Litteraturteori
13 230 produkter
13 230 produkter
Häftad, Engelska, 2021
318 kr
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An innovative and accessible overview of how ancient Scandinavians understood and made use of their mythological stories. Old Norse Mythology provides a unique survey of the mythology of Scandinavia: the gods Þórr (Thor) with his hammer, the wily and duplicitous Óðinn (Odin), the sly Loki, and other fascinating figures. They create the world, battle their enemies, and die at the end of the world, which arises anew with a new generation of gods. These stories were the mythology of the Vikings, but they were not written down until long after the conversion to Christianity, mostly in Iceland. In addition to a broad overview of Nordic myths, the book presents a case study of one myth, which tells of how Þórr (Thor) fished up the World Serpent, analyzing the myth as a sacred text of the Vikings. Old Norse Mythology also explores the debt we owe to medieval intellectuals, who were able to incorporate the old myths into new paradigms that helped the myths to survive when they were no longer part of a religious system. This superb introduction traces the use of the mythology in ideological contexts, from the Viking Age until the twenty-first century, as well as in entertainment.
Inbunden, Svenska, 2025
248 kr
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"Kristoffer Leandoers nya bok är lärd och elegant"Aftonbladet
"Intresseväckande utan att vara tillgjord, lärd utan att vara pretentiös, infallsrik utan att bli förvirrad."Göteborgs-Posten"Oupphörligen intressant och tankeväckande läsning om fiktionens kraft"BTJ ger boken 5 av 5 i betygVad händer när vi läser?
Är litteratur något som bara finns mellan pärmarna i en bok, eller något som uppstår i själva mötet mellan läsaren och boken? Är boken alltid densamma, eller förändras den med varje ny läsning? Kan två människor överhuvudtaget läsa samma bok?
Här närmar sig Kristoffer Leandoer litteraturen från ett nytt och oväntat håll där det snart blir tydligt: Det är läsaren som skriver boken. Vi läsare är opålitliga: vi glömmer, vi minns fel. Vi hoppar över och drar ifrån, och vi lägger gärna till de detaljer som författaren glömt.
Så vad innebär medskapande läsning för kritiker och översättare, för pusseldeckare och bibeltolkare? Vad strök morfar under i Kierkegaards dagbok? Läser vi med ögonen eller öronen? Vilka böcker har diktatorn i sitt bibliotek? Dödade Oidipus verkligen sin pappa?"Den största behållningen med Leandoers bok är just de fria samtal om olika sätt att närma sig en berättelse som han leder in oss på."UNT"Intresseväckande utan att vara tillgjord, lärd utan att vara pretentiös, infallsrik utan att bli förvirrad."Göteborgs-Posten"Kristoffer Leandoer skriver vackert om samarbetet mellan författare och läsare"Dagens Nyheter
Häftad, Engelska, 2003
203 kr
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People use metaphors every time they speak. Some of those metaphors are literary - devices for making thoughts more vivid or entertaining. But most are much more basic than that - they're "metaphors we live by", metaphors we use without even realizing we're using them. In this book, George Lakoff and Mark Johnson suggest that these basic metaphors not only affect the way we communicate ideas, but actually structure our perceptions and understandings from the beginning. Bringing together the perspectives of linguistics and philosophy, Lakoff and Johnson offer an intriguing and surprising guide to some of the most common metaphors and what they can tell us about the human mind. And for this new edition, they supply an afterword both extending their arguments and offering a fascinating overview of the current state of thinking on the subject of the metaphor.
Häftad, Engelska, 1997
422 kr
For the past half century, Maurice Blanchot has been an extraordinarily influential figure on the French literary and cultural scene. He is arguably the key figure after Sartre in exploring the relation between literature and philosophy.This collection of 29 critical essays and reviews on art, politics, literature, and philosophy documents the wide range of Blanchot's interests, from the enigmatic paintings in the Lascaux caves to the atomic era. Essays are devoted to works of fiction (Louis-René des Forêts, Pierre Klossowski, Roger Laporte, Marguerite Duras), to autobiographies or testimonies (Michel Leiris, Robert Antelme, André Gorz, Franz Kafka), or to authors who are more than ever contemporary (Jean Paulhan, Albert Camus).Several essays focus on questions of Judaism, as expressed in the works of Edmond Jabès, Emmanuel Levinas, and Martin Buber. Among the other topics covered are André Malraux's "imaginary museum," the Pléiade Encyclopedia project of Raymond Queneau, paperback publishing, the work of Claude Lévi-Strauss, Benjamin's "Task of the Translator," Marx and communism, writings on the Holocaust, and the difference between art and writing. The book concludes with an eloquent invocation to friendship on the occasion of the death of Georges Bataille.
Häftad, Engelska, 2023
339 kr
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Radical alternatives to consent and traumaArguing that we have become culturally obsessed with healing trauma, Sexuality Beyond Consent calls attention to what traumatized subjects do with their pain. The erotics of racism offers a paradigmatic example of how what is proximal to violation may become an unexpected site of flourishing. Central to the transformational possibilities of trauma is a queer form of consent, limit consent, that is not about guarding the self but about risking experience. Saketopoulou thereby shows why sexualities beyond consent may be worth risking-and how risk can solicit the future.Moving between clinical and cultural case studies, Saketopoulou takes up theatrical and cinematic works such as Slave Play and The Night Porter, to chart how trauma and sexuality join forces to surge through the aesthetic domain. Putting the psychoanalytic theory of Jean Laplanche in conversation with queer of color critique, performance studies, and philosophy, Sexuality Beyond Consent proposes that enduring the strange in ourselves, not to master trauma but to rub up against it, can open us up to encounters with opacity. The book concludes by theorizing currents of sadism that, when pursued ethically, can animate unique forms of interpersonal and social care.
Del 188 - Södertörn doctoral dissertations
Nollpunkten : precisionens betydelse hos Witold Gombrowicz, Inger Christensen och Herta Müller
Kartonnage, Svenska, 2021
78 kr
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Varje författare vet att frågan om precision och exakthet är avgörande för skrivandet. Men frågan har också ett historiskt sammanhang. Den blir akut under moderniteten: de exakta vetenskapernas och de precisa kalkylernas epok, men också de genomkalkylerade massmordens och den noggrant planerade övervakningens. Genom att gå i närkamp med tre av det moderna Europas mest inflytelserika författare -- Witold Gombrowicz, Inger Christensen och Herta Müller -- visar Gabriel Itkes-Sznap att litteraturen och poesin utmärks av en egen precision, att den skiljer sig från vetenskapens, matematikens och teknologins precision, och pekar ut en helt annan väg och erfarenhet.
Gabriel Itkes-Sznap, född 1985 och bosatt i Stockholm, gav 2015 ut diktsamlingen Tolvfingertal (Albert Bonniers Förlag), som nominerades till Borås Tidningsdebutantpris. Nollpunkten är hans doktorsavhandling i estetik.
»Här kommer då Itkes-Sznap in och visar hur estetisk forskning kan vara oupphörligt intressant, läsvärd och drabbande - ett lika givande kvällsfördriv som den senaste romanen eller poesisamlingen, lika sprängfylld av känslor, lika uppfylld av frågor om skapande som liv, som död.« (Valerie Kyeyune Backström, Expressen.)
Häftad, Engelska, 2025
271 kr
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The literary critic defends the importance of Western literature from Chaucer and Shakespeare to Kafka and Beckett in this acclaimed national bestseller.“An impressive work…deeply, rightly passionate about the great books of the past.”—Michael Dirda, The Washington Post Book WorldHarold Bloom's The Western Canon is more than a required reading list—it is a “heroically brave, formidably learned” defense of the great works of literature that comprise the traditional Western Canon. Infused with a love of learning, compelling in its arguments for a unifying written culture, it argues brilliantly against the politicization of literature and presents a guide to the essential writers of the western literary tradition (The New York Times Book Review).Placing William Shakespeare at the “center of the canon,” Bloom examines the literary contributions of Dante Alighieri, John Milton, Jane Austen, Emily Dickenson, Leo Tolstoy, Sigmund Freud, James Joyce, Pablo Neruda, and many others. Bloom's book, much-discussed and praised in publications as diverse as The Economist and Entertainment Weekly, offers a dazzling display of erudition and passion.
Häftad, Engelska, 2014
368 kr
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The twentieth century – with its unprecedented advances in technology and scientific understanding – saw the birth of a distinctively new and ‘modern’ age. Henri Bergson stood as one of the most important philosophical voices of that tumultuous time. An intellectual celebrity in his own life time, his work was widely discussed by such thinkers as William James, Alfred North Whitehead and Bertrand Russell, as well as having a profound influence on modernist writers such as Wallace Stevens, Willa Cather and Wyndham Lewis and later thinkers, most notably Gilles Deleuze.Key Writings brings together Bergson’s most essential writings in a single volume, including crucial passages from major works such as Time and Free Will, Matter and Memory, Creative Evolution, Mind-Energy, The Creative Mind, The Two Sources of Morality and Religion and Laughter. The book also includes Bergson’s correspondence with William James and a chronology of his life and work.
Häftad, Engelska, 2020
240 kr
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"A feminist classic."—Judith Shulevitz, New York Times Book Review“A pivotal book, one of those after which we will never think the same again.”—Carolyn G. Heilbrun, Washington Post Book WorldA pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later.
Inbunden, Engelska, 2025
358 kr
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Häftad, Engelska, 2014
269 kr
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In an “other world” composed of language-it could be a fathomless Martian well, a labyrinthine hotel or forest-a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami’s characters and readers alike. Memories and dreams in turn conjure their magical counterparts-people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer’s extraordinary fiction.Fervently acclaimed worldwide, Murakami’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in this book readers will find a map to the strange realm that grounds virtually every aspect of Murakami’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. Matthew Carl Strecher shows how these considerations color Murakami’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real. Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer’s vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa, or “over there”), and its connectivity to language. Strecher covers all of Murakami’s work-including his efforts as a literary journalist-and concludes with the first full-length close reading of the writer’s newest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage.
Häftad, Engelska, 2023
239 kr
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An argument that humanists have the tools—and the responsibility—to mobilize political power to tackle climate changeAs climate catastrophes intensify, why do literary and cultural studies scholars so often remain committed to the separation of aesthetic study from the nitty-gritty of political change? In this thought-provoking book, Caroline Levine makes the case for an alternative view, arguing that humanists have the tools to mobilize political power—and the responsibility to use those tools to avert the worst impacts of global warming. Building on the theory developed in her award-winning book, Forms, Levine shows how formalist methods can be used in the fight for climate justice.Countering scholars in the environmental humanities who embrace only “modest gestures of care”—and who seem to have moved directly to “mourning” our inevitable environmental losses—Levine argues that large-scale, practical environmental activism should be integral to humanists’ work. She identifies three major infrastructural forms crucial to sustaining collective life: routines, pathways, and enclosures. Crisscrossing between art works and public works—from urban transportation to television series and from food security programs to rhyming couplets—she considers which forms might support stability and predictability in the face of growing precarity. Finally, bridging the gap between academic and practical work, Levine offers a series of questions and exercises intended to guide readers into political action. The Activist Humanist provides an essential handbook for prospective activist-scholars.
Häftad, Engelska, 2024
229 kr
Skickas inom 7-10 vardagar
Contemporary cultural style boosts transparency and instantaneity. These are values absorbed from our current economic conditions of "disintermediation": cutting out the middleman. Like Uber, but for art. Immediacy names this style to make sense of what we lose when the contradictions of twenty-first-century capitalism demand that aesthetics negate mediation. Surging realness as an aesthetic program synchs with the economic imperative to intensify circulation when production stagnates. "Flow" is the ultimate twenty-first-century buzzword, but speedy circulation grinds art down to the nub. And the bad news is that political turmoil and social challenges require more mediation. Collective will, inspiring ideas, and deliberate construction are the only way out, but our dominant style forgoes them. Considering original streaming TV, popular literature, artworld trends, and academic theories, Immediacy explains the recent obsession with immersion and today's intolerance of representation, and points to alternative forms in photography, TV, novels, and constructive theory that prioritize distance, impersonality, and big ideas instead.
Häftad, Engelska, 2024
227 kr
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A 2024 CHOICE OUTSTANDING ACADEMIC TITLEPROSE AWARDS MEDIA AND CULTURAL STUDIES FINALIST 2024The Gutenberg Parenthesis traces the epoch of print from its fateful beginnings to our digital present – and draws out lessons for the age to come.The age of print is a grand exception in history. For five centuries it fostered what some call print culture – a worldview shaped by the completeness, permanence, and authority of the printed word. As a technology, print at its birth was as disruptive as the digital migration of today. Now, as the internet ushers us past print culture, journalist Jeff Jarvis offers important lessons from the era we leave behind.To understand our transition out of the Gutenberg Age, Jarvis first examines the transition into it. Tracking Western industrialized print to its origins, he explores its invention, spread, and evolution, as well as the bureaucracy and censorship that followed. He also reveals how print gave rise to the idea of the mass – mass media, mass market, mass culture, mass politics, and so on – that came to dominate the public sphere. What can we glean from the captivating, profound, and challenging history of our devotion to print? Could it be that we are returning to a time before mass media, to a society built on conversation, and that we are relearning how to hold that conversation with ourselves? Brimming with broader implications for today’s debates over communication, authorship, and ownership, Jarvis’ exploration of print on a grand scale is also a complex, compelling history of technology and power.
Häftad, Engelska, 1994
299 kr
Skickas inom 11-20 vardagar
Louise M. Rosenblatt’s award-winning work continues increasingly to be read in a wide range of academic fields―literary criticism, reading theory, aesthetics, composition, rhetoric, speech communication, and education. Her view of the reading transaction as a unique event involving reader and text at a particular time under particular circumstances rules out the dualistic emphasis of other theories on either the reader or the text as separate and static entities. The transactional concept accounts for the importance of factors such as gender, ethnicity, culture, and socioeconomic context. Essential reading for the specialist, this book is also well suited for courses in criticism, critical theory, rhetoric, and aesthetics.Starting from the same non-foundationalist premises, Rosenblatt avoids the extreme relativism of postmodern theories derived mainly from Continental sources. A deep understanding of the pragmatism of Dewey, James, and Peirce and of key issues in the social sciences is the basis for a view of language and the reading process that recognizes the potentialities for alternative interpretations and at the same time provides a rationale for the responsible reading of texts.The book has been praised for its lucid explanation of the multidimensional character of the reading process―evoking, interpreting, and evaluating the work. The nonliterary (efferent) and the literary (aesthetic) are shown not to be opposites but to represent a continuum of reading behaviors. The author amply illustrates her theoretical points with interpretations of varied texts. The epilogue carries further her critique of rival contemporary theories.
Häftad, Engelska, 2018
289 kr
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Timothy Morton argues that ecological awareness in the present Anthropocene era takes the form of a strange loop or Möbius strip, twisted to have only one side. Deckard travels this oedipal path in Blade Runner (1982) when he learns that he might be the enemy he has been ordered to pursue. Ecological awareness takes this shape because ecological phenomena have a loop form that is also fundamental to the structure of how things are.The logistics of agricultural society resulted in global warming and hardwired dangerous ideas about life-forms into the human mind. Dark ecology puts us in an uncanny position of radical self-knowledge, illuminating our place in the biosphere and our belonging to a species in a sense that is far less obvious than we like to think. Morton explores the logical foundations of the ecological crisis, which is suffused with the melancholy and negativity of coexistence yet evolving, as we explore its loop form, into something playful, anarchic, and comedic. His work is a skilled fusion of humanities and scientific scholarship, incorporating the theories and findings of philosophy, anthropology, literature, ecology, biology, and physics. Morton hopes to reestablish our ties to nonhuman beings and to help us rediscover the playfulness and joy that can brighten the dark, strange loop we traverse.
Häftad, Engelska, 1996
129 kr
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One of the most powerful, perceptive and influential works of criticism in Western literary history In his near-contemporary account of classical Greek tragedy, Aristotle examines the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis ('purification'). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals. The Poetics has informed thinking about drama ever since.Translated with an Introduction and Notes by Malcolm Heath
Inbunden, Engelska, 2025
229 kr
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A TIMES and SPECTATOR Book of the Year 'The best book about reading I have read for a very long time' STEPHEN FRY'A glittering gem of a book' NATALIE HAYNESA joyful and enlightening masterclass in how reading attentively can change our livesAs an English literature professor, Robert Douglas-Fairhurst has delighted in sharing his love of reading with his students. Bringing together more than twenty years of teaching, Look Closer explores the iconic works of literature that have formed, sustained and entertained him, from timeless classics like Wuthering Heights and Dracula to modern masterpieces such as Normal People and The Handmaid’s Tale, as well as children’s books, poetry, plays, short stories and comics.By revealing the simple techniques to slow down, take note and bring a text to life, Look Closer makes clear how literature works and why, in these turbulent times, reading is more relevant than ever. Funny, illuminating and personal, this book ultimately shows us how great writing can change a person’s life. It is a celebration of the simple joy of reading, and how becoming more attentive readers can open up worlds and bring us closer to ourselves in delightful and unexpected ways.
Häftad, Engelska, 2011
115 kr
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Häftad, Engelska, 2023
243 kr
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Tone is a collaborative study of literary tone, a notoriously challenging and slippery topic for criticism. Both granular and global, infusing a text with feeling, tone is so difficult to pin down that responses to it often take the vague form of “I know it when I see it.”In Tone, a cooperative authorial voice under the name of the Committee to Investigate Atmosphere begins from the premise that tone is relational, belonging to shared experience rather than a single author, and should be approached through a communal practice. In partnership, the Committee explores the atmospheres emanating from texts by Nella Larsen, W. G. Sebald, Heike Geissler, Hiroko Oyamada, Mieko Kanai, Bhanu Kapil, Franz Kafka, Renee Gladman, and others, attending to the chafing of political irritation, the hunger of precarious and temporary work, and the lonely delights of urban and suburban walks.This study treats a variety of questions: How is tone filtered through translation? Can a text hold the feelings that pass between humans and animals? What can attention to literary tone reveal about shared spaces such as factories, universities, and streets and the clashes and connections that happen there? Searching and conversational, Tone seeks immersion in literary affect to convey the experience of reading—and living—together.
Inbunden, Engelska, 2021
1 302 kr
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This book explores how Jacques Lacan has influenced Black Studies from the 1950s to the present day, and in turn how a Black Studies framework challenges the topographies of Lacanianism in its understanding of race. It will appeal to students and scholars of Black Studies, Cultural Studies, Critical Theory and Philosophy.
Inbunden, Engelska, 2024
1 420 kr
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What is love for Sartre and Lacan? In Dialectics of Love in Sartre and Lacan, Sinan Richards examines Sartre’s and Lacan’s writings on love to draw out a distinctly Lacanian conception of love and subjectivity. Richards begins by demonstrating how Sartre’s in itself for itself is a convincing shorthand for Lacan’s central object of study, before presenting and explaining the various aspects of Lacan’s psychophilosophical project to show how, for Lacan, the subject is marked by various pathologies. He argues that, for Lacan, as for Sartre and Schelling before him, the subject is ontologically sick, and, by its very structure, the Oedipus complex produces subjects that are prey to a mental collapse at any moment. As a result, for Lacan, the subject has no choice but to identify with their potential madness, a constitutive aspect of their subjectivity. He concludes by making a compelling case that love in the Lacanian schema is the subject’s mad wish to reunite in itself with for itself, which is an always impossible yet necessary aspect of subjectivity. The book presents fresh insights on Lacan and Sartre that will appeal to students and scholars of psychoanalysis, philosophy, comparative literature and critical theory.
Häftad, Engelska, 2023
719 kr
This thoroughly updated fourth edition of Critical Theory Today offers an accessible introduction to contemporary critical theory, providing in-depth coverage of the most common approaches to literary analysis today, including: feminism; psychoanalysis; Marxism; reader-response theory; New Criticism; structuralism and semiotics; deconstruction; new historicism and cultural criticism; lesbian, gay, and queer theory; African American criticism; and postcolonial criticism and ecocriticism. This new edition features:• A brand new chapter on ecocriticism, including sections on deep ecology, eco-Marxism, ecofeminism (including radical, Marxist, and vegetarian ecofeminisms), and postcolonial ecocriticism and environmental justice• Considerable updates to the chapters on feminist theory, African American theory, postcolonial theory, and LGBTQ theories, including terminology and theoretical concepts• An extended explanation of each theory, using examples from everyday life, popular culture, and a variety of literary texts• A list of specific questions critics ask about literary texts • An interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory• A list of questions for further practice to guide readers in applying each theory to different literary works• Updated and expanded bibliographies Both engaging and rigorous, this is a "how-to" book for undergraduate and graduate students new to critical theory and for college professors who want to broaden their repertoire of critical approaches to literature.
Häftad, Engelska, 2012
676 kr
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Walter J. Ong’s classic work provides a fascinating insight into the social effects of oral, written, printed and electronic technologies, and their impact on philosophical, theological, scientific and literary thought.This thirtieth anniversary edition – coinciding with Ong’s centenary year – reproduces his best-known and most influential book in full and brings it up to date with two new exploratory essays by cultural writer and critic John Hartley. Hartley provides: A scene-setting chapter that situates Ong’s work within the historical and disciplinary context of post-war Americanism and the rise of communication and media studies; A closing chapter that follows up Ong’s work on orality and literacy in relation to evolving media forms, with a discussion of recent criticisms of Ong’s approach, and an assessment of his concept of the ‘evolution of consciousness’; Extensive references to recent scholarship on orality, literacy and the study of knowledge technologies, tracing changes in how we know what we know.These illuminating essays contextualize Ong within recent intellectual history, and display his work’s continuing force in the ongoing study of the relationship between literature and the media, as well as that of psychology, education and sociological thought.
Inbunden, Engelska, 2025
239 kr
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How we build our invisible libraries Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach’s—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library.
Häftad, Engelska, 2000
269 kr
This volume records a remarkable encounter in critical and philosophical thinking: a meeting of two of the great pioneers in contemporary thought, Maurice Blanchot and Jacques Derrida, who are also bound together by friendship and a complex relation to their own pasts. More than a literary text with critical commentary, it constitutes an event of central significance for contemporary philosophical, literary, and political concerns.The book consists of The Instant of My Death, a powerful short prose piece by Blanchot, and an extended essay by Derrida that reads it in the context of questions of literature and of bearing witness. Blanchot's narrative concerns a moment when a young man is brought before a firing squad during World War II and then suddenly finds himself released from his near death. The incident, written in the third person, is suggestively autobiographical—from the title, several remarks in the text, and a letter Blanchot wrote about a similar incident in his own life—but only insofar as it raises questions for Blanchot about what such an experience might mean. The accident of near death becomes, in the instant the man is released, the accident of a life he no longer possesses. The text raises the question of what it means to write about a (non)experience one cannot claim as one's own, and as such is a text of testimony or witness.Derrida's reading of Blanchot links the problem of testimony to the problem of the secret and to the notion of the instant. It thereby provides the elements of a more expansive reassessment of literature, testimony, and truth. In addressing the complex relation between writing and history, Derrida also implicitly reflects on questions concerning the relation between European intellectuals and World War II.
Häftad, Engelska, 2009
159 kr
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Rediscover this deep, practical anatomy of the novel from 'the strongest ... literary critic we have' (New York Review of Books) in this new revised 10th anniversary edition.What do we mean when we say we 'know' a fictional character? What constitutes a 'telling' detail? When is a metaphor successful? Is realism realistic? Why do most endings of novels disappoint?In the tradition of E. M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a study of the main elements of fiction, such as narrative, detail, characterization, dialogue, realism, and style. In his first full-length book of criticism, one of the most prominent critics of our time takes the machinery of story-telling apart to ask a series of fundamental questions. Wood ranges widely, from Homer to Beatrix Potter, from the Bible to John Le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, it incisively sums up two decades of bold, often controversial, and now classic critical work, and will be enlightening to writers, readers, and anyone interested in what happens on the page.'Should find a place on every novel-lover's shelf. It has the quality all useful works of criticism should have: refined taste, keen observation, and the ability to make the reader argue, passionately, with it' Financial Times
Häftad, Engelska, 2018
692 kr
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The concept of community is one of the most frequently used and abused of recent philosophical or socio-political concepts. In the 1980s, faced with the imminent collapse of communism and the unchecked supremacy of free-market capitalism, the philosopher Jean-Luc Nancy (in The Inoperative Community) and the writer Maurice Blanchot (in The Unavowable Community) both thought it essential to rethink the fundamental basis of “community” as such. More recently, Nancy has renewed the debate by unexpectedly attacking Blanchot’s account of community, claiming that it embodies a dangerously nostalgic desire for mythic and religious communion.This book examines the history and implications of this controversy. It analyses in forensic detail Nancy’s and Blanchot’s contrasting interpretations of German Romanticism, and the work of Heidegger, Bataille, and Marguerite Duras, and examines closely their divergent approaches to the contradictory legacy of Christianity. At a time when politics are increasingly inseparable from a deep-seated sense of crisis, it provides an incisive account of what, in the concept of community, is thought yet crucially still remains unthought.
Häftad, Engelska, 2022
286 kr
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An accessible introduction to cultural theory and an original polemic about the purpose of criticism.What is criticism for? Over the past few decades, impassioned disagreements over that question in the academy have burst into the news media. These conflicts have renewed the culture wars over the legacy of the 1960s, becoming entangled in national politics and leading to a new set of questions about critics and the power they do or don't wield. Re-examining theorists from Matthew Arnold to Walter Benjamin, to Fredric Jameson, Stuart Hall, and Hortense Spillers, Criticism and Politics explores the animating contradictions that have long propelled literary studies: between pronouncing judgment and engaging in philosophical critique, between democracy and expertise, between political commitment and aesthetic autonomy. Both a leftist critic and a critic of the left, Robbins unflinchingly defends criticism from those who might wish to de-politicize it, arguing that working for change is not optional for critics, but rather a core part of their job description.
Häftad, Engelska, 2012
431 kr
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In this new book, crucial for understanding her journey, Luce Irigaray goes further than in Speculum and questions the work of the Pre-Socratics at the root of our culture. Reminding us of the story of Ulysses and Antigone, she demonstrates how, from the beginning, Western tradition represents an exile for humanity. Indeed, to emerge from the maternal origin, man elaborated a discourse of mastery and constructed a world of his own that grew away from life and prevented perceiving the real as it is. To recover our natural belonging and learn how to cultivate it humanly is imperative and needs turning back before the golden age of Greek culture. Another language is, then, to discover, capable of expressing living energy and transforming our instincts into shareable desires.In the Beginning, She Was reworks themes that are central to Irigaray's thought: the limits of Western logic, the sexuation of discourse, the existence of two different subjects, the necessity of art as mediation towards another culture. These themes are approached with a new level of maturity that reconfirms the place of Irigaray as one of the world's most important contemporary thinkers.