The book is a collection of the dialogues between Xu Jun, a well-known expert in French literary translation and eminent “Changjiang” scholar in translation studies in China, and some celebrated literary translators in contemporary China, some of whom are also literary scholars, linguists, poets, prose writers, and editors. It is a fundamental achievement of research on the literary translation in the 20th century in China, involving multiple literary types, such as novels, poetry, dramas, prose, and fairy tales; and multiple languages, such as English, French, German, Russian, Italian, Spanish, Japanese, and Sanskrit. The dialogues are centered on fundamental issues in the theory and practice of literary translation, such as re-creation in literary translation, the relationship between form and content in literary translation, the subjectivity of literary translators, literary translation standards and principles, the gains and losses in literary translation, the principles and methods of literary criticism, and so on.

Those translation experts’ experience and multiple strategies not only play an active role in guiding literary translators in practice but also benefit theoretical development in literary translation. Thus, the book will contribute to worldwide translation studies and get well recognized by translation studies students, teachers, and scholars in the world.

The book is a collection of the dialogues between Xu Jun, a well-known expert in French literary translation and eminent “Changjiang” scholar in translation studies in China, and some celebrated literary translators in contemporary China, some of whom are also literary scholars, linguists, poets, prose writers, and editors. It is a fundamental achievement of research on the literary translation in the 20th century in China, involving multiple literary types, such as novels, poetry, dramas, prose, and fairy tales; and multiple languages, such as English, French, German, Russian, Italian, Spanish, Japanese, and Sanskrit. The dialogues are centered on fundamental issues in the theory and practice of literary translation, such as re-creation in literary translation, the relationship between form and content in literary translation, the subjectivity of literary translators, literary translation standards and principles, the gains and losses in literary translation, the principles and methods of literary criticism, and so on.

Those translation experts’ experience and multiple strategies not only play an active role in guiding literary translators in practice but also benefit theoretical development in literary translation. Thus, the book will contribute to worldwide translation studies and get well recognized by translation studies students, teachers, and scholars in the world.

This book presents a fresh perspective on translation, exploring it as a complex process of cultural exchange involving both language and culture.

The author examines the core aspects of translation, including its nature and procedures, key factors, text selection and approaches. It also examines the internal tensions and dynamics between authors, translators and readers, and the value system of translation criticism. The book also illustrates the role of culture in translation, discussing the cultural information embedded in language, the relationship between culture and meaning, the cultural interpretation of meaning and texts, the intersection of translation and cultural psychology, and the principles and methods of translation studies from a cultural perspective. By developing a systematic theoretical framework, the book aims to present translation as a complex facet of intercultural communication.

This insightful work will appeal to scholars, students, translators and anyone interested in translation theory, translation studies and intercultural communication.

This book presents a fresh perspective on translation, exploring it as a complex process of cultural exchange involving both language and culture.

The author examines the core aspects of translation, including its nature and procedures, key factors, text selection and approaches. It also examines the internal tensions and dynamics between authors, translators and readers, and the value system of translation criticism. The book also illustrates the role of culture in translation, discussing the cultural information embedded in language, the relationship between culture and meaning, the cultural interpretation of meaning and texts, the intersection of translation and cultural psychology, and the principles and methods of translation studies from a cultural perspective. By developing a systematic theoretical framework, the book aims to present translation as a complex facet of intercultural communication.

This insightful work will appeal to scholars, students, translators and anyone interested in translation theory, translation studies and intercultural communication.

The book is a collection of the dialogues between Xu Jun, a well-known expert in French literary translation and eminent “Changjiang” scholar in translation studies in China, and some celebrated literary translators in contemporary China, some of whom are also literary scholars, linguists, poets, prose writers, and editors. It is a fundamental achievement of research on the literary translation in the 20th century in China, involving multiple literary types, such as novels, poetry, dramas, prose, and fairy tales; and multiple languages, such as English, French, German, Russian, Italian, Spanish, Japanese, and Sanskrit. The dialogues are centered on fundamental issues in the theory and practice of literary translation, such as re-creation in literary translation, the relationship between form and content in literary translation, the subjectivity of literary translators, literary translation standards and principles, the gains and losses in literary translation, the principles and methods of literary criticism, and so on.

Those translation experts’ experience and multiple strategies not only play an active role in guiding literary translators in practice but also benefit theoretical development in literary translation. Thus, the book will contribute to worldwide translation studies and get well recognized by translation studies students, teachers, and scholars in the world.

The book is a collection of the dialogues between Xu Jun, a well-known expert in French literary translation and eminent “Changjiang” scholar in translation studies in China, and some celebrated literary translators in contemporary China, some of whom are also literary scholars, linguists, poets, prose writers, and editors. It is a fundamental achievement of research on the literary translation in the 20th century in China, involving multiple literary types, such as novels, poetry, dramas, prose, and fairy tales; and multiple languages, such as English, French, German, Russian, Italian, Spanish, Japanese, and Sanskrit. The dialogues are centered on fundamental issues in the theory and practice of literary translation, such as re-creation in literary translation, the relationship between form and content in literary translation, the subjectivity of literary translators, literary translation standards and principles, the gains and losses in literary translation, the principles and methods of literary criticism, and so on.

Those translation experts’ experience and multiple strategies not only play an active role in guiding literary translators in practice but also benefit theoretical development in literary translation. Thus, the book will contribute to worldwide translation studies and get well recognized by translation studies students, teachers, and scholars in the world.

This book presents a fresh perspective on translation, exploring it as a complex process of cultural exchange involving both language and culture.

The author examines the core aspects of translation, including its nature and procedures, key factors, text selection and approaches. It also examines the internal tensions and dynamics between authors, translators and readers, and the value system of translation criticism. The book also illustrates the role of culture in translation, discussing the cultural information embedded in language, the relationship between culture and meaning, the cultural interpretation of meaning and texts, the intersection of translation and cultural psychology, and the principles and methods of translation studies from a cultural perspective. By developing a systematic theoretical framework, the book aims to present translation as a complex facet of intercultural communication.

This insightful work will appeal to scholars, students, translators and anyone interested in translation theory, translation studies and intercultural communication.

This book presents a fresh perspective on translation, exploring it as a complex process of cultural exchange involving both language and culture.

The author examines the core aspects of translation, including its nature and procedures, key factors, text selection and approaches. It also examines the internal tensions and dynamics between authors, translators and readers, and the value system of translation criticism. The book also illustrates the role of culture in translation, discussing the cultural information embedded in language, the relationship between culture and meaning, the cultural interpretation of meaning and texts, the intersection of translation and cultural psychology, and the principles and methods of translation studies from a cultural perspective. By developing a systematic theoretical framework, the book aims to present translation as a complex facet of intercultural communication.

This insightful work will appeal to scholars, students, translators and anyone interested in translation theory, translation studies and intercultural communication.