Early Drama, Art, and Music – serie
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4 produkter
4 produkter
Inbunden, Engelska, 2023
1 642 kr
Skickas inom 5-8 vardagar
This volume celebrates the storied career of Stephen N. Fliegel, the former Robert Bergman Curator of Medieval Art at the Cleveland Museum of Art (CMA). Authors of these essays, all leading curators in their fields, offer insights into curatorial practices by highlighting key objects in some of the most important medieval collections in North America and Europe: Metropolitan Museum of Art, The Louvre, the British Museum, Victoria & Albert Museum, the Getty, the Groeningemuseum, The Morgan Library, Vienna’s Kunsthistorisches Museum, and, of course, the CMA, offering perspectives on the histories of collecting and display, artistic identity, and patronage, with special foci on Burgundian art, acquisition histories, and objects in the CMA.
Inbunden, Engelska, 2024
1 930 kr
Skickas inom 3-6 vardagar
With little scholarly attention having been given to the late medieval iconography that features on rood screens in the southwest of England, the significance of the figures painted at Berry Pomeroy has long been underappreciated. The unlocking of their meaning by the author has led to the discovery of a unique iconographic program. The gestures adopted by many of these figures belong to a common visual culture in the art and drama of the medieval church. The iconography, which reflects a Gothic Mannerist style of the early sixteenth century, displays a marked theatricality giving expression to the mysteries of the faith in the form of a drama. The narrative recorded has notable similarities to that found in a dramatic trilogy which was once performed in Cornwall called the Ordinalia. This book makes an important contribution to scholarship in the genre of mysticism in art and to our understanding of popular devotional practices on the eve of the Reformation.
Inbunden, Engelska, 2027
1 800 kr
Kommande
This book builds on the foundational studies of Schlosser, Panofsky, Garin, Baxandall, and Blunt who traced the intellectual emancipation of the visual arts in Renaissance Italy, while responding to more recent scholarship on rhetoric, pedagogy, and art theory (Van Eck, Dressen, Ames-Lewis).Unlike earlier treatments that isolate individual authors or emphasise social history, this study reframes Renaissance art treatises – by Cennini, Alberti, Leonardo, Varchi, and Vasari – as a coherent sub-genre of humanistic educational literature. By highlighting their pedagogical, rhetorical, and Aristotelian foundations, it uncovers the ways these texts forged a new ontological system that integrated the visual arts into the liberal arts.The book’s contribution lies in bridging art history, intellectual history, and literary studies, demonstrating how artistic literature both drew from and reshaped humanist discourse. In doing so, it addresses disciplinary fragmentation and repositions Renaissance art theory within the broader genealogy of the Humanities.
Inbunden, Engelska, 2023
1 694 kr
Skickas inom 5-8 vardagar
Rasmus Vangshardt offers an original interpretation of one of the most famous images of literary history, the theatrum mundi. By applying methods of comparative literature, hispanic studies, and theology, he reconsiders the world theatre’s historical peak in early modern Europe in general and the Spanish Golden Age in particular. The author presents a new close reading of Pedro Calderón’s El gran teatro del mundo (c. 1633–36) and outlines the historical and systematic framework for a theatrum mundi of celebration. This concept entails using art to justify human existence in the face of changing conceptions of the cosmos: an early modern aesthetic theodicy and a justification of the world in that liminal space between drama and ritual. By discussing historiographical theories of early modern Europe, especially those of Hans Blumenberg and Bruno Latour, and through conversations with Shakespearean drama and Spanish Golden Age classics, Vangshardt also argues that the theatrum mundi of celebration questions traditional assumptions of great divides between the Middle Ages and Early Modernity and challenges theories of a European-wide early modern sense of crisis.