Thomas Lockwood – författare

This is the first of three volumes representing the only modern edition of Fielding's dramatic works. Most of these plays have not appeared in print for a century, and never previously in edited form. Fielding came to the novel-writing for which he is best known after an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, and ballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur in a cheerfully mocking form of drama journalistically devoted to contemporary experience, culture, and politics. This volume presents the first seven of these plays in a critical unmodernized edition based on the original texts, with explanatory notes and commentary on sources, stage history, and critical reception, as well as appendices accounting for textual variation, bibliography, and musical sources.

This is the second of three volumes representing the only modern edition of Fielding's dramatic works. Most of these plays have not appeared in print for a century, and never previously in fully-edited form. Fielding is best known as a classic novelist and the author of Tom Jones, but like his great model Cervantes, he came to novel-writing from an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, and ballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur of dramatic form who sometimes also brought contemporary politics and public figures onto his stage with results even more dramatic off-stage.This volume presents nine plays from one of the most productive and successful periods of Fielding's theatre career. One of them, The Grub-Street Opera, is a ballad opera cheerfully mocking various public characters including the Prime Minister, Prince of Wales, and even King and Queen. Another, The Modern Husband, is a dark comedy attacking the cynical merchandising of sex, marriage, and influence among what passes for polite society in 1730s London. Most of the plays in this volume were major hits with long stage lives in repertory, including The Lottery, The Intriguing Chambermaid, and two of the great Molière adaptations of the century, The Mock Doctor and The Miser. Fielding wrote all four of those plays as star vehicles for the great Drury Lane musical actress Catherine Clive.The plays are given in critical unmodernized texts based on careful collation of the original editions, with explanatory notes and commentary on sources, stage history, and critical reception. All music is included, with appendices giving complete accounts of textual variation and bibliographic history for each play.

This is the third and final volume of plays representing the only modern edition of Fielding's dramatic works. Most have not appeared in print for a century, and never previously in fully-edited form. Fielding is best known as a novelist but, like his great model Cervantes, he came to novel-writing from an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, and ballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur of dramatic form who sometimes also brought contemporary politics and public figures onto his stage with results even more dramatic off stage.This volume presents nine plays from the final and most controversial years of his theatre career. The first, Don Quixote in England, is a ballad opera homage to Quixotic idealism played out against rustic English opportunism. Two other plays, including the long-running favourite The Virgin Unmask'd, were written as star vehicles for Fielding's brilliant colleague Catherine Clive. The Universal Gallant is another of Fielding's ventures in serious social comedy, but the heart of the volume, as of this concluding period of Fielding's dramatic career, is the group of audacious satirical plays he wrote when he was running his own makeshift company at the Little Haymarket Theatre, including Pasquin and The Historical Register. Audiences flocked to these productions to see the cultural and political life of the moment ridiculed in Aristophanic explicitness, notoriously in one case (Eurydice Hiss'd) including a mocking stage caricature of the prime minister himself. That unamused minister, Sir Robert Walpole, shortly after saw through the 1737 Licensing Act which put an end to unsanctioned playhouses and plays, and to Fielding's own career in theatre.The plays are given in critical unmodernized texts based on careful collation of the original editions, with explanatory notes and commentary on sources, stage history, and critical reception. All music is included, with appendices giving complete accounts of textual variation and bibliographic history for each play.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read the material themselves.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read the material themselves.

Presents a fresh account of the life history and creative imagination of Jonathan Swift Classic satires such as Gulliver’s Travels, A Modest Proposal, and A Tale of a Tub express radical positions, yet were written by the most conservative of men. Jonathan Swift was born in Dublin and spent most of his life in Ireland, never traveling outside the British Isles. An Anglo-Irish Protestant clergyman, he was a major political and religious figure whose career was primarily clerical, not literary. Although much is known about Swift, in many ways he remains an enigma. He was admired as an Irish patriot yet was contemptuous of the Irish. He was both secretive and self-dramatizing. His talent for friendship was matched by his skill for making enemies. He hated the English but yearned to live in England. The Life of Jonathan Swift explores the writing life and personal history of the foremost satirist in the English language. Accessible and engaging, this critical biography brings Swift’s writing and creative sensibility into the narrative of his life. Author Thomas Lockwood provides the historical and modern critical context of Swift’s prose satires and poetry, as well as his political journalism, essays, manuscripts, and personal correspondence. Throughout the book, biographically contextualized descriptions of Swift’s most famous works help readers better understand both the writing and the writer. Provides critical profiles of Gulliver’s Travels, An Argument Against Abolishing Christianity, Drapier’s Letters, and Swift’s other famous worksOffers insights into Swift’s relationships with Esther Johnson, “Stella,” and Esther Vanhomrigh, “Vanessa”Highlights Swift’s poetry and how verse writing was a vital part of his creative beingSummarizes and contextualizes lesser-known works such as The Conduct of the AlliesAddresses the historic critical bias against comedy or satire as inferior forms of art, both in Swift’s lifetime and the presentThe Life of Jonathan Swift is an essential resource for general readers of literature and literary biography, university instructors and researchers, and undergraduate students taking courses in English literature.

The management of design has emerged as central to the operational and strategic options of any successful organization. The Handbook of Design Management presents a state-of-the-art overview of the subject - its methodologies, current debates, history and future.The Handbook covers the breadth of principles, methods and practices that shape design management across the different design disciplines. These theories and practices extend from the operational to the strategic, from the product to the organization.Bringing together leading international scholars, the Handbook provides a guide to the latest research in the field. It also documents the shifts that have been taking place both in management and in design which have highlighted the value of design thinking and design education to organizations.Presenting the first systematic overview of the subject - and offering a wide range of examples, insights and analysis - the Handbook is an invaluable resource for researchers and students in design and management, as well as for design practitioners and professional managers.

Why are some organizations more innovative than others? How can we tap into, empower, and leverage the natural innovation within our organizations that is so vital to our future success?Now more than ever, companies and institutions of all types and sizes are determined to create more innovative organizations. In study after study, leaders say that fostering innovation and the need for transformational change are among their top priorities. But they also report struggling with how to engage their cultures to implement the changes necessary to maximize their innovative targets.In Innovation by Design, authors Thomas Lockwood and Edgar Papke share the results of their study of some of the world's most innovative organizations, including:The 10 attributes leaders can use to create and develop effective cultures of innovation.How to use design thinking as a powerful method to drive employee creativity and innovation.How to leverage the natural influence of the collective imagination to produce the "pull effect" of creativity and risk taking.How leaders can take the "Fifth Step of Design" and create their ideal culture.Innovation by Design offers a powerful set of insights and practical solutions to the most important challenge for today's businesses--the need for relevant innovation.