Catherine Phillips – författare

Gerard Manley Hopkins initially planned to become a poet-artist. For five years he trained his eye, learned about contemporary art and architecture, and made friends in the Pre-Raphaelite circle. In her fascinating and beautifully illustrated book, Catherine Phillips, whose knowledge of Hopkins's poems is expert, uses letters, new archival material, and contemporary publications to reconstruct the visual world Hopkins knew between 1862 and 1889, and especially in the 1860s, with its illustrated journals, art exhibitions, Gothic architecture, photographic shows, and changing art criticism. Phillips identifies three artistic contexts for the Hopkins's life: his childhood circle of artistic relatives who were important in shaping his early vision; his friends at university and the criticism he absorbed while there that inflected his view as a young man; and the mature religious beliefs which came to govern his understanding of a visual world interconnected with an eternal one. With chapters devoted to Hopkins own drawings, and to visual theories of the time, Phillips is able to suggests fresh links between this visual world and the startling originality of Hopkins's mature writing that will alter radically our understanding of Hopkins's practice as a poet.

The eighth and final volume of the Collected Works of Gerard Manley Hopkins invites researchers to find new possibilities of understanding and interpretation. It presents not a 'final text' but performance texts, the recording of how Hopkins's understanding of what he was trying to say evolved as he worked on his poems, similarly to the way in which, over the years, a professional musician changes aspects of how they play particular pieces. Hopkins's varying attempts to indicate how he was hearing each poem acts as a guiding principle in Catherine Phillips's selection of copy text; the evolution of each line is carefully traced in the complete extant variants listed. This approach calls for an assessment of the constraints on how freely Hopkins could guide the reader/hearer of his mature poems, and leads to an examination of the history of each of the major manuscript collections. This edition of the poems divides Hopkins's brief creative life into five chronological periods, each of which is given a preface, sketching out his early years, his Jesuit training, professional work, and his final days as a Professor of Greek and Latin in Dublin. His principal statements about rhythm and rhyme, inscape and instress, are introduced at the points at which they indicate his developing ideas, and the annotation draws on the preceding seven volumes of the Collected Works, in which other aspects of Hopkins's life that shaped his poems are presented within their special contexts. This volume additionally alludes to two significant contributions to poetic meaning: Hopkins's interest in contemporary etymological studies, and details of the birds, insects, flowers, and trees that he described, often ambiguously.

Gerard Manley Hopkins (1844-89) is now recognized as a major poet of striking originality. He is widely admired for his particularly vivid expression of feeling, from the religious ecstasy of `he Blessed Virgin' to the torments of his loneliness and despair in `No Worst', and for conveying with wonderful freshness his sense of natural beauty in such poems as `The Windhover' and `Pied Beauty'.This selection, chosen from the award-winning Oxford Authors critical edition, includes all his major English poems and most of the larger fragments. The poems are supported with extensive notes and a useful introduction to Hopkins's life and poetry. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together all Hopkins's poetry and a generous selection of his prose writings to give the essence of his work and thinking.Gerard Manley Hopkins (1844-89) was one of the most innovative of nineteenth-century poets. During his tragically short life he strove to reconcile his religious and artistic vocations, and this edition demonstrates the range of his interests. It includes all his poetry, from best-known works such as 'The Wreck of the Deutschland' and ''The Windhover' to translations, foreign language poems, plays, and verse fragments, and the recently discovered poem 'Consule Jones'. In addition there are excerpts from Hopkins's journals, letters, and spiritual writings. The poems are printed in chronological order to show Hopkins's changing preoccupations, and all the texts have been established from original manuscripts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Based on a folktale called "The Priest's Soul," which Yeats first encountered in 1888, The Hour-Glass was written as both a play in prose and a drama in verse over the course of more than thirty years. This volume brings together all extant manuscripts of The Hour-Glass, from a handwritten three-page fragment of the 1902 prose version to Yeats's typescripts of the 1922 verse rendition.

Cultural geography has a long and proud tradition of research into human–plant relations. However, until recently, that tradition has been somewhat disconnected from conceptual advances in the social sciences, even those to which cultural geographers have made significant contributions. With a number of important exceptions, plant studies have been less explicitly part of more-than-human geographies than have animal studies. This book aims to redress this gap, recognising plants and their multiple engagements with and beyond humans. Plants are not only fundamental to human survival, they play a key role in many of the most important environmental political issues of the century, including biofuels, carbon economies and food security. This innovative collection explores themes of belonging, practices and places. Together, the chapters suggest new kinds of ‘vegetal politics’, documenting both collaborative and conflictual relations between humans, plants and others. They open up new spaces of political action and subjectivity, challenging political frames that are confined to humans. The book also raises methodological questions and challenges for future research.This book was published as a special issue of Social and Economic Geography.

Saving More Than Seeds advances understandings of seed-people relations, with particular focus on seed saving. The practice of reusing and exchanging seeds provides foundation for food production and allows humans and seed to adapt together in dynamic socionatural conditions. But the practice and its practitioners are easily taken for granted, even as they are threatened by neoliberalisation. Combining original ethnographic research with investigation of an evolving corporate seed order, this book reveals seed saving not only as it occurs in fields and gardens but also as it associates with genebanking, genetic engineering, intellectual property rights, and agrifood regulations. Drawing on diverse social sciences literatures, Phillips illustrates ongoing practices of thinking, feeling, and acting with seeds, raising questions about what seed-people relations should accomplish and how different ways of relating might be pursued to change collective futures.

Cultural geography has a long and proud tradition of research into human–plant relations. However, until recently, that tradition has been somewhat disconnected from conceptual advances in the social sciences, even those to which cultural geographers have made significant contributions. With a number of important exceptions, plant studies have been less explicitly part of more-than-human geographies than have animal studies. This book aims to redress this gap, recognising plants and their multiple engagements with and beyond humans. Plants are not only fundamental to human survival, they play a key role in many of the most important environmental political issues of the century, including biofuels, carbon economies and food security. This innovative collection explores themes of belonging, practices and places. Together, the chapters suggest new kinds of ‘vegetal politics’, documenting both collaborative and conflictual relations between humans, plants and others. They open up new spaces of political action and subjectivity, challenging political frames that are confined to humans. The book also raises methodological questions and challenges for future research.This book was published as a special issue of Social and Economic Geography.

Saving More Than Seeds advances understandings of seed-people relations, with particular focus on seed saving. The practice of reusing and exchanging seeds provides foundation for food production and allows humans and seed to adapt together in dynamic socionatural conditions. But the practice and its practitioners are easily taken for granted, even as they are threatened by neoliberalisation. Combining original ethnographic research with investigation of an evolving corporate seed order, this book reveals seed saving not only as it occurs in fields and gardens but also as it associates with genebanking, genetic engineering, intellectual property rights, and agrifood regulations. Drawing on diverse social sciences literatures, Phillips illustrates ongoing practices of thinking, feeling, and acting with seeds, raising questions about what seed-people relations should accomplish and how different ways of relating might be pursued to change collective futures.

What happens when you want to take a holiday, or even just pop out for a drink, and your dog looks up at you with those expectant eyes? Do you know which pubs welcome muddy paws with a bowl of water and a dog biscuit? Or where you and your dog can both enjoy a comfortable overnight stay?From the editors of the UK's No 1 travel guide, the much loved Good Pub Guide, comes the latest edition of the Good Guide to Dog Friendly Pubs, Hotels and B&Bs. Featuring fully updated information, the guide provides you with hundreds of wonderful places in the UK to drink, eat and stay with your pet.With this book to hand, there's no need to leave your dog at home. Faithful friends deserve a break too!