Yochai Ataria – författare

Body schema is a system of sensory-motor capacities that function without awareness or the necessity of perceptual monitoring. Body image consists of a system of perceptions, attitudes, and beliefs pertaining to one's own body.In 2005 Shaun Gallagher published an influential book entitled How the Body Shapes the Mind (OUP). That book not only defined both body schema and body image, but explored the complicated relationship between the two. It also established the idea that there is a double dissociation, whereby body schema and body image refer to two different but closely related systems. Given that many kinds of pathological cases can be described in terms of body schema and body image (phantom limbs, asomatognosia, apraxia, schizophrenia, anorexia, depersonalization, and body dysmorphic disorder, among others), we might expect to find a growing consensus about these concepts and the relevant neural activities connected to these systems. Instead, an examination of the scientific literature reveals continued ambiguity and disagreement. This volume brings together leading experts from the fields of philosophy, neuroscience, psychology, and psychiatry in a lively and productive dialogue. It explores fundamental questions about the relationship between body schema and body image, and addresses ongoing debates about the role of the brain and the role of social and cultural factors in our understanding of embodiment.

In turn, as in the case of somatoparaphrenia and body integrity identity disorder, this incongruity can result in body disownership, which will affect long-term outcomes of severe and ongoing trauma.

In turn, as in the case of somatoparaphrenia and body integrity identity disorder, this incongruity can result in body disownership, which will affect long-term outcomes of severe and ongoing trauma.

This volume explores themes originating from the work of Jean Améry (1912–1978), a Holocaust survivor and essayist—mainly, ethics and the past, torture and its implications, death and suicide.

This volume explores themes originating from the work of Jean Améry (1912–1978), a Holocaust survivor and essayist—mainly, ethics and the past, torture and its implications, death and suicide.

This book is about Primo Levi and Ka-Tzetnik, both Auschwitz survivors and central figures in the shaping of Holocaust memory, who dedicated their lives to bearing witness and writing about the concentration camps, seeking, in particular, to give voice to those who did not return.

This book is about Primo Levi and Ka-Tzetnik, both Auschwitz survivors and central figures in the shaping of Holocaust memory, who dedicated their lives to bearing witness and writing about the concentration camps, seeking, in particular, to give voice to those who did not return.

This book offers an uncompromising and unapologetic phenomenological study of altered states of consciousness in an attempt to understand the structure of human consciousness.

This book offers an uncompromising and unapologetic phenomenological study of altered states of consciousness in an attempt to understand the structure of human consciousness.

This book offers a critique of a certain contemporary discourse in popular science that consists of (1) identifying the origins and therefore essential nature of Homo Sapiens;

This book offers a critique of a certain contemporary discourse in popular science that consists of (1) identifying the origins and therefore essential nature of Homo Sapiens; and (2) identifying the nature of technology. The author’s critique is that this double gesture generates a deterministic worldview – man is evil and technology has its own necessity – that operates to exonerate humanity from responsibility to the horrors of the 20th century, epitomized in Auschwitz and Hiroshima, for example. The author situates this operation within what he identifies as an “apocalyptical-eschatological state of mind”. Yochai Ataria explains that the dynamics of technology and the quest for the first human are the two central vectors shaping both scientific and popular discourse today, highlighting the importance of understanding the deep connection between the two.

This lofty volume analyzes a circular cultural relationship: not only how trauma is reflected in cultural processes and products, but also how trauma itself acts as a critical shaper of literature, the visual and performing arts, architecture, and religion and mythmaking.

This book describes the diverse manifestations of trauma and the ways in which trauma has shaped—and dismantled—our culture.

This book describes the diverse manifestations of trauma and the ways in which trauma has shaped—and dismantled—our culture.