James Bulgin – författare

The devastation caused by the Nazi regime during the Second World War was vast and multifaceted, leaving a profound and lasting impact on the world. In response, the Allies brought the leading civilian and military representatives of wartime Germany and Japan to trial on charges of war crimes, crimes against peace and crimes against humanity. The Nuremberg trials went on to become arguably the most famous trials in history, bringing some measure of justice to the millions persecuted and devastated by the Nazi regime.Drawing on documents, witness testimony and visual material from IWM's collections, this publication captures the importance and complexity of the trials that attempted to bring the Nazi war criminals to justice. It examines the events as they unfolded, from the creation of a new 'system' of justice, to the selection of defendants and evidence, to the frameworks and legacies that laid the foundation for modern international law and human rights as we know it.

In October 2021, Imperial War Museums (IWM) opened its new Holocaust Galleries in its London branch, replacing its first Holocaust Exhibition (from 2000) that had become a landmark in British Holocaust memory. Because of its comprehensive nature and intricate scenography, the new Holocaust Galleries are at the centre of almost all recent major narrative, political, and ethical debates about Holocaust representation in museums. The book provides an ideal global case-study understanding the possibilities and limitations of re-presenting trauma and violence in museums today and whether Holocaust exhibitions can promote democratic, civic, or human rights values, making it an important resource for museum practitioners, public history educators, and university researchers alike, interested in Historical, Museum, Memory, Holocaust, Genocide, or Cultural Studies. The volume brings together texts written by museum practitioners and academic scholars. It is divided in three parts: a long essay by James Bulgin, Head of Content for the new Holocaust Galleries, about the genesis and implementation of the exhibition, supplemented with briefer essays by educators and community members involved in the development of the exhibition, an extensive interview by Stephan Jaeger with IWM researchers James Bulgin and Suzanne Bardgett, and an extensive part with six critical essays by university scholars analysing the new Holocaust Galleries from numerous theoretical angles.