Zhaoyu Zhu – författare

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7 produkter

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7 produkter

Nyhet
Cinema of Ann Hui
Aesthetics, Gender, and Displacement
AvZhaoyu Zhu,Weiting Fanm. fl.
Häftad, Engelska, 2026
370 kr
Skickas inom 5-8 vardagar
A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender representation and the depiction of displacement within diasporic communities.Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts.The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui’s films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong’s cultural identity through the work of a globally recognised filmmaker.
Nyhet
Film Technology in Socialist Chinese Cinema
Cinematic Megamachine
AvZhaoyu Zhu
E-bok
PDF, Engelska, 2026
854 kr
Läs direkt efter köp
This book examines the history of film technology in Maoist China from the foundation of the Peopleâ€™s Republic of China (PRC) in 1949 to the beginning of economic reform in 1979 from the perspective of technology transfer.
Highlighting the trade exchange of technology equipment and scientific knowledge between China and the globe, this book explores the history of film technology in the socialist state, showing that the function of film technology under socialism is different from that of capitalist countries, which mainly use film technology to raise filmsâ€™ commercial appeal and to generate profit. Instead, the use of film technology became a key link in the Chinese film industry to promote socialist propaganda and pedagogy.
In showing how the film industry in China became a state-led megamachine centralising the sustainable production and supply of filmmaking resources, this book will be a valuable resource for students and scholars of film studies, contemporary cinema, and Asian media and communication studies.
Nyhet
Film Technology in Socialist Chinese Cinema
Cinematic Megamachine
AvZhaoyu Zhu
E-bok
Engelska, 2026
854 kr
Läs direkt efter köp
This book examines the history of film technology in Maoist China from the foundation of the Peopleâ€™s Republic of China (PRC) in 1949 to the beginning of economic reform in 1979 from the perspective of technology transfer.
Highlighting the trade exchange of technology equipment and scientific knowledge between China and the globe, this book explores the history of film technology in the socialist state, showing that the function of film technology under socialism is different from that of capitalist countries, which mainly use film technology to raise filmsâ€™ commercial appeal and to generate profit. Instead, the use of film technology became a key link in the Chinese film industry to promote socialist propaganda and pedagogy.
In showing how the film industry in China became a state-led megamachine centralising the sustainable production and supply of filmmaking resources, this book will be a valuable resource for students and scholars of film studies, contemporary cinema, and Asian media and communication studies.
Nyhet
Film Technology in Socialist Chinese Cinema
Cinematic Megamachine
AvZhaoyu Zhu
Inbunden, Engelska, 2026
2 455 kr
Skickas inom 10-15 vardagar
This book examines the history of film technology in Maoist China from the foundation of the People’s Republic of China (PRC) in 1949 to the beginning of economic reform in 1979 from the perspective of technology transfer.Highlighting the trade exchange of technology equipment and scientific knowledge between China and the globe, this book explores the history of film technology in the socialist state, showing that the function of film technology under socialism is different from that of capitalist countries, which mainly use film technology to raise films’ commercial appeal and to generate profit. Instead, the use of film technology became a key link in the Chinese film industry to promote socialist propaganda and pedagogy.In showing how the film industry in China became a state-led megamachine centralising the sustainable production and supply of filmmaking resources, this book will be a valuable resource for students and scholars of film studies, contemporary cinema, and Asian media and communication studies.
Nyhet
Cinema of Ann Hui
Aesthetics, Gender, and Displacement
AvZhaoyu Zhu,Weiting Fanm. fl.
Inbunden, Engelska, 2026
1 096 kr
Skickas inom 5-8 vardagar
A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender representation and the depiction of displacement within diasporic communities.Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts.The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui’s films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong’s cultural identity through the work of a globally recognised filmmaker.
Cinema of Ann Hui
Aesthetics, Gender, and Displacement
AvZhaoyu Zhu,Weiting Fanm. fl.
E-bok
PDF, Engelska, 2026
402 kr
Läs direkt efter köp
A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.
Cinema of Ann Hui
Aesthetics, Gender, and Displacement
AvZhaoyu Zhu,Weiting Fanm. fl.
E-bok
Engelska, 2026
405 kr
Läs direkt efter köp
A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

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Zhaoyu Zhu – författare

Cinema of Ann Hui

Film Technology in Socialist Chinese Cinema

Film Technology in Socialist Chinese Cinema

Film Technology in Socialist Chinese Cinema

Cinema of Ann Hui

Cinema of Ann Hui

Cinema of Ann Hui

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