Contemporary Masters - Böcker
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240 kr
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A beautifully produced exhibition catalogue celebrating the work of Vilhelm Hammershøi featuring rarely exhibited works and essays from leading Hammershøi expert Felix Krämer and art historian Florian Illies. Defying categorization, the timeless paintings of nineteenth-century Danish master Vilhelm Hammershøi visually bridge the art of the Old Masters with that of the modern era. His remarkably modernist sensibility continues to capture the imaginations of contemporary audiences around the globe, with major international retrospectives and exhibitions on view over the last twenty years from London to Tokyo. Accompanying the inaugural exhibition of Hauser & Wirth’s new Basel gallery––the first ever solo show of Hammershøi’s work in Switzerland––'Silence' offers an in-depth understanding of Hammershøi’s highly individual artistic language, encapsulated in eighteen works, all from private collections and some rarely exhibited before. Bringing together the interior paintings for which Hammershøi is best known with farmstead paintings, cityscapes, and a rare self-portrait, 'Silence' demonstrates the breadth and depth of the artist’s practice. The works’ quiet yet radical originality positions the artist as a powerful precursor to the modern masters who were to come. With illuminating essays by Felix Krämer, the exhibition’s curator and a leading expert on Hammershøi, and Florian Illies, art historian and bestselling author of 'Love in a Time of Hate' and '1913: The Year Before the Storm', 'Silence' is an essential resource on the celebrated painter.
678 kr
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The fantastical universe of Swiss painter Nicolas Party’s immersive murals comes to life in this richly illustrated monograph. The first instalment of the new Contemporary Masters series — a set of monographs spotlighting some of the most influential artists of recent years — focuses on the mural work of celebrated Swiss painter Nicolas Party. His oeuvre ranges from the intimate to the gigantic, spanning from paintings, sculptures, and pietra dura, to the installations and public murals that are this monograph’s focus. Often commissioned in the context of institutional exhibitions, Party’s mural works are usually removed when the associated show comes to a close. The extensive documentation featured in the book offers a way of revisiting and experience these ephemeral works anew, with newly written texts by the artist about each mural providing intimate access to the thinking that goes into his brightly hued, uncanny universe of fantastical landscapes, characters, and motifs.