Imperial War Museum – serie

Late on the night of May 16, 1943, Wing Commander Guy Gibson led 617 Squadron of the Royal Air Force on a mission code-named Operation Chastise--an audacious bombing raid across the English Channel. Their aim? Destroy three dams in the Ruhr Valley, the industrial heartland of Germany. The dams were fiercely protected. Torpedo nets in the water prevented underwater attacks, leaving air attack the only option. But anti-aircraft guns stood ready to wreak havoc on any enemy bombers daring enough to attempt an approach. What the Germans didn't know, however, was that 617 Squadron had a secret weapon--the "bouncing bomb"--and that it would be the difference maker in this attack. Using rarely seen archival footage from Imperial War Museums' unique collection, this flip book recreates the work that went into this raid, enabling readers to watch, frame by frame, as RAF pilots attempted to perfect their technique for dropping the bouncing bomb and getting it to detonate right on its target.

IWM was founded on 5 March 1917 when the War Cabinet approved a proposal by Sir Alfred Mond MP for the creation of a national war museum to record the events still taking place during the First World War. The intention was to collect and display material as a record of everyone's experiences during the war - civilian and military - and to commemorate the sacrifices of all sections of society.The First World War Retold tells the story of that war from a fresh perspective, fully illustrated with objects, photographs and works of art from IWM's unparalleled collections. It presents events as they happened, through quotations from diaries, letters or reported conversations written or spoken within hours, days or weeks of the events they describe. Through these voices and objects - emotive, immediate, and sometimes surprising - the story of the war is retold from a compelling new angle, allowing us to both understand and reflect upon the landmark conflict that still shapes our lives today.

The Second World War in Colour illustrates the most destructive war in history through rare colour photographs from IWM's unparalleled archive. The vivid hues of flames and fabrics, the intense blue skies, the sun-tanned faces and the myriad colours of military camouflage bring an immediacy rarely felt through black and white photography. Striking and powerful, these images take away its remoteness and bring the Second World War to life.

This gift book is collection of delightful and unusual recipes from the Second World War. Taken from the archives of IWM, the recipes show the ingenuity and creativity behind dishes rustled up out of meagre rations - from austerity recipes such as scrap bread pudding, potato pastry and sheep's heart pie to hearty English favourites including Lancashire hot pot, Queen's Pudding and crumpets. With colour images of wartime posters throughout and an introduction by an IWM historian, it is a fascinating look into what people ate in wartime.

IWM has managed a Film Archive since it was first established in 1917, and the Archive now covers all aspects of conflicts in which British, Commonwealth or former Empire countries have been involved since the start of the twentieth century. The constantly growing collection extends to over 23,000 hours of moving images, representing a wide and diverse range of material from public and service information films, documentaries and unedited combat film, through to official newsreels and amateur films.

It is well to remember that the stomach governs the world. Winston Churchill Mrs. Landemare s food is distinguished. She is an inspired intuitive cook. Clementine Churchill "Churchill s Cookbook" provides fascinating insight into what the legendary prime minister ate during World War II, containing over three hundred delicious recipes created by his personal cook, Georgina Landemare. The celebrity cook of her day, Landemare specialized in creating sumptuous feasts for England s nobility. At the outbreak of the Second World War, however, she devoted her full-time services to the Churchill family, declaring This will be my war work! She worked for the prime minster throughout the war; she was up at dawn preparing his breakfast and remained steadfastly in the kitchen until after his last whiskey at night. On VE Night, Churchill told her that he could not have managed through the war without her. With an introduction by Phil Reed, director of the Churchill War Rooms, "Churchill s Cookbook" marks the fiftieth anniversary of Churchill s death and the seventieth anniversary of VE Day.Covering mouth-watering cakes, biscuits, and puddings; healthy salads; and warming soups; this timely publication revives some forgotten British classics and reveals the food that sustained Churchill during his finest hours."

Keep calm and carry on. In 1939, Britain s Ministry of Information produced this now-ubiquitous reminder to its citizens in the event of widely predicted air attacks. But in the six consecutive years before Germany s surrender to Allied forces, the British public would feel keenly both the physical and moral hardships of war. To boost morale and raise awareness of how citizens efforts might helpor hinderthe wartime effort, one of the most effective forms the British government had at its disposal was the poster. "British Posters of the Second World War" presents one hundred posters from this important period in world history. Some proclaimed in bold type that Victory of the Allies is assured and featured stalwart British soldiers alongside exaggerated enemy figures. Others, however, hung on the walls of bus and railway stations, town halls, and pubs, called for continued self-sufficiency, urging Britons to raise chickens and join pig clubs. As the threat of espionage came to be regarded as ever-present, another category of posters cautioned soldiers and civilians alike against talking about the war: Furtive Fritz is always listening warned one; another, Keep mumshe s not so dumb.Drawing on the Imperial War Museum s impressive collection of materials related to conflicts involving Britain in the twentieth and twenty-first centuries, "British Posters of the Second World War" explores these campaigns and many others with an introduction and explanatory text by the museum s senior curator, Richard Slocombe."

Bring to life the legendary tanks that rumbled across the battlefields of World War Two with Imperial War Museums' fantastic colouring book. Packed with striking vintage-style illustrations, including iconic tanks like the T-34 and Tiger I, this book features over 30 detailed drawings of historic armoured vehicles and dramatic ground combat scenes from Europe, North Africa and beyond. Grab your colouring pencils and journey back to the era of steel and strategy - this is the perfect gift for tank enthusiasts of all ages!

Thirty new and classic cocktail recipes inspired by the colorful and controversial Winston Churchill.This charming book from the Imperial War Museums features dozens of cocktail recipes, each accompanied by detailed instructions, an ingredients list, and a short description of how the drink is inspired by British former head of state Winston Churchill. Photographs of the cocktails at Churchill War Rooms or the Churchill Bar accompany each recipe, and archival images of Churchill himself, drawn from the Imperial War Museums collection, tie the volume together. Published in association with the Churchill Bar at the Hyatt Regency Churchill in London, this is the ideal gift for anyone who likes a glass of something strong mixed with a splash of history.

A vibrant history of IWM Duxford's air shows, tracing its evolution across five decades. From the rare Spitfires of '75 to Concorde's ground-breaking displays and the dawn of Flying Legends, this pictorial celebration recalls Duxford's golden moments.

The summer of 1945 was one that remained in the memory of all those who witnessed it. It brought an end to nearly six years of war in Europe and beyond. A war that cost the lives of millions and destroyed the homes, livelihoods and families of almost all that experienced it. Millions of people across Britain rejoiced in the news that both Germany and Japan had surrendered, relieved that the intense strain of ‘total war’ was finally over. In towns and cities across the country, people marked the victory with street parties, dancing and singing.Using rare archival footage from IWM’s unique collection, this flipbook brings to life that celebratory summer.IWM has managed a Film Archive since it was first established in 1917. The constantly growing collection extends to over 23,000 hours of moving images, representing a wide and diverse range of material from public and service information films, documentaries and unedited combat film, through to official newsreels and amateur films.

The devastation caused by the Nazi regime during the Second World War was vast and multifaceted, leaving a profound and lasting impact on the world. In response, the Allies brought the leading civilian and military representatives of wartime Germany and Japan to trial on charges of war crimes, crimes against peace and crimes against humanity. The Nuremberg trials went on to become arguably the most famous trials in history, bringing some measure of justice to the millions persecuted and devastated by the Nazi regime.Drawing on documents, witness testimony and visual material from IWM's collections, this publication captures the importance and complexity of the trials that attempted to bring the Nazi war criminals to justice. It examines the events as they unfolded, from the creation of a new 'system' of justice, to the selection of defendants and evidence, to the frameworks and legacies that laid the foundation for modern international law and human rights as we know it.

The major art installation Blood Swept Lands and Seas of Red at the Tower of London marked one hundred years since the first full day of Britain's involvement in the First World War. Created by artists Paul Cummins and Tom Piper, 888,246 ceramic poppies progressively filled the Tower's famous moat between 17 July and 11 November 2014. Each poppy represented a British military fatality during the war. The poppies encircled the iconic landmark, creating a spectacular display visible from all around the Tower, which attracted more than 5 million visitors. The scale of the installation was intended to reflect the magnitude of such an important centenary and create a powerful visual commemoration. Featuring forewords by Paul Cummins and Tom Piper and stunning photography of the installation, The Poppies: Blood Red Lands and Seas of Red is the only official publication to mark this landmark event. As thousands of the poppies used in the installation tour the country during the remainder of the First World War Centenary, this publication will undoubtedly prove popular with visitors to both the Tower and the new venues alike.

From the worst horrors of modern trench warfare a small handful of soldiers and nurses created a body of poetry that is so vivid and intense that one hundred years later it has engraved itself on our national consciousness. Most anthologies of First World War poetry include quite uneven poems by many different poets, seeking to represent the wide range of war poetry that was written during the conflict. It can be hard to find your way through single poems by so many different voices. Instead, this anthology will be distinctive in focusing only on the most iconic figures of the war to explore their work in more depth. They include Rupert Brooke, Charles Hamilton Sorley, Robert Graves and Siegfried Sassoon. Wilfred Owen, Isaac Rosenberg, and Edward Thomas will be particularly well represented, but so will three poets whose reputation is still growing: Ivor Gurney, Edmund Blunden and David Jones. It will also include powerful poems by three nurses who served in France: Vera Brittain, Mary Borden and May Cannan. The poems are accompanied by a brief and accessible introduction, which sets the context for a reader new to the poems, as well as short biographical profiles of the poets.

The Imperial War Museum s archive is home to more than 20,000 hours of moving image material spanning the twentieth century in Britain. The clips range from documentary film and official newsreels, to unedited combat footage, and amateur shots. In the museum's early days the films could only be viewed through Mutoscope machines from the late nineteenth century that functioned much like a flipbook, giving life to a series of motionless images. The Mutoscope did not project images on a screen, rather the machine was used by one person at a time. To re-create the experience of watching these historical film reels, some of the most compelling scenes have been reproduced in these action-filled flipbooks. As you flip through the"Spitfire Flipbook," you ll come face to face with a 1940s Spitfire plane flying through the air. The single seat fighter aircraft dips and dives at lightning speeds as the pages progress. The Spitfire was the most commonly used airplane during the Battle of Britain and was used as both a fighter-bomber and for training.Replicating the action of old-time film strips, these flipbooks will be a delight for both children and adults, transporting those who flip the pages to Britain s wartime past."