Fielding's comic masterpiece of 1749 was immediately attacked as `A motley history of bastardism, fornication, and adultery'. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today. Expelled from Mr Allworthy's country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regarded as Fielding's greatest work, and one of the first and most influential of English novels. This carefully modernized edition is based on Fielding's emended fourth edition text and offers the most thorough notes, maps, and bibliography. The introduction uses the latest scholarship to examine how Tom Jones exemplifies the role of the novel in the emerging eighteenth-century public sphere. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

SHAMELA is a brilliant parody of Samuel Richardson's PAMELA, in which a virtuous servant girl long resists her master's advances and is eventually 'rewarded' with marriage. Fielding's far more spirited and sexually honest heroine, by contrast, merely uses coyness and mock modesty as techniques to catch a rich husband. JOSEPH ANDREWS, Fielding's first full-length novel, can also be seen as a response to Richardson, as the lascivious Lady Booby sets out to seduce her comically chaste servant Joseph, (himself in love with the much-put-upon Fanny Goodwill). As in Tom Jones, Fielding takes a huge cast of characters out on the road and exposes them to many colourful and often hilarious adventures.

Henry Fielding's picaresque tale of a young man's search for his place in the world, The History of Tom Jones is edited with notes and an introduction by Thomas Keymer and Alice Wakely in Penguin Classics.A foundling of mysterious parentage brought up by Mr Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighbouring squire - though he sometimes succumbs to the charms of the local girls. But when his amorous escapades earn the disapproval of his benefactor, Tom is banished to make his own fortune. Sophia, meanwhile, is determined to avoid an arranged marriage to Allworthy's scheming nephew and escapes from her rambunctious father to follow Tom to London. A vivid Hogarthian panorama of eighteenth century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature.In his introduction Thomas Keymer discusses narrative techniques and themes, the context of eighteenth century fiction and satire, and the historical and political background of the Jacobite rebellion. This volume also includes a chronology, further reading, notes, a glossary and an appendix on Fielding's revisions.Henry Fielding (1707-1754) born at Sharpham Park, in Somerset, was a dramatist, novelist, political agitator and founder of London's first police force, the 'Bow Street Runners'. As a playwright he was a thorn in the side of Sir Robert Walpole's Whig government, who effectively legislated his retirement from the theatre with the Licensing Act of 1737. Undeterred, Fielding launched his career as a novelist in 1740 with Shamela (a parody of Samuel Richardson's Pamela), followed by Joseph Andrews (1741), an anticipation of his masterpiece, the comic novel Tom Jones (1749).If you enjoyed The History of Tom Jones, you might like Henry Fielding's The Life and Opinions of Tristram Shandy, Gentleman, also available in Penguin Classics.

A foundling of mysterious parentage brought up by Mr Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighbouring squire - though he sometimes succumbs to the charms of the local girls. But when his amorous escapades earn the disapproval of his benefactor, Tom is banished to make his own fortune. Sophia, meanwhile, is determined to avoid an arranged marriage to Allworthy's scheming nephew and escapes from her rambunctious father to follow Tom to London.

SHAMELA is a brilliant parody of Samuel Richardson's PAMELA, in which a virtuous servant girl long resists her master's advances and is eventually 'rewarded' with marriage. Fielding's far more spirited and sexually honest heroine, by contrast, merely uses coyness and mock modesty as techniques to catch a rich husband. JOSEPH ANDREWS, Fielding's first full-length novel, can also be seen as a response to Richardson, as the lascivious Lady Booby sets out to seduce her comically chaste servant Joseph, (himself in love with the much-put-upon Fanny Goodwill). As in Tom Jones, Fielding takes a huge cast of characters out on the road and exposes them to many colourful and often hilarious adventures.

With an essay by Mark Spilka.'Kissing, Joseph, is but a prologue to a Play. Can I believe a young fellow of your Age and Complexion will be content with Kissing?'Henry Fielding's riotous tale of innocents in a corrupt world was one of the earliest English novels, blending bawdy slapstick, philosophical musing and pointed social satire to create a work of moral complexity and generous, life-affirming humanity. Published in 1742, it tells the story of the chaste servant Joseph Andrews who, after being sacked for spurning the advances of the lascivious Lady Booby, takes to the road, accompanied by his beloved Fanny Goodwill and the absent-minded, much put-upon Parson Adams. There they encounter robbers, tricksters, seducers, mishaps and strange twists of fortune, in a series of adventures filled with exuberant comedy.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

'"Sir, I am concerned at the Trouble I give you; nay indeed my Nakedness may well make me ashamed to look you in the Face ..." Jones offered her his Coat; but, I know not for what Reason, she absolutely refused the most earnest Solicitations to accept it'A foundling of mysterious parentage brought up by Mr Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighbouring squire - though he sometimes succumbs to the charms of the local girls. But when his amorous escapades earn the disapproval of his benefactor, Tom is banished to make his own fortune. Sophia, meanwhile, is determined to avoid an arranged marriage to Allworthy's scheming nephew and escapes from her rambunctious father to follow Tom to London.Henry Fielding's vivid Hogarthian panorama of eighteenth-century life is spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

Fielding''s comic masterpiece of 1749 was immediately attacked as `A motley history of bastardism, fornication, and adultery''. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today.Expelled from Mr Allworthy''s country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regardedas Fielding''s greatest work, and one of the first and most influential of English novels.This carefully modernized edition is based on Fielding''s emended fourth edition text and offers the most thorough notes, maps, and bibliography. The introduction uses the latest scholarship to examine how Tom Jones exemplifies the role of the novel in the emerging eighteenth-century public sphere.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''I beg as soon as you get Fielding''s Joseph Andrews, I fear in Ridicule of your Pamela and of Virtue in the Notion of Don Quixote''s Manner, you would send it to me by the very first Coach.''(George Cheyne in a letter to Samuel Richardson, February 1742)Both Joseph Andrews (1742) and Shamela (1741) were prompted by the success of Richardson''s Pamela (1740), of which Shamela is a splendidly bawdy parody. But in Shamela Fielding also demonstrates his concern for the corruption of contemporary society, politics, religion, morality, and taste. The same themes - together with a presentation of love as charity, as friendship, and in its sexual taste - are present in Joseph Andrews, Fielding''sfirst novel. It is a work of considerable literary sophistication and satirical verve, but its appeal lies also in its spirit of comic affirmation, epitomized in the celebrated character of Parson Adams.This revised and expanded edition follows the text of Joseph Andrews established by Martin C. Battestin for the definitive Wesleyan Edition of Fielding''s works. The text of Shamela is based on the first edition, and two substantial appendices reprint the preliminary matter from Conyers Middleton''s Life of Cicero and the second edition of Richardson''s Pamela (both closely parodied in Shamela). A new introduction by Thomas Keymer situates Fielding''sworks in their critical and historical contexts.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A scholarly edition of a work by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of works by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of works by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of a work by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Volume Three of Henry Fielding's Miscellanies, first published as a three-volume set in 1743, consists in its entirety of a major work of fiction, The history of the Life of the Late Mr. Jonathan Wild the Great. Jonathan Wild takes its title from the `thief-taker' and gang-leader of that name who was hanged in 1725, but in Fielding's hands, the history of Wild is transformed into a mock-hostorical work of sustained irony aimed at all who would be `great men'. The general introduction to this edition sets the novel against its historical and biographical background and argues against the view, common since the mid-nineteenth century, that it is a personal satire directed at the figure of Sir Robert Walpole. In both the general and the textual introductions, the editors also offer a fresh view on questions about the date and history of the work's composition. Full explanatory notes and commentary place Fielding's allusions and details in their contemporary context. As in previous volumes of the Weslyan Edition, this provides critical, unmodernized text, based on the Greg-Bowers `Rationale of Copy-text'. The version is that of the first edition, with an appendix giving all variants in wording and presentation in the 1754 revision. In his introduction the textual editor lays out the rationale for his choice of version. This volume also includes, for the first time in modern edition, Fielding's list of subscribers to the Miscellanies, along with detailed biographical notes and an analysis of the subscription list by the textual editor.

As Henry Fielding's last effort at sustained journalism, the Covent-Garden Journal (1752) significantly reflects the literary, moral, and social ideas of a major novelist in the final years of his life. Freed from the burden of political propagandizing which had dominated his earlier journalism, Fielding here addressed himself directly to social satire, literary criticism, and moral instruction in essays that are strikingly rooted in the everyday life of mid-century London. The Journal is thus an essential text not only for students of Fielding but for anyone concerned with the social and literary history of the period.The general introduction explains the connection between the Journal and the brief pamphlet A Plan of the Universal Register-Office (1751) and places them in Fielding's career; it then describes the journalistic background, major themes, and immediate reception of the Covent-Garden Journal. Full explanatory notes are provided for all topical and historical allusions.The text of the Plan has not been reprinted since the eighteenth century. The present text of the Journal, incorporating a recent discovery of revisions in Fielding's hand, offers in an appendix a column about Fielding's magistracy not previously reprinted. Other appendices provide a complete record of all textual amendations.

This volume completes the edition's coverage of Henry Fielding's journalism, which occupied a far greater part of his time than has been traditionally acknowledged. His contributions to The Champion are not only among his most energetic and intriguing works in the genre; they also have a dense political background, of interest to historians studying the interface between journalism and politicians of the time, as well as the role of newspaper publishers. Walpole figures hugely, and the extent to which Fielding hints at the minister's life and activities is remarkable. Much of the volume's material has never been reprinted before. Explanatory annotations are full, as the characteristically allusive and topical nature of Fielding's writing requires. Appendices provide an analytical textual apparatus, and the editorial introductions emphasize matters such as genesis and composition, circumstances of publication, in addition to immediate biographical, literary, and historical backgrounds.

A substantial amount of the energy which Henry Fielding put into his writing was invested in political journalism and pamphleteering. Indeed, next to his prose fiction and his plays, his political journalism looms largest, and reveals significant aspects of Fielding the man.This volume contains three pamphlets - the Serious Address, the History of the Present Rebellion, and the Dialogue between the Devil, the Pope, and the Pretender - and one journal, the True Patriot of 1745-6. Coming from what may be called the second period of Fielding's intensive political journalism, they are all informed by the same political purpose: to deal with the crisis represented by the Jacobite uprising known as the 'Forty-Five' and with the implications this event was perceived to have for the Pelham administration in general, and for its new 'patriot' allies in particular.As with other volumes in the edition, there is a detailed introduction, textual introduction, full annotation throughout, and an index.

This is the second volume of Fielding's Miscellanies, first published as a three-volume set in 1743. Its major work is the fantasy A Journey from This World to the Next, Fielding's richest and most extensive piece of prose fiction outside his three novels and Jonathan Wild. Its theme, described by Gibbon as `the history of human nature', is the excoriation of false greatness and over-weening ambition, one of the great moral ideas of the age. The annotation and commentary to this edition present new evidence about Fielding's manipulation of historical sources in the Journey, which is shown to be both artistically complete and thematically consistent with the other material in the Miscellanies.The remaining two works in this volume are both plays which Fielding included at a late stage of planning for the book: the farce Eurydice, a burlesque of mythological figures who function as vehicles for topical satire, and The Wedding Day, a revision of an intrigue comedy written early in his career but staged for the first time in 1743, only a few months before the Miscellanies appeared.The introduction reviews this period of Fielding's career and describes the circumstances leading up to the original publication of Miscellanies by subscription, and the historical and biographical contexts of the works included in Volume Two. The text follows the significant features of the 1743 presentation, as far as possible; the Greg-Bowers `Rationale' hitherto observed in the Wesleyan Edition is refined and augmented by more recent textual theorizing. The full,uncensored text of The Wedding Day, from Larpent MS 39 in the Huntington Library, is given as an appendix to the censored form published in Miscellanies.

An Enquiry into the Causes of the Late Increase of Robbers, and Related Writings provides critical unmodernized texts of Henry Fielding's legal and social pamphlets during the period 1749 to 1753, when Fielding served as magistrate for the City and Liberty of Westminster and County of Middlesex. The texts, for the first time, are fully annotated, and a lengthy introduction places them in their biographical and intellectual context, and provides a detailed account of their publication and reception. Five of the six pamphlets included in this volume clearly serve the interests of the Pelham Administration. There is, however, no evidence to show that Fielding wrote any of the pamphlets at the invitation or command of figures of power within the Pelham Administration; instead he appears simply to have seized those opportunities appropriate to his office to further government interests or, as with An Enquiry into the Causes of the Late Increase of Robbers (1751) and A Proposal for Making an Effectual Provision for the Poor (1753), offered his own solutions to problems which Parliament was currently debating.

A scholarly edition of a work by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of a work by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

This is the first of three volumes representing the only modern edition of Fielding's dramatic works. Most of these plays have not appeared in print for a century, and never previously in edited form. Fielding came to the novel-writing for which he is best known after an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, and ballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur in a cheerfully mocking form of drama journalistically devoted to contemporary experience, culture, and politics. This volume presents the first seven of these plays in a critical unmodernized edition based on the original texts, with explanatory notes and commentary on sources, stage history, and critical reception, as well as appendices accounting for textual variation, bibliography, and musical sources.

'I beg as soon as you get Fielding's Joseph Andrews, I fear in Ridicule of your Pamela and of Virtue in the Notion of Don Quixote's Manner, you would send it to me by the very first Coach.' (George Cheyne in a letter to Samuel Richardson, February 1742) Both Joseph Andrews (1742) and Shamela (1741) were prompted by the success of Richardson's Pamela (1740), of which Shamela is a splendidly bawdy parody. But in Shamela Fielding also demonstrates his concern for the corruption of contemporary society, politics, religion, morality, and taste. The same themes - together with a presentation of love as charity, as friendship, and in its sexual taste - are present in Joseph Andrews, Fielding's first novel. It is a work of considerable literary sophistication and satirical verve, but its appeal lies also in its spirit of comic affirmation, epitomized in the celebrated character of Parson Adams. This revised and expanded edition follows the text of Joseph Andrews established by Martin C. Battestin for the definitive Wesleyan Edition of Fielding's works. The text of Shamela is based on the first edition, and two substantial appendices reprint the preliminary matter from Conyers Middleton's Life of Cicero and the second edition of Richardson's Pamela (both closely parodied in Shamela). A new introduction by Thomas Keymer situates Fielding's works in their critical and historical contexts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'he carried Good-nature to that wonderful and uncommon Height, that he never did a single Injury to Man or Woman, by which he himself did not expect to reap some Advantage'The real-life Jonathan Wild, gangland godfather and self-styled 'Thieftaker General', controlled much of the London underworld until he was executed for his crimes in 1725. Even during his lifetime his achievements attracted attention; after his death balladeers sang of his exploits, and satirists made connections between his success and the triumph of corruption in high places. Henry Fielding built on these narratives to produce one of the greatest sustained satires in the English language. Published in 1743, at a time when the modern novel had yet to establish itself as a fixed literary form, Jonathan Wild is at the same time a brilliant black comedy, an incisive political satire, and a profoundly serious exploration of human 'greatness' and 'goodness'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Modern Husband * The Clandestine Marriage * She Stoops to Conquer * Wild OatsThis edition brings together four eighteenth-century comedies that illustrate the full variety of the century's drama. Fielding's The Modern Husband , written before the 1737 Licensing Act that restricted political and social comment, depicts wife-pandering and widespread social corruption. In Garrick and Colman's The Clandestine Marriage two lovers marry in defiance of parental wishes and rue the consequences. She Stoops to Conquer explores the comic and not-so-comic consequences of mistaken identity, and in Wild Oats, the 'strolling player' Rover is a beacon of hope at a time of unrest.Part of the Oxford English Drama series, this edition has modern-spelling texts, critical introduction, wide-ranging annotation and an informative bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Tom, a foundling, is discovered one evening by the benevolent Squire Allworthy and his sister Bridget and brought up as a son in their household; when his sexual escapades and general misbehavior lead them to banish him, he sets out in search of both his fortune and his true identity. Amorous, high-spirited, and filled with what Fielding called “the glorious lust of doing good,” but with a tendency toward dissolution, Tom Jones is one of the first characters in English fiction whose human virtues and vices are realistically depicted. This edition is set from the text of the Wesleyan Edition of the Works of Henry Fielding.

A new edition of a satire on Richardson's PAMELA, featuring the character of Parson Adams. With explanatory notes by A R Humphreys.

An accurate text of Shamela (Fielding’s satire of Samuel Richardson’s Pamela, the most popular epistolary novel of the eighteenth century) as well as An Essay on the Knowledge of the Characters of Men, selections from The Champion, and the Preface to The Adventures of David Simple are also included.  All of the texts are fully annotated. "Backgrounds" contains generous extracts from works that Fielding satirized—Pamela and Conyer Middleton’s Dedication to the Life of Cicero—and emulated—Gil Blas and selections from Don Quixote, the Roman Comique, and Le Paysan Parvenu.  The section concludes with a general explanation of the political and religious contexts in which Joseph Andrews was written. "Criticism" offers a broad range of responses to the novel.  Contemporary assessments include selected letters of Thomas Gray, William Shenstone, Samuel Richardson, and others as well as commentary from The Student, or Oxford and Cambridge Monthly Miscellany, by William Hazlitt, James Beattie, and Sarah Fielding and Jane Collier. Modern assessments are by Mark Spilka, Dick Taylor, Jr., Martin Battestin, Sheldon Sacks, Morris Golden, Brian McCrea, and Homer Goldberg. A Selected Bibliography is also included.

The novel is fully annotated for undergraduate readers and is accompanied by a Textual Appendix and a map depicting Tom’s route to London.As in the previous edition, "Contemporary Reactions" by such noteworthy commentators as Samuel Richardson, Samuel Johnson, and the Hill sisters provide rich historical context."Criticism" is a collection of fourteen interpretations of the novel spanning the years 1826–1990 by Samuel Taylor Coleridge, William Forsyth, Kenneth Rexroth, R. S. Crane, John Preston, William Empson, Wayne C. Booth, Martin Battestin, Maaja A. Stewart, Eleanor N. Hutchens, Sean Shesgreen, Frederick W. Hilles, and Sheridan Baker.A new Chronology and an updated Selected Bibliography are also included.

Fielding's comic masterpiece of 1749 was immediately attacked as `A motley history of bastardism, fornication, and adultery'. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today. Expelled from Mr Allworthy's country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regarded as Fielding's greatest work, and one of the first and most influential of English novels. This carefully modernized edition is based on Fielding's emended fourth edition text and offers the most thorough notes, maps, and bibliography. The introduction uses the latest scholarship to examine how Tom Jones exemplifies the role of the novel in the emerging eighteenth-century public sphere. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

SHAMELA is a brilliant parody of Samuel Richardson's PAMELA, in which a virtuous servant girl long resists her master's advances and is eventually 'rewarded' with marriage. Fielding's far more spirited and sexually honest heroine, by contrast, merely uses coyness and mock modesty as techniques to catch a rich husband. JOSEPH ANDREWS, Fielding's first full-length novel, can also be seen as a response to Richardson, as the lascivious Lady Booby sets out to seduce her comically chaste servant Joseph, (himself in love with the much-put-upon Fanny Goodwill). As in Tom Jones, Fielding takes a huge cast of characters out on the road and exposes them to many colourful and often hilarious adventures.

Henry Fielding's picaresque tale of a young man's search for his place in the world, The History of Tom Jones is edited with notes and an introduction by Thomas Keymer and Alice Wakely in Penguin Classics.A foundling of mysterious parentage brought up by Mr Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighbouring squire - though he sometimes succumbs to the charms of the local girls. But when his amorous escapades earn the disapproval of his benefactor, Tom is banished to make his own fortune. Sophia, meanwhile, is determined to avoid an arranged marriage to Allworthy's scheming nephew and escapes from her rambunctious father to follow Tom to London. A vivid Hogarthian panorama of eighteenth century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature.In his introduction Thomas Keymer discusses narrative techniques and themes, the context of eighteenth century fiction and satire, and the historical and political background of the Jacobite rebellion. This volume also includes a chronology, further reading, notes, a glossary and an appendix on Fielding's revisions.Henry Fielding (1707-1754) born at Sharpham Park, in Somerset, was a dramatist, novelist, political agitator and founder of London's first police force, the 'Bow Street Runners'. As a playwright he was a thorn in the side of Sir Robert Walpole's Whig government, who effectively legislated his retirement from the theatre with the Licensing Act of 1737. Undeterred, Fielding launched his career as a novelist in 1740 with Shamela (a parody of Samuel Richardson's Pamela), followed by Joseph Andrews (1741), an anticipation of his masterpiece, the comic novel Tom Jones (1749).If you enjoyed The History of Tom Jones, you might like Henry Fielding's The Life and Opinions of Tristram Shandy, Gentleman, also available in Penguin Classics.

A foundling of mysterious parentage brought up by Mr Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighbouring squire - though he sometimes succumbs to the charms of the local girls. But when his amorous escapades earn the disapproval of his benefactor, Tom is banished to make his own fortune. Sophia, meanwhile, is determined to avoid an arranged marriage to Allworthy's scheming nephew and escapes from her rambunctious father to follow Tom to London.

SHAMELA is a brilliant parody of Samuel Richardson's PAMELA, in which a virtuous servant girl long resists her master's advances and is eventually 'rewarded' with marriage. Fielding's far more spirited and sexually honest heroine, by contrast, merely uses coyness and mock modesty as techniques to catch a rich husband. JOSEPH ANDREWS, Fielding's first full-length novel, can also be seen as a response to Richardson, as the lascivious Lady Booby sets out to seduce her comically chaste servant Joseph, (himself in love with the much-put-upon Fanny Goodwill). As in Tom Jones, Fielding takes a huge cast of characters out on the road and exposes them to many colourful and often hilarious adventures.

With an essay by Mark Spilka.'Kissing, Joseph, is but a prologue to a Play. Can I believe a young fellow of your Age and Complexion will be content with Kissing?'Henry Fielding's riotous tale of innocents in a corrupt world was one of the earliest English novels, blending bawdy slapstick, philosophical musing and pointed social satire to create a work of moral complexity and generous, life-affirming humanity. Published in 1742, it tells the story of the chaste servant Joseph Andrews who, after being sacked for spurning the advances of the lascivious Lady Booby, takes to the road, accompanied by his beloved Fanny Goodwill and the absent-minded, much put-upon Parson Adams. There they encounter robbers, tricksters, seducers, mishaps and strange twists of fortune, in a series of adventures filled with exuberant comedy.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

'"Sir, I am concerned at the Trouble I give you; nay indeed my Nakedness may well make me ashamed to look you in the Face ..." Jones offered her his Coat; but, I know not for what Reason, she absolutely refused the most earnest Solicitations to accept it'A foundling of mysterious parentage brought up by Mr Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighbouring squire - though he sometimes succumbs to the charms of the local girls. But when his amorous escapades earn the disapproval of his benefactor, Tom is banished to make his own fortune. Sophia, meanwhile, is determined to avoid an arranged marriage to Allworthy's scheming nephew and escapes from her rambunctious father to follow Tom to London.Henry Fielding's vivid Hogarthian panorama of eighteenth-century life is spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

Fielding''s comic masterpiece of 1749 was immediately attacked as `A motley history of bastardism, fornication, and adultery''. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today.Expelled from Mr Allworthy''s country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regardedas Fielding''s greatest work, and one of the first and most influential of English novels.This carefully modernized edition is based on Fielding''s emended fourth edition text and offers the most thorough notes, maps, and bibliography. The introduction uses the latest scholarship to examine how Tom Jones exemplifies the role of the novel in the emerging eighteenth-century public sphere.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''I beg as soon as you get Fielding''s Joseph Andrews, I fear in Ridicule of your Pamela and of Virtue in the Notion of Don Quixote''s Manner, you would send it to me by the very first Coach.''(George Cheyne in a letter to Samuel Richardson, February 1742)Both Joseph Andrews (1742) and Shamela (1741) were prompted by the success of Richardson''s Pamela (1740), of which Shamela is a splendidly bawdy parody. But in Shamela Fielding also demonstrates his concern for the corruption of contemporary society, politics, religion, morality, and taste. The same themes - together with a presentation of love as charity, as friendship, and in its sexual taste - are present in Joseph Andrews, Fielding''sfirst novel. It is a work of considerable literary sophistication and satirical verve, but its appeal lies also in its spirit of comic affirmation, epitomized in the celebrated character of Parson Adams.This revised and expanded edition follows the text of Joseph Andrews established by Martin C. Battestin for the definitive Wesleyan Edition of Fielding''s works. The text of Shamela is based on the first edition, and two substantial appendices reprint the preliminary matter from Conyers Middleton''s Life of Cicero and the second edition of Richardson''s Pamela (both closely parodied in Shamela). A new introduction by Thomas Keymer situates Fielding''sworks in their critical and historical contexts.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A scholarly edition of a work by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of works by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of works by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of a work by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Volume Three of Henry Fielding's Miscellanies, first published as a three-volume set in 1743, consists in its entirety of a major work of fiction, The history of the Life of the Late Mr. Jonathan Wild the Great. Jonathan Wild takes its title from the `thief-taker' and gang-leader of that name who was hanged in 1725, but in Fielding's hands, the history of Wild is transformed into a mock-hostorical work of sustained irony aimed at all who would be `great men'. The general introduction to this edition sets the novel against its historical and biographical background and argues against the view, common since the mid-nineteenth century, that it is a personal satire directed at the figure of Sir Robert Walpole. In both the general and the textual introductions, the editors also offer a fresh view on questions about the date and history of the work's composition. Full explanatory notes and commentary place Fielding's allusions and details in their contemporary context. As in previous volumes of the Weslyan Edition, this provides critical, unmodernized text, based on the Greg-Bowers `Rationale of Copy-text'. The version is that of the first edition, with an appendix giving all variants in wording and presentation in the 1754 revision. In his introduction the textual editor lays out the rationale for his choice of version. This volume also includes, for the first time in modern edition, Fielding's list of subscribers to the Miscellanies, along with detailed biographical notes and an analysis of the subscription list by the textual editor.

As Henry Fielding's last effort at sustained journalism, the Covent-Garden Journal (1752) significantly reflects the literary, moral, and social ideas of a major novelist in the final years of his life. Freed from the burden of political propagandizing which had dominated his earlier journalism, Fielding here addressed himself directly to social satire, literary criticism, and moral instruction in essays that are strikingly rooted in the everyday life of mid-century London. The Journal is thus an essential text not only for students of Fielding but for anyone concerned with the social and literary history of the period.The general introduction explains the connection between the Journal and the brief pamphlet A Plan of the Universal Register-Office (1751) and places them in Fielding's career; it then describes the journalistic background, major themes, and immediate reception of the Covent-Garden Journal. Full explanatory notes are provided for all topical and historical allusions.The text of the Plan has not been reprinted since the eighteenth century. The present text of the Journal, incorporating a recent discovery of revisions in Fielding's hand, offers in an appendix a column about Fielding's magistracy not previously reprinted. Other appendices provide a complete record of all textual amendations.

This volume completes the edition's coverage of Henry Fielding's journalism, which occupied a far greater part of his time than has been traditionally acknowledged. His contributions to The Champion are not only among his most energetic and intriguing works in the genre; they also have a dense political background, of interest to historians studying the interface between journalism and politicians of the time, as well as the role of newspaper publishers. Walpole figures hugely, and the extent to which Fielding hints at the minister's life and activities is remarkable. Much of the volume's material has never been reprinted before. Explanatory annotations are full, as the characteristically allusive and topical nature of Fielding's writing requires. Appendices provide an analytical textual apparatus, and the editorial introductions emphasize matters such as genesis and composition, circumstances of publication, in addition to immediate biographical, literary, and historical backgrounds.

A substantial amount of the energy which Henry Fielding put into his writing was invested in political journalism and pamphleteering. Indeed, next to his prose fiction and his plays, his political journalism looms largest, and reveals significant aspects of Fielding the man.This volume contains three pamphlets - the Serious Address, the History of the Present Rebellion, and the Dialogue between the Devil, the Pope, and the Pretender - and one journal, the True Patriot of 1745-6. Coming from what may be called the second period of Fielding's intensive political journalism, they are all informed by the same political purpose: to deal with the crisis represented by the Jacobite uprising known as the 'Forty-Five' and with the implications this event was perceived to have for the Pelham administration in general, and for its new 'patriot' allies in particular.As with other volumes in the edition, there is a detailed introduction, textual introduction, full annotation throughout, and an index.

This is the second volume of Fielding's Miscellanies, first published as a three-volume set in 1743. Its major work is the fantasy A Journey from This World to the Next, Fielding's richest and most extensive piece of prose fiction outside his three novels and Jonathan Wild. Its theme, described by Gibbon as `the history of human nature', is the excoriation of false greatness and over-weening ambition, one of the great moral ideas of the age. The annotation and commentary to this edition present new evidence about Fielding's manipulation of historical sources in the Journey, which is shown to be both artistically complete and thematically consistent with the other material in the Miscellanies.The remaining two works in this volume are both plays which Fielding included at a late stage of planning for the book: the farce Eurydice, a burlesque of mythological figures who function as vehicles for topical satire, and The Wedding Day, a revision of an intrigue comedy written early in his career but staged for the first time in 1743, only a few months before the Miscellanies appeared.The introduction reviews this period of Fielding's career and describes the circumstances leading up to the original publication of Miscellanies by subscription, and the historical and biographical contexts of the works included in Volume Two. The text follows the significant features of the 1743 presentation, as far as possible; the Greg-Bowers `Rationale' hitherto observed in the Wesleyan Edition is refined and augmented by more recent textual theorizing. The full,uncensored text of The Wedding Day, from Larpent MS 39 in the Huntington Library, is given as an appendix to the censored form published in Miscellanies.

An Enquiry into the Causes of the Late Increase of Robbers, and Related Writings provides critical unmodernized texts of Henry Fielding's legal and social pamphlets during the period 1749 to 1753, when Fielding served as magistrate for the City and Liberty of Westminster and County of Middlesex. The texts, for the first time, are fully annotated, and a lengthy introduction places them in their biographical and intellectual context, and provides a detailed account of their publication and reception. Five of the six pamphlets included in this volume clearly serve the interests of the Pelham Administration. There is, however, no evidence to show that Fielding wrote any of the pamphlets at the invitation or command of figures of power within the Pelham Administration; instead he appears simply to have seized those opportunities appropriate to his office to further government interests or, as with An Enquiry into the Causes of the Late Increase of Robbers (1751) and A Proposal for Making an Effectual Provision for the Poor (1753), offered his own solutions to problems which Parliament was currently debating.

A scholarly edition of a work by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of a work by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

This is the first of three volumes representing the only modern edition of Fielding's dramatic works. Most of these plays have not appeared in print for a century, and never previously in edited form. Fielding came to the novel-writing for which he is best known after an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, and ballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur in a cheerfully mocking form of drama journalistically devoted to contemporary experience, culture, and politics. This volume presents the first seven of these plays in a critical unmodernized edition based on the original texts, with explanatory notes and commentary on sources, stage history, and critical reception, as well as appendices accounting for textual variation, bibliography, and musical sources.

'I beg as soon as you get Fielding's Joseph Andrews, I fear in Ridicule of your Pamela and of Virtue in the Notion of Don Quixote's Manner, you would send it to me by the very first Coach.' (George Cheyne in a letter to Samuel Richardson, February 1742) Both Joseph Andrews (1742) and Shamela (1741) were prompted by the success of Richardson's Pamela (1740), of which Shamela is a splendidly bawdy parody. But in Shamela Fielding also demonstrates his concern for the corruption of contemporary society, politics, religion, morality, and taste. The same themes - together with a presentation of love as charity, as friendship, and in its sexual taste - are present in Joseph Andrews, Fielding's first novel. It is a work of considerable literary sophistication and satirical verve, but its appeal lies also in its spirit of comic affirmation, epitomized in the celebrated character of Parson Adams. This revised and expanded edition follows the text of Joseph Andrews established by Martin C. Battestin for the definitive Wesleyan Edition of Fielding's works. The text of Shamela is based on the first edition, and two substantial appendices reprint the preliminary matter from Conyers Middleton's Life of Cicero and the second edition of Richardson's Pamela (both closely parodied in Shamela). A new introduction by Thomas Keymer situates Fielding's works in their critical and historical contexts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'he carried Good-nature to that wonderful and uncommon Height, that he never did a single Injury to Man or Woman, by which he himself did not expect to reap some Advantage'The real-life Jonathan Wild, gangland godfather and self-styled 'Thieftaker General', controlled much of the London underworld until he was executed for his crimes in 1725. Even during his lifetime his achievements attracted attention; after his death balladeers sang of his exploits, and satirists made connections between his success and the triumph of corruption in high places. Henry Fielding built on these narratives to produce one of the greatest sustained satires in the English language. Published in 1743, at a time when the modern novel had yet to establish itself as a fixed literary form, Jonathan Wild is at the same time a brilliant black comedy, an incisive political satire, and a profoundly serious exploration of human 'greatness' and 'goodness'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Modern Husband * The Clandestine Marriage * She Stoops to Conquer * Wild OatsThis edition brings together four eighteenth-century comedies that illustrate the full variety of the century's drama. Fielding's The Modern Husband , written before the 1737 Licensing Act that restricted political and social comment, depicts wife-pandering and widespread social corruption. In Garrick and Colman's The Clandestine Marriage two lovers marry in defiance of parental wishes and rue the consequences. She Stoops to Conquer explores the comic and not-so-comic consequences of mistaken identity, and in Wild Oats, the 'strolling player' Rover is a beacon of hope at a time of unrest.Part of the Oxford English Drama series, this edition has modern-spelling texts, critical introduction, wide-ranging annotation and an informative bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Tom, a foundling, is discovered one evening by the benevolent Squire Allworthy and his sister Bridget and brought up as a son in their household; when his sexual escapades and general misbehavior lead them to banish him, he sets out in search of both his fortune and his true identity. Amorous, high-spirited, and filled with what Fielding called “the glorious lust of doing good,” but with a tendency toward dissolution, Tom Jones is one of the first characters in English fiction whose human virtues and vices are realistically depicted. This edition is set from the text of the Wesleyan Edition of the Works of Henry Fielding.

A new edition of a satire on Richardson's PAMELA, featuring the character of Parson Adams. With explanatory notes by A R Humphreys.

An accurate text of Shamela (Fielding’s satire of Samuel Richardson’s Pamela, the most popular epistolary novel of the eighteenth century) as well as An Essay on the Knowledge of the Characters of Men, selections from The Champion, and the Preface to The Adventures of David Simple are also included.  All of the texts are fully annotated. "Backgrounds" contains generous extracts from works that Fielding satirized—Pamela and Conyer Middleton’s Dedication to the Life of Cicero—and emulated—Gil Blas and selections from Don Quixote, the Roman Comique, and Le Paysan Parvenu.  The section concludes with a general explanation of the political and religious contexts in which Joseph Andrews was written. "Criticism" offers a broad range of responses to the novel.  Contemporary assessments include selected letters of Thomas Gray, William Shenstone, Samuel Richardson, and others as well as commentary from The Student, or Oxford and Cambridge Monthly Miscellany, by William Hazlitt, James Beattie, and Sarah Fielding and Jane Collier. Modern assessments are by Mark Spilka, Dick Taylor, Jr., Martin Battestin, Sheldon Sacks, Morris Golden, Brian McCrea, and Homer Goldberg. A Selected Bibliography is also included.

The novel is fully annotated for undergraduate readers and is accompanied by a Textual Appendix and a map depicting Tom’s route to London.As in the previous edition, "Contemporary Reactions" by such noteworthy commentators as Samuel Richardson, Samuel Johnson, and the Hill sisters provide rich historical context."Criticism" is a collection of fourteen interpretations of the novel spanning the years 1826–1990 by Samuel Taylor Coleridge, William Forsyth, Kenneth Rexroth, R. S. Crane, John Preston, William Empson, Wayne C. Booth, Martin Battestin, Maaja A. Stewart, Eleanor N. Hutchens, Sean Shesgreen, Frederick W. Hilles, and Sheridan Baker.A new Chronology and an updated Selected Bibliography are also included.