the depths of society?" and "How does one practise and measure equality among different societies?", Todorov confronts topics ranging from the conquest of America and 19th-century colonialism, to democracy and conflicts of the "self" versus the "other". As he probes the effects of intercultural relationships and the difficulties inherent to the representation of the other, Todorov describes his own experience as a Bulgarian living in France. He also studies a variety of travel narratives from those of Columbus to Amerigo Vespucci to Lamartine, and he analyzes with great clarity the writings of the "ideologues" of both colonialism and anticolonialism. Offering an urgent call to contemporary intellectuals to re-examine their role in society and to integrate values into their work, "The Morals of History" explores the relationship between facts and values, truth and fiction, interpretation and articulation.Addressed to a broad audience, it should intrigue readers interested in contemporary discussions regarding the outcome of democracy and the future of late capitalism, the persistence of a logic of conquest and ethnocentrism, and the signs which point to emerging fascisms.

One of the world's leading intellectuals dismantles the political and ethical justifications for institutional torture. In the aftermath of 9/11, the US government approved interrogation tactics for enemy combatant detainees that could be defined as torture, which was outlawed in Europe in the eighteenth century and forbidden by the Geneva Conventions and the United Nations Convention Against Torture. In conjunction with these policies, the Bush administration vocally defended torture as a necessary tool in its Global War on Terror. Though the election of Barack Obama and his signing of the executive order to close the prison at Guantanamo Bay signaled a considerable shift away from the policies of the Bush era, the lessons to be learned from the Global War on Terror will remain relevant and necessary for many years to come. In Torture and the War on Terror, Tzvetan Todorov argues that the use of the terms “war” and “terror” dehumanizes the enemy and permits treatment that would otherwise be impermissible. He examines the implications and corrupting impact of the attempt to impose “good” through violence and spread democratic values by unethical means. Todorov asks: Can violence overcome violence? Does the need to protect one’s own country justify violating human rights? Challenging one by one the political and ethical arguments in favor of torture, Todorov likens institutional torture to a cancer that is eroding our society and undermining the very fundamental democratic ideas of justice and right.

'Almost alone among contemporary critics, Tzvetan Todorov has chosen to apply his prodigious talents to the literature of twentieth-century totalitarianism. His unique gift is his ability to elucidatethe memoirs and writings of some of the century's greatest survivors, not merely discovering their literary qualities, but also finding in their works moral and political lessons, relevant to us all.' -- Anne ApplebaumTzvetan Todorov identifies totalitarianism as the major innovation of the twentieth century and examines the struggle between this system and democracy and its effects on human life and consciousness.Totalitarianism imposed itself because, more than any other political system, it played on people's need for the absolute: it fed their hope to endow life with meaning by taking part in the construction of a paradise on earth. As a result, millions of people lost their lives in the name of a higher good. This unique account explores the history of the past century by analyzing its spectacular political conflicts and by offering moving profiles of individuals who, at great personal cost, resisted the strictures of the communist and Nazi regimes. Hope and Memory reaffirms the legacy of the past as we move into the twenty-first century.'A very rich book, full of interesting - and often highly controversial - conversation as well as moving portraits of striking figures of the century that has just passed. It is addressed to a general public very much engaged in discussing what the twentieth century was all about and where we are going from here.' -- Charles Taylor

Tzvetan Todorov argues that although our liberal democracies are the offspring of the Enlightenment, they also illustrate the ways in which its ideas have been distorted and perverted. People living in contemporary democracies are often baffled by phenomena which resist easy judgement: globalisation and media omnipotence; disinformation and state-sponsored torture; moralism and the right of intervention; the dominance of economics and the triumph of technology. In this book, Todorov shows that we cannot learn lessons from the past unless we know how to relate them to the present. He demonstrates that what remains relevant to today is the spirit expressed in the core principles and values for which the Enlightenment stood. In a period of great uncertainty, In Defence of the Enlightenment could not be more timely.

Tzvetan Todorov is one of Europe's leading intellectuals. Beyond his work in cultural and literary theory, philosophy and psychoanalysis, Todorov's influence is extraordinarily far-reaching specifically because of the clarity of his writing and his refusal to be bound by systems of thought and disciplinary straitjackets. Todorov's many writings include "The Poetics of Prose", "The Conquest of America", "Mikhail Bakhtin: The Dialogical Principle", "Facing the Extreme: Moral Life in the Concentration Camps", "On Human Diversity", "Hope and Memory", "Imperfect Garden: Lessons from the Twentieth Century" and "The New World Disorder: Reflections of a European". "Duties and Delights" presents a series of interviews with Tzvetan Todorov which illuminate the paths that he has taken, the paths that he has crossed and the paths that he has opened up for others.