Collected Works of Gerard Manley Hopkins – serie
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4 produkter
4 produkter
Inbunden, Engelska, 2024
3 056 kr
Skickas inom 5-8 vardagar
Sketches and Scholarly Studies: Part II, Musical Settings and Sketches brings together two crucial aspects of Gerard Manley Hopkins's insatiable drive to create: drawing, predominantly (but not exclusively) from the early part of his life, when he had ambitions to be a painter; and music, from the later part of his life, when he found in music suggestions of a new contact with the eternal. Hopkins grew up in a home that emphasized cultural and artistic accomplishments; his brothers Arthur and Everard were both professional illustrators, and his sister Grace was an accomplished pianist. Limited as the corpus of Hopkins's drawings is--four small sketchbooks and a handful of loose drawings--there is certainly evidence to suggest that he might have been a successful illustrator adhering to Ruskinian principles. This edition reproduces the surviving drawings, with a full introduction and annotations placing them in the context of Hopkins's creative life. His musical compositions are presented in both manuscript facsimiles and new transcriptions, revealing his exploration, in a new mode, of ideas of rhythm, harmony, and counterpoint.
Inbunden, Engelska, 2018
3 292 kr
Skickas inom 5-8 vardagar
Gerard Manley Hopkins's extant religious prose, compiled in its entirety for the first time, and with material not seen since Hopkins's death, is of value to theologians, church historians, and Victorianists scholars and critics. The Sermons and Spiritual Writings of Gerard Manley Hopkins features the thirty-two sermons and fragments Hopkins preached between the 1870s and 1880s, personal meditations on biblical passages and religious occasions, undergraduate notes on Henry Parry Liddon's Sunday evening lectures, marginalia in the authorized version of the Bible, vows made in the Society of Jesus, private meditations written during his Dublin years, and the Commentary on the Spiritual Exercises of St. Ignatius. The sermons represent the only texts Hopkins prepared for public performance, and show his creative engagement with classical oratory, patristic scholarship, pastoral theology, and the social and religious controversies of his day. The spiritual writings, stylistically similar to his diary entries, reveal the spiritual consolations and inner struggles of a Victorian Jesuit with remarkable sensibilities. A sometimes vexed and invariably complex spiritual life emerges from the volume, one that encompassed both the 'grandeur of God' and the 'forepangs' of suffering. The new introductions and notes provide expanded historical and theological commentary. The edition also includes new annotations, complete translations of Latin and Greek texts, definitions of Jesuit customs and terminology, a biographical register, and a selected bibliography of key studies on Hopkins sermons, religious writings, and spirituality.
Inbunden, Engelska, 2021
3 374 kr
Skickas inom 7-10 vardagar
Sketches and Scholarly Studies: Part 1: Academic, Classical, and Lectures on Poetry offers an original perspective on Gerard Manley Hopkins's training as a classicist. R. K. R. Thornton's edition attempts to follow the turns of Hopkins's mind, and to clarify what he was exploring. The notes and introductions reveal how careful a scholar Hopkins was, how intricate his knowledge of the Classics, and how his critical positions developed. The edition reveals in all its detail the range of Hopkins's research into the notion of poetry itself, when he prepared for his fellow Jesuits a course on 'rhetoric'. These areas were his training ground before he launched into his new-found poetic with 'The Wreck of the Deutschland'. Through this authoritative critical edition, we see Hopkins's continued exploration of metrics and glimpses of material which would grow into the major poetry that we know, but everywhere we can see the acuity of Hopkins's mind.
Inbunden, Engelska, 2026
3 811 kr
Kommande
The eighth and final volume of the Collected Works of Gerard Manley Hopkins invites researchers to find new possibilities of understanding and interpretation. It presents not a 'final text' but performance texts, the recording of how Hopkins's understanding of what he was trying to say evolved as he worked on his poems, similarly to the way in which, over the years, a professional musician changes aspects of how they play particular pieces. Hopkins's varying attempts to indicate how he was hearing each poem acts as a guiding principle in Catherine Phillips's selection of copy text; the evolution of each line is carefully traced in the complete extant variants listed. This approach calls for an assessment of the constraints on how freely Hopkins could guide the reader/hearer of his mature poems, and leads to an examination of the history of each of the major manuscript collections. This edition of the poems divides Hopkins's brief creative life into five chronological periods, each of which is given a preface, sketching out his early years, his Jesuit training, professional work, and his final days as a Professor of Greek and Latin in Dublin. His principal statements about rhythm and rhyme, inscape and instress, are introduced at the points at which they indicate his developing ideas, and the annotation draws on the preceding seven volumes of the Collected Works, in which other aspects of Hopkins's life that shaped his poems are presented within their special contexts. This volume additionally alludes to two significant contributions to poetic meaning: Hopkins's interest in contemporary etymological studies, and details of the birds, insects, flowers, and trees that he described, often ambiguously.