Xiaoyu Weng – författare
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2 produkter
2 produkter
Häftad, Engelska, 2017
404 kr
Skickas inom 5-8 vardagar
The Robert H. N. Ho Family Foundation Chinese Art Initiative presents Tales of Our Time, an exhibition and accompanying catalogue of commissioned works by seven artists based in mainland China, Hong Kong or Taiwan. The exhibition’s title is inspired by Lu Xun’s Old Tales Retold, a 1930s collection of short stories that use narrative and myth to comment on times of political and social upheaval. Working in a range of mediums, including video, sculpture, installation, mixed media on paper and participatory performance, these artists are unified by their distinctive and independent practices that poetically balance politics and aesthetics. The exhibition offers a heterogeneous view of contemporary art from China and highlights tensions between individual narratives and the constructions of mainstream history. The catalogue serves as a key conceptual extension of the exhibition, functioning as a hybrid of a traditional art exhibition publication and a fiction collection. Featuring two scholarly essays, artwork descriptions and artist biographies, this volume presents an unconventional examination of the artists whose practices actively reposition and challenge current dialogues about Chinese art. In seven commissioned short stories, Chinese and American writers explore contemporary society through the art of storytelling.
Häftad, Engelska, 2018
426 kr
Tillfälligt slut
Catalogues the third and final exhibition of the Robert H. N. Ho Family Foundation Chinese Art Initiative at the Solomon R. Guggenhem Museum, New York.The culmination of an ambitious multi-year commissioning and collection building initiative at the Guggenheim Museum, One Hand Clapping asks five artists from Greater China – Cao Fei, Duan Jianyu, Lin Yilin, Wong Ping and Samson Young – to investigate our changing relationships to visions of the future. From a film shot at the automated industrial facilities of mainland China to a virtual reality intervention into the Guggenheim’s iconic rotunda atrium and musical compositions for imaginary instruments that defy the laws of physics, their works identify the reflexive, poetic spaces that both escape and exist alongside the homogenizing logic of globalization.This bilingual catalogue is conceived as a critical component in the thinking and production of the exhibition. In addition to essays by the exhibition’s organizers, Xiaoyu Weng and Hou Hanru, it includes a theoretical text on technology and culture by the philosopher Yuk Hui, selected poems by millennial poets, and special sections presenting materials related to the commissioning process for each of the participating artists.