Jamilee Lacy – författare
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Lasker's postmodern abstraction meets the Frye collection's turn-of-the-century representationPublished with Frye Art Museum.Since the late 1970s, American painter Jonathan Lasker (born 1948) has cultivated a distinct formal vocabulary of structural grids, graphic scribbled lines and thick impasto strokes of paint. Lasker employs the familiar tools of representational painting—figure and ground, space and perspective—to destabilize its dividing line with abstraction. In keeping with Lasker's line of formal inquiry, this compact volume presents an unlikely yet productive pairing: a selection of the artist's large canvases intermingled with the Frye Art Museum's collection of late 19th- and early 20th-century paintings. Embedded within the museum's salon, Lasker's compositions open unexpected conversations across time, style and painterly intent. The publication includes photographs of the exhibition, as well as a foreword by collector Judy Greenstein, an essay by director Jamilee Lacy that discusses the exhibition in the context of Lasker's overall practice, and an interview between the artist and Lacy.
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The fantastical universe of Swiss painter Nicolas Party’s immersive murals comes to life in this richly illustrated monograph. The first instalment of the new Contemporary Masters series — a set of monographs spotlighting some of the most influential artists of recent years — focuses on the mural work of celebrated Swiss painter Nicolas Party. His oeuvre ranges from the intimate to the gigantic, spanning from paintings, sculptures, and pietra dura, to the installations and public murals that are this monograph’s focus. Often commissioned in the context of institutional exhibitions, Party’s mural works are usually removed when the associated show comes to a close. The extensive documentation featured in the book offers a way of revisiting and experience these ephemeral works anew, with newly written texts by the artist about each mural providing intimate access to the thinking that goes into his brightly hued, uncanny universe of fantastical landscapes, characters, and motifs.