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    1. Skönlitteratur
    2. Litteraturvetenskap

    Agonistics

    Arenas of Creative Contest

    AvJanet Lungstrum,Elizabeth Sauer

    Häftad, Engelska, 1997

    Del i serien SUNY series, The Margins of Literature

    471 kr

    Tillfälligt slut

    Beskrivning

    Focuses on a very significant psycho-cultural concept (that of "agonistics" or "contestatory creativity") with ramifications in several areas of the postmodern debate: cultural philosophy, psychologies of race, gender and the body, and narratology.This book examines the ambiguities inherent in the concept of the agon as a motivating, conflictual force behind creative and social expression. The notion of agonistics extends far beyond the literary fame lent it by Harold Bloom to embrace all aspects of culture. The editors blend theoretical sophistication with an interdisciplinary approach and reposit the agon in a new, broad context for postmodern inquiry. Taking their inspiration from Friedrich Nietzsche's essay "Homer's Contest," Lungstrum and Sauer trace the evolution of the agon: from its vital function in ancient Greece, through modernity, and onward.

    Produktinformation

    • Utgivningsdatum:1997-09-11
    • Mått:152 x 228 x 20 mm
    • Vikt:499 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:SUNY series, The Margins of Literature
    • Antal sidor:359
    • Förlag:State University of New York Press
    • ISBN:9780791434123

    Utforska kategorier

    • Litteraturvetenskap inom Skönlitteratur
    • Litteraturteori inom Skönlitteratur

    Mer om författaren

    Janet Lungstrum is Assistant Professor of German Literature at the University of Colorado at Boulder. Elizabeth Sauer is Associate Professor of English Literature at Brock University. She is the author of Barbarous Dissonance and Images of Voice in Milton's Epics.

    Recensioner i media

    "The editors have staked out the domain of agonistics in their Introduction, tracing its various definitions from Nietzsche through Freud and Wittgenstein, to Derrida, Bloom, and Lyotard. They have also structured the individual analysis around four, well-balanced thematic focuses that broach agonistic creativity from a philosophic, psychoanalytic, narratological, and socio-sexual point of view. These focuses are to a large extent complementary, establishing a continous intertextual dialogue across the thematic separations." — Marcel Cornis-Pope, Virginia Commonwealth University

    Innehållsförteckning

    • Creative Agonistics: An IntroductionJanet Lungstrum and Elizabeth SauerIContests in Cultural PhilosophyHomer's ContestFriedrich Nietzsche (translated by Jordan Dieterich and Janet Lungstrum)Cultural Agonistics: Nietzsche, the Greeks, Eternal RecurrenceBenjamin C. SaxClosing the Eye: Hegel, Derrida, and the Closure of PhilosophyArkady PlotnitskyWalter Benjamin: The Prophet's War against ProphecyMarcus Paul BullockIIPsychoanalytic and Racial ConflictsInterpretation Interminable: Agonistics in PsychoanalysisVolney P. GayThe Institutionalization of Conflict as an Interpretative Strategy in Freud's The Interpretation of DreamsLorna MartensThe Jewish Genius: Freud and the Jewishness of the CreativeSander L. GilmanCriminality and Poe's Orangutan: The Question of Race in DetectionNancy A. HarrowitzIIIAgonal Aesthetics and Narrative Theory"A Chain of Utmost Potency": On the Agon and the Creative ImpulseJohn A. McCarthyThe Partial Song of Satanic Anti-Creation: Milton's Discourses of the Divided SelfElizabeth SauerThe Penman and the Postal-Carrier: Preordained Rivalry in Joyce's Finnegans WakeAndrew SchmitzThe Gender of Fiction: Henry James's "Backward Glance" at the Agon of CompositionCecile Mazzucco-ThanIVAgons of Gender and the BodyThe Muse AbusedLisabeth Duringv The Sportive Agon in Ancient and Modern TimesJohn HobermanBaudrillard, After Hours, and the Postmodern Suppression of Socio-Sexual ConflictCynthia WillettAgonal Politics in Space and Time: Arendt and Le Guin on World CreationGeorge A. TreyNotes on ContributorsIndex