William Dunbar – författare

At the same time that he charged Meriwether Lewis and William Clark to explore the great Northwest, President Thomas Jefferson commissioned William Dunbar and George Hunter to make a parallel journey through the southern unmapped regions of the Louisiana Purchase. From October 16, 1804, to January 26, 1805, Dunbar and Hunter, both renowned scientists, made their way through what is now northern Louisiana and southern Arkansas, ascending the Ouachita River and investigating the natural curiosity called ""the hot springs."" The Forgotten Expedition, 1804-1805 represents the first time that their daily journals -- which describe the flora and fauna, geology, weather, and native peoples they encountered along the way -- appear in a single volume.The team of the ""Grand Expedition,"" as it was optimistically named, was the first to send its findings on the newly annexed territory to the president, who received Dunbar and Hunter's detailed journals with pleasure. They include descriptions of flora and fauna, geology, weather, landscapes, and native peoples and European settlers, as well as astronomical and navigational records that allowed the first accurate English maps of the region and its waterways to be produced. Their scientific experiments conducted at the hot springs may be among the first to discover a microscopic phenomena still under research today.Extensively annotated and carefully researched, The Forgotten Expedition completes the picture of the Louisiana Purchase presented through the journals of explorers Lewis and Clark, Zebulon Pike, and Thomas Freeman and Peter Custis. It is a treasure of the early natural history of North America and the first depiction of this new U.S. southern frontier.

Scottish poet William Dunbar is usually considered one of the most important figures of fifteenth-century British literature, and may lay claim to being the finest lyric poet writing in English in the century and half between the death of Chaucer in 1400 and the appearance of Tottel's Miscellany in 1557. Dunbar's poems offer vivid depictions of late medieval Scottish society and serve up a striking pageant of colorful figures at the court of James IV (r. 1488-1513), with which he was associated for much of his adult life. The poems are remarkable both for their diversity and variability and for their multiplicity of voices, styles, and tones. The great variety of poems within Dunbar's canon includes religious hymns of exaltation, moral poems on a wide range of serious themes, comic and parodic poems of extreme salaciousness and scatological coarseness, general satires against the times, and satires with much more specific targets, often a single individual. This edition of eighty-four poems attributed to Dunbar includes extensive background material and explanatory notes that are sure to be of interest to students and Dunbar enthusiasts alike. The edition is rounded out with textual notes, an index of first lines, and a glossary.

Hugh MacDiarmid hailed William Dunbar (1461?-1520?) as "in many ways the most modern, as he is the most varied, of Scottish poets". His verve, wit, metrical skill, malice and elegiac power made him one of the great poets of the 15th century, and a defining Scottish poet of all time. Although he was a priest for most of his adult life, Dunbar saw himself as a professional writer and took an outspoken pride in his craft, never failing to remind the king, his employer, of the unwisdom of neglecting to reward poets. Close to the European traditions of Francois Villon and troubadour lyrics, and inheriting the vigorous rhythms of Piers Plowman, Dunbar revitalised the conventions of medieval poetry, excelling in his mastery of the short satirical and lyrical poem. He can be bawdy, savage and romantic. Above all, more than any other poet of his time, Dunbar speaks directly in a voice that is vivid and challenging. This fully annotated edition makes the richness of Dunbar's language accessible to the modern reader.