Iron Horse Prize – serie

The sixteen stories in this collection surround queer men of various ages—teenagers, young adults, men in middle age—trying to temper their expectations of the world with their lived experience. Using the lens of the bizarre and fantastic, these stories explore discontent, discomfort, and discovery.In "Melt With You," a twenty-something learns that his boyfriend can slip into walls, a trick that becomes a sticking point during tumultuous, challenging moments in their relationship; the main character in "Shearing" is a barber who can read the minds of his clients but must sacrifice his own bits of memory to do so; "There Won't Be Questions" features a young man who can summon lost animals to a shoebox, but suffers for it, both via physical illness and the crumbling of his relationship with his closest friend.In the title story, the Garden of Eden starts to appear in various places around the world, and the narrator, looking down at the Trees of Life and Knowledge, must make an impossible decision regarding the most important relationship he's ever had.

The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Though the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they're linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us. Underpinning the project is a core belief – self-definition is fluid, but conflict arises because society often fails to keep pace with personal evolution. In each of these stories, the protagonists grapple with their understanding of who they are, who and how they love, and what's ultimately most important to them. In almost every case, however, the quest to know or protect oneself is challenged by an external force, resulting in violence, crisis, or confusion, among other outcomes.The Birthright of Sons colors in "the other" as three-dimensional, by highlighting the unique obstacles that marginalized people face while simultaneously centering their humanity and unearthing universal struggles and commonalities. Be it experiencing a sexual awakening, contemplating the cumulative effects of racial tension in the workplace, or searching desperately for a moment of peace in the attention economy, the collection amplifies underrepresented voices in a playful and contemporary way, elevating, critiquing, and confronting its characters.Through a mix of heart, dark humor, and social observation, The Birthright of Sons ponders the power of difference in a world defined by rigid definitions, ideological silos, and an unwillingness to change.

A mother is a myth, a figure, a body. Through a series of essays spanning the political to the personal, Lucky Bodies reckons with motherhood. Marianne Jay Erhardt's striking debut takes inventory of what we demand and withhold from mothers, and what counts as care. Plucking stars from the constellation of stories that have shaped her own emergence as a mother, she explores fables, family, religion, fairy tales, television, mythology, and games, all with exceptional wit and empathy. Erhardt considers the nature of care alongside Peter Pan, Where the Wild Things Are, and Little House on the Prairie. She reassembles memory with Busby Berkely chorus girls, 90's TV commercials, and a mid-Atlantic hurricane. She grieves her father's death and the wreckage of war through Aesop and discovers how little the Mother of God says out loud in The Bible. She reimagines Red Riding Hood's wolf, reflects on faith with Bigfoot and repurposes a Covid wellness survey to take stock of our collective isolation, asking readers, "How alone are you?"Throughout Lucky Bodies, Erhardt establishes herself as a memoiric cultural critic, imagining how we might make and inhabit stories that cultivate an ethic of care.