KMEC – serie
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2 produkter
2 produkter
Häftad, Engelska, 2026
219 kr
Kommande
“Blanco seeks out a point of unity between the primitive energy of mystical rite, the raw vitality of youth and the relationship between pop and urban culture.” –VogueFrom the Silence of Duchamp to the Noise of Boys is the first book of poetry by New York–based performance artist and writer Mykki Blanco. Coinciding with the release of Blanco’s two new albums—their first in four years—and two new queer anthologies, We Can Do Better Than This (Vintage, 2021) and The Queer Bible (HarperCollins, 2021) that include essays penned by Blanco, this reissue of the sold-out first edition of From the Silence of Duchamp features the original collection of poems with a new introduction by the author.Written over the course of six years with revisions and additions that span across different ages and locations, From the Silence of Duchamp draws heavily from folklore and oral traditions to convey the energy of rebellious youth and challenge a contemporary indifference to spirituality. Blanco, who came of age first in the Pacific Northwest and then as a 16-year-old runaway in New York City, refers in these poems as much to their own experience of life as to the more far-reaching worlds of mysticism, metaphysics and psychedelia. From the Silence of Duchamp is arranged and illustrated by Nikolai Rose, the New York–based creative team of Jacob Melinger and Alan Paukman, who experimented with wine and salt crystals to create the haunting ink washes that accompany Blanco’s visceral words.Michael David Quattlebaum Jr. (born 1986), better known by the stage name Mykki Blanco, is a songwriter, musician, performance artist, poet and activist.
Inbunden, Engelska, 2026
397 kr
Kommande
The facsimile typewritten and annotated script of the 1981 cult classic, together with the shocking never-before-published screenplay that Hollywood refused to makeThe 1981 film Possession, directed by Polish filmmaker Andrzej Zulawski (1940–2016), is a no-holds-barred portrait of a disintegrating marriage. Featuring impassioned performances by Isabelle Adjani and Sam Neill, the film starts as a psychodrama, develops quickly into a queasy supernatural horror film and ends up exploding all known genres. A work of rampant and sustained power, its visual daring is equaled by its rich imagination and deep spiritual conviction: a film for the bold and adventurous. Published for the first time as a facsimile of the typed script, Possession includes handwritten annotations and edits by screenwriters Zulawski and Frederic Tuten (born 1936). This typescript offers amazing insight into the creation of the cult film and is a fascinating document of collaboration between two outstanding artists. As an added bonus, this publication also includes Zulawski and Tuten's mysterious, never-before-published script for The Invisibles—a story that, though never filmed, is even darker and more complex than Possession.