Fredson Bowers – författare

A scholarly edition of a work by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of a work by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Tom, a foundling, is discovered one evening by the benevolent Squire Allworthy and his sister Bridget and brought up as a son in their household; when his sexual escapades and general misbehavior lead them to banish him, he sets out in search of both his fortune and his true identity. Amorous, high-spirited, and filled with what Fielding called “the glorious lust of doing good,” but with a tendency toward dissolution, Tom Jones is one of the first characters in English fiction whose human virtues and vices are realistically depicted. This edition is set from the text of the Wesleyan Edition of the Works of Henry Fielding.

This is the tenth and final volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of six plays written by Fletcher and his collaborators, Nathan Field, Philip Massinger, Ben Jonson, George Chapman, John Ford and John Webster. Each play is introduced by a discussion of the text and authorship, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations. At the back of this concluding volume there is a useful index showing how the plays are distributed between the volumes, and a table giving the authorship of the plays.

This is the second volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is preceded by detailed notes on the text of the play, and is followed by textual notes, lists of variants, emendations of accidentals, and an historical collation. A general note of the principles on which the text of this edition was established is contained in Volume I.

This is the third volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.

This is the fourth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.

This is the fifth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.

This is the sixth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of five plays, all by Fletcher. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.

This is the seventh volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of six plays by Fletcher but two, Henry VIII and The Two Noble Kinsmen, include the collaborative efforts of Shakespeare. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.

This is the eighth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of five plays and one composite Fours Plays in One, written by Fletcher and his collaborators, Nathan Field and Philip Massinger. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.

This is the ninth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of six plays written by Fletcher and his collaborators, William Rowley and Philip Massinger. Each play is introduced by a discussion of the text and authorship, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.

This is the first volume in a ten-volume series of the complete dramatic works of Beaumont and Fletcher, published under the general editorship of Fredson Bowers. Each volume contains several plays accompanied by a textual introduction and critical apparatus. The plays of Beaumont alone are published first, followed by those by Beaumont and Fletcher together, Beaumont and Fletcher revised by Massinger, Fletcher alone and finally Fletcher with his numerous collaborators.

A critical old-spelling edition of the complete works of Marlowe edited on the principles that Professor Bowers more than any other scholar has established. Through a choice of copy-texts that stand nearest in direct line to the lost manuscripts, the works are presented in as near the original form as can be recovered, in respect of spelling, punctuation, capitaliSation and the actual words themselves. The edition contains a substantial critical apparatus in the form of textual introduction and notes, a historical collation and a list of emendations for each work, of both substantives and accidentals.

A critical old-spelling edition of the complete works of Marlowe edited on the principles that Professor Bowers more than any other scholar has established. Through a choice of copy-texts that stand nearest in direct line to the lost manuscripts, the works are presented in as near the original form as can be recovered, in respect of spelling, punctuation, capitalisation and the actual words themselves. The edition contains a substantial critical apparatus in the form of textual introduction and notes, a historical collation and a list of emendations for each work, of both substantives and accidentals.

The literary critic tends to think that the textual scholar or bibliographer, happily occupied in his travel drudgery, has not much to say that he would care to hear, so there is a gulf between them. Professor Bowers advances to the edge of this gulf and says several forceful things across it; they turn out to be important and interesting, though occasionally scathing. The first chapter reminds us that the literary critic can only criticise with confidence when the textual critic has established what the author wrote; Professor Bowers indicates how very much has yet to be done. The second chapter takes a particular case, Walt Whitman's copy' for the 1860 edition of Leaves of Grass, and shows how the bibliographer can, by ingenious but rigorous deduction, give an insight into the growth of an author's conception of the nature and aim of his work. The other two lectures, on Shakespeare and other early dramatic texts, will show non-specialists the striking advances in editorial technique, and the growth of standards of scholarship in these studies.

Originally published in 1953, this was the first edition of Dekker's plays to appear in print since the late nineteenth century. Thus, for many years prior, Dekker had been the least accessible of the prominent Elizabethan dramatists, with the result that his anthologized plays had received undue attention at the expense of other highly readable works of the second rank. Professor Fredson Bowers here presents a critical old-spelling text of the ordinarily accepted canon, together with a few works not collected previously but which seem to merit inclusion in an edition of Dekker's plays. The text of the complete plays is in four volumes and a complementary four-volume set contains detailed introductions and notes to all the plays. In a general textual introduction Professor Bowers sets forth a reasoned account of his editorial method and procedures for a critical edition according to bibliographical principles.

This was the first edition of Dekker's plays to appear in print since the late nineteenth century. Thus, for many years prior, Dekker had been the least accessible of the prominent Elizabethan dramatists, with the result that his anthologized plays had received undue attention at the expense of other highly readable works of the second rank. Professor Fredson Bowers here presents a critical old-spelling text of the ordinarily accepted canon, together with a few works not collected previously but which seem to merit inclusion in an edition of Dekker's plays. The text of the complete plays is in four volumes and a complementary four-volume set contains detailed introductions and notes to all the plays. In a general textual introduction Professor Bowers sets forth a reasoned account of his editorial method and procedures for a critical edition according to bibliographical principles. Separate introductions provide textual analyses of the individual plays, including the circumstances of publication and of textual transmission. Apparatus for each play consists of textual notes, tables of press-variants derived from collation of a substantial number of copies of original editions, lists of editorial emendations to the copy-text, and historical collations of all early editions.

Volume III of the Cambridge Dekker contains The Roaring Girl, If this be not a Good Play..., Troia-Nova Triumphans, Match me in London, The Virgin Martyr, The Witch of Edmonton and The Wonder of a Kingdom. Professor Bowers's edition is recognized as a model critical old-spelling text, where the techniques of strong textual and bibliographical study have been methodically applied to one of the least accessible of the Elizabethan dramatists. The introductions to each play provide textual analyses which set out the circumstances of publication and transmission. The critical apparatus gives press variants derived from collations, editorial emendations to the copy-text and other textual notes.

The final volume of the Cambridge Dekker contains The Welsh Ambassador, The Noble Spanish Soldier, Lust's Dominion, The Sun's Darling, London's Tempe and Britannia's Honour. Professor Bowers's edition is recognized as a model critical old-spelling text, where the techniques of strong textual and bibliographical study have been methodically applied to one of the least accessible of the Elizabethan dramatists. The introductions to each play provide textual analyses that set out the circumstances of publication and transmission. The critical apparatus gives press variants derived from collations, editorial emendations to the copy-text and other textual notes.

Four of the plays in this volume are based on important source materials, so that the relationship of plays to sources looms large in Cyrus Hoy's introductory essays. There is an extensive account of the relation of The Shoemakers' Holiday to Deloney's Gentle Craft. The Introduction to Old Fortunatus relates in detail that play's relationship to the German Volksbuch, and to the German Comoedia von Fortunate und seinem Seckel und Wünschhütlein (1620), a redaction of Dekker's play. The Introduction to Patient Grissil relates Dekker, Chettle and Haughton's play to the tradition of the Griselda story generally. The chronicle-history sources (Foxe, Grafton, Stow, Holinshed) of Sir Thomas Wyatt are surveyed in the Introduction, in his Introduction also, Professor Hoy considers the play's relationship to the lost play, Lady Jane, by Dekker, Chettle, Heywood, Webster and W. Smith. Satiromastix has no known source, but as Dekker's contribution to the stage quarrel of Marston and Jonson, this is a play that has always had particular interest for the student of Elizabethan theatrical history, and Professor Hoy therefore bestows on it the most elaborate Commentary in all these four volumes.

Companion guide to the second volume of Dekker's plays, with introductions and commentary on The Honest Whore Pt 1, The Honest Whore Pt 2, The Magnificent Entertainment Given to King James, Westward Ho, Northward Ho and The Whore of Babylon.

Companion guide to the third volume of Dekker's plays, with introductions and commentary on The Roaring Girl, If this be Not a Good Play, the Devil is in it, Troia-Nova Triumphans, Match me in London, The Virgin Martyr, The Witch of Edmonton and The Wonder of a Kingdom.

Companion guide to the fourth volume of Dekker's plays, with introductions and commentary on The Sun's Darling, Britannia Honour, London's Tempe, Lust's Dominion, The Noble Spanish Soldier, The Welsh Ambassador.

This is the tenth and final volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of six plays written by Fletcher and his collaborators, Nathan Field, Philip Massinger, Ben Jonson, George Chapman, John Ford and John Webster. Each play is introduced by a discussion of the text and authorship, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations. At the back of this concluding volume there is a useful index showing how the plays are distributed between the volumes, and a table giving the authorship of the plays.

Essays in Philosophy brings together twenty-one essays, reviews, and occasional pieces published by James between 1876 and 1910. They range in subject from a concern with the teaching of philosophy and appraisals of philosophers to analyses of important problems.Several of the essays, like "The Sentiment of Rationality" and "The Knowing of Things Together," are of particular significance in the development of the views of James's later works. All of them, as John McDermott says in his Introduction, are in a style that is "engaging and personal...witty, acerbic, compassionate, and polemical." Whether he is writing an article for the Nation of a definition of "Experience" for Baldwin's Dictionary or "The Mad Absolute" for the Journal of Philosophy, James is always unmistakably himself, and always readable.

A pioneer in early studies of the human mind and founder of that peculiarly American philosophy called Pragmatism, William James remains America's most widely read philosopher. Generations of students have been drawn to his lucid presentations of philosophical problems. His works, now being made available for the first time in a definitive edition, have a permanent place in American letters and a continuing influence in philosophy and psychology.The essays gathered in the posthumously published Essays in Radical Empiricism formulate ideas that had brewed in James's mind for thirty years as he sought a way out of the philosophical dilemmas generated by the new psychology of the late nineteenth century. They constitute the explanatory core of his doctrine of radical empiricism, a doctrine that charts his course between the absolute idealism he could not accept and, at the other extreme, the law of associationism, which reduces knowledge to sheer contiguity of ideas. In his introduction John J. McDermott describes the historical background and the genesis of James's theory and considers the objections raised by its opponents.