Joe Baumann – författare

Flowers bloom from the body of a man after his lover’s touch. Grieving parents find a way to communicate with their lost children. A teacher with water in his veins is held accountable when the extracurricular club he advises goes rogue. In these and other fantastical stories, Joe Baumann explores relationships, mostly queer, through the lens of the bizarre. The stories in A Thing Is Only Known When It Is Gone are told in lyrical, often startling prose. Baumann’s experimentation with the surreal avoids gimmick and easy metaphor, keeping the complexity of the characters at the center. The strange worlds of these protagonists distort and reflect our own back to us, like the funhouse mirrors in “Morphology” that begin to change the fabric of reality.Ultimately, we may not want to live in a world in which our broken hearts are on display in external birdcages attached to our bodies. But Baumann’s sophisticated, nuanced storytelling makes us wonder, however briefly, whether such a world might be preferable to ours. The emotional poignancy at the heart of each of these stories reaches across the strangeness of all of our possible worlds, tying us together in the universal search for connection.

Queer stories about love, loneliness, the surreal, and the selfThe stories in Tell Me feature queer men of various ages reckoning with loneliness, selfishness, and the struggle for self-discovery and identity. In “The Vanisher,” a young bisexual man struggling with his own desire to be seen receives a bandana that allows him to become invisible. In “Retreat,” a widower travels to an artists’ colony to seek an audience with his recently deceased husband. And in “We Are Rendered Silent,” people lose their ability to speak when a man they love dies. Through Baumann’s inventive employment of the strange and surreal, these stories set out to explore the bizarre and often confounding experience of navigating modern-day queerness. With his unique voice and magnificent imagination, Baumann fully immerses readers in the queer experience.

The sixteen stories in this collection surround queer men of various ages—teenagers, young adults, men in middle age—trying to temper their expectations of the world with their lived experience. Using the lens of the bizarre and fantastic, these stories explore discontent, discomfort, and discovery.In "Melt With You," a twenty-something learns that his boyfriend can slip into walls, a trick that becomes a sticking point during tumultuous, challenging moments in their relationship; the main character in "Shearing" is a barber who can read the minds of his clients but must sacrifice his own bits of memory to do so; "There Won't Be Questions" features a young man who can summon lost animals to a shoebox, but suffers for it, both via physical illness and the crumbling of his relationship with his closest friend.In the title story, the Garden of Eden starts to appear in various places around the world, and the narrator, looking down at the Trees of Life and Knowledge, must make an impossible decision regarding the most important relationship he's ever had.

In Joe Baumann’s newest collection Where Can I Take You When There’s Nowhere To Go, queer men explore their sense of who they are and what they want, often in worlds that are tilted askew from what we might expect. Thirteen surreal short stories utilize the strange and the bizarre as a backdrop for explorations of loneliness, queer coming-of-age, self-discovery, and loss. In “We Adore These Bodies Until They Are Gone,” people evaporate when suffering isolation and directionless; in “Happy Birthdays,” characters transform into different ages when they consume particular kinds of cake; and in the titular story, a pair of lonely teenagers come together at a party after one of them gifts the other with a small cloud he has spun out of his own hands. Baumann’s tender vignettes of love, anger, grief, and desire are a stunning ode to the places and people that can give us solace within an absurd and chaotic world.