Gerard Manley Hopkins – författare

This long-awaited complete edition of the poetry offers serious students of Gerard Manley Hopkins far more guidance than has previously been available. The edition is scrupulously and fully annotated, with a commentary and introduction. The texts are arranged chronologically; rhythm is clarified where Hopkins's prosodic marks are eccentric; and thousands of words and phrases are annotated, many for the first time. The neglected early half of his poetic output, before the Wreck of the Deutschland, is given full attention.The substantial introduction gives the history of each album of poetic manuscripts and a critical analysis of Hopkins's prosodic signs and use of accidentals. Because of the ambiguities disclosed, the editor argues that a definitive edition is probably beyond reach, but the new light he throws on the poetry should prove a major stimulus to Hopkins criticism. The headnote to each poem sets out its intellectual or biographical background, and lists critical articles on it, particularly those published after the 1969-70 cut-off date of Dunne's Comprehensive Bibliography of Hopkins. The detailed commentary gives a wealth of illuminating quotations from Hopkins's letters, journals, and other writings, as well as directing the reader to further areas of research. Professor MacKenzie's intimate knowledge of the manuscripts results in separate descriptions of every draft, fair-copy, and significant transcript of each poem. The principal variants are noted, and there are cross-references to the editor's two-volume Poetic Facsimiles of the manuscripts.

Gerard Manley Hopkins (1844-89) is now recognized as a major poet of striking originality. He is widely admired for his particularly vivid expression of feeling, from the religious ecstasy of `he Blessed Virgin' to the torments of his loneliness and despair in `No Worst', and for conveying with wonderful freshness his sense of natural beauty in such poems as `The Windhover' and `Pied Beauty'.This selection, chosen from the award-winning Oxford Authors critical edition, includes all his major English poems and most of the larger fragments. The poems are supported with extensive notes and a useful introduction to Hopkins's life and poetry. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together all Hopkins's poetry and a generous selection of his prose writings to give the essence of his work and thinking.Gerard Manley Hopkins (1844-89) was one of the most innovative of nineteenth-century poets. During his tragically short life he strove to reconcile his religious and artistic vocations, and this edition demonstrates the range of his interests. It includes all his poetry, from best-known works such as 'The Wreck of the Deutschland' and ''The Windhover' to translations, foreign language poems, plays, and verse fragments, and the recently discovered poem 'Consule Jones'. In addition there are excerpts from Hopkins's journals, letters, and spiritual writings. The poems are printed in chronological order to show Hopkins's changing preoccupations, and all the texts have been established from original manuscripts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature.Gerard Manley Hopkins (1844-1889) was born in Stratford. He attended Balliol College, Oxford where he befriended the future Poet Laureate Robert Bridges. While at Balliol he converted to Catholicism and after graduating he entered the Society of Jesus and was ordained in 1877. Having burned his early poems on entering the Church, Hopkins eventually took up writing again but apart from a few poems that appeared in periodicals he was not published during his own lifetime. Since the publication of his poems in 1918 he has become one of the best known poets of the Victorian age and his are among the greatest poems written on the subject of faith and doubt.

Essays analyze the poetry of Hopkins in terms of its language, rhythm, and literary and religious symbolism

In an age of distraction, this issue of Plough Quarterly looks at inwardness – how sustainable human community and social activism must be rooted in the spiritual life.How much of your day is spent in reality, and how much in a fake world? We’ve learned that screen time is bad for you, too much media consumption damages your heart, and Facebook can make you mentally ill. We’re aware of the mind-altering power of advertising, the dehumanizing passions of our polarized politics, and the fact that millions of us have learned to multitask while watching footage of refugees drowning.But what are we to do about it? If this fake world is invading our souls, it’s in our souls that we must find the cure. Only a return to inwardness can bring distracted moderns back to Jesus and to constructive work for his kingdom.Here activists may object: Isn’t it the height of selfishness to retreat into our interior life when we ought to be out saving starving children? Yet Christians through the ages have insisted that inwardness is crucial to the life of discipleship. It’s what keeps us from falling for demagogues and false gospels, from wasting life on superficialities, and from ignoring our neighbor. In fact, throughout history it has often been the mystics who were most active in serving others. In true Plough fashion, this issue brings together a colorful cast of examples: from medieval Beguines and Benedictines to Gerard Manley Hopkins, Simone Weil, and Fannie Lou Hamer, to contemporary voices like Robert Cardinal Sarah, Johann Christoph Arnold, and three persecuted Syrian priests. These lives offer us glimpses of the real world from which our fake world seeks to distract us, and can guide us in our own refusal to conform.Also in this issue:• Poetry from Gerard Manley Hopkins and Malcolm Guite• Insights on inwardness from Meister Eckhart, Eberhard Arnold, Marguerite Porete, Simone Weil, and Isaac Penington• A forum on the Benedict Option with Rod Dreher, Ross Douthat, Jacqueline C. Rivers, and Randall Gauger• Artwork by Jason Landsel, Bruce Herman, Jane Chapin, Graham Berry, Fra Angelico, Francisco de Zurbarán, Eleanor Fortescue-Brickdale, Matthew J. Cutter, John August Swanson, Vittorio Matteo Corcos, and Leon DaboPlough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

How did a Catholic priest who died a failure become one of the world’s greatest poets? Discover in his own words the struggle for faith that gave birth to some of the best spiritual poetry of all time.Gerard Manley Hopkins deserves his place among the greatest poets in the English language. He ranks seventh among the most frequently reprinted English-language poets, surpassed only by Shakespeare, Donne, Blake, Dickinson, Yeats, and Wordsworth.Yet when the English Jesuit priest died of typhoid fever at age forty-four, he considered his life a failure. He never would have suspected that his poems, which would not be published for another twenty-nine years, would eventually change the course of modern poetry and influence such poets as W. H. Auden, Dylan Thomas, Robert Lowell, John Berryman, Geoffrey Hill, and Seamus Heaney. Like his contemporaries Walt Whitman and Emily Dickinson, Hopkins revolutionized poetic language.And yet we love Hopkins not only for his literary genius but for the hard-won faith that finds expression in his verse. Who else has captured the thunderous voice of God and the grandeur of his creation on the written page as Hopkins has? Seamlessly weaving together selections from Hopkins’s poems, letters, journals, and sermons, Peggy Ellsberg lets the poet tell the story of a life-long struggle with faith that gave birth to some of the best poetry of all time. Even readers who spurn religious language will find in Hopkins a refreshing, liberating way to see God’s hand at work in the world.

Discover How Hopkins's Spiritual Life and Vision Can Enlighten Your Own"Poetry and art and music seize upon the human experience in ways that reveal new possibilities of intimacy with the Divine. In the way they reach out and grab us by the heart at unexpected times, they reaffirm that the Holy will meet us when it chooses.…"—from the Preface by Rev. Thomas Ryan, CSP Gerard Manley Hopkins, Christian mystical poet, is beloved for his use of fresh language and startling metaphors to describe the world around him. Beneath the surface of this lovely verse lies a searching soul, wrestling with and yearning for God. Hopkins writes from a Christian background, and yet his themes speak to people of all faiths who seek a deeper understanding of the presence of God in all of life.This beautiful sampling of Hopkins's poetry offers a glimpse into his unique spiritual vision that continues to inspire readers throughout the world. The poems unite his two devotions, presenting mystical images of Christ in the natural world, which serve as a window through which you might also begin to see the Divine Presence in the world around you.

This volume contains the complete text of the great Hopkins poem, together with Nigel Foxell's introduction and his copious notes, touching on nearly every line in the poem. An indispensable reader's guide to one of the great poems in the language. 'The Wreck of the Deutschland" deserves and requires close and subtle attention from the imagination and intellect of critics. A new generation of readers will be grateful to Nigel Foxell, poet, novelist and scholar, for the diligence and love he has brought to bear on this formidable task.

The greatest English religious poet of the nineteenth century, Gerard Manley Hopkins (1844-89) was a Jesuit priest and literary scholar whose life ended prematurely after his exhausting pastoral work among the slums of Liverpool and Dublin. His poems are dazzling celebrations of God's endless creative power couched in a uniquely expressive poetic diction, and all his mature poetry is her reprinted, together with illuminating fragments from journals, letters, sermons and lectures in which he expounds his literary and religious outlook.

Two Jesuit priests from different centuries and different lands, each with a particular artistic genius, brought together for the first time.Gerard Manley Hopkins is regarded as one of the greatest poets of the Victorian era, and his poems continue to grow in popularity. This volume contains a selection of poems.Francis Browne is considered one of the greatest photographers of the twentieth century, and his story is well-known, from the publications of the Titanic photos to the discovery after his death of 42,000 images.This volume brings together the work of these two Jesuit artists in a beutiful and balanced book which will make a really special gift to anyone interested in poetry, photography or both. The book has a lovely nostalgic quality which will appeal to many.