Ronald Paulson – författare
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9 produkter
9 produkter
Häftad, Engelska, 1997
491 kr
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Born three hundred years ago in Smithfield, London, William Hogarth established himself as a central figure in eighteenth-century English culture through his paintings, engravings, and outspoken art criticism. In this new edition of Hogarth’s Analysis of Beauty—a unique work combining theory with practical advice on painting—Ronald Paulson includes the complete text of the original work; an introduction that places the Analysis in the tradition of aesthetic treatises and Hogarth’s own "moral" works; extensive annotation of the text and accompanying illustrations; and illuminating manuscript passages that Hogarth omitted from the final printed version.In the development of English aesthetics, the Analysis of Beauty takes a position of high significance. Hogarth’s stature in his own time suggests the importance of his attempt to systematize and theorize his own artistic practice. What he proposes is an aesthetics of the middle range, subordinating both the Beautiful and the Sublime to the everyday world of human choice and contingency—essentially the world of Hogarth’s own modern moral subjects, his engraved works.
Inbunden, Engelska, 2007
1 084 kr
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A needed and timely book on sin and evil, and how they have been discussed and represented in Western literature from antiquity to the present dayThe confusion of sin and evil, or religious and moral transgression, is the subject of Ronald Paulson’s latest book. He calls attention to the important distinction between sin and Evil (with a capital E) that in our times is largely ignored, and to the further confusion caused by the term “moral values.” Ranging widely through the history of Western literature, Paulson focuses particularly on American and English works of the eighteenth through twentieth centuries to discover how questions of evil and sin—and evil and sinful behavior—have been discussed and represented. The breadth of Paulson’s discussion is enormous, taking the reader from Greek and Roman tragedy, to Christian satire in the work of Swift and Hogarth, to Hawthorne’s and Melville’s novels, and finally to twentieth-century studies of good and evil by such authors as James, Conrad, Faulkner, Greene, Heller, Vonnegut, and O’Brien. Where does evil come from? What are “moral values”? If evil is a cultural construct, what does that imply? Paulson’s literary tour of sin and evil over the past two hundred years provides not only a historical perspective but also new ways of thinking about important issues that characterize our own era of violence, intolerance, and war.
Inbunden, Engelska, 1995
7 120 kr
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The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read the material themselves.
Häftad, Engelska, 2013
851 kr
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The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read the material themselves.
Del 4 - Wiley Blackwell Critical Biographies
Life of Henry Fielding
A Critical Biography
Inbunden, Engelska, 2000
1 450 kr
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Each chapter in this intriguing book by one of the world's leading authorities on Henry Fielding begins with an annotated chronology of the known facts, followed by analyses of the important issues. Paulson's account must be essential reading to all admirers and serious students of Fielding and his work.
Inbunden, Engelska, 2004
786 kr
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In 1732, a blasphemous burlesque of the Christian Atonement was published in England without comment from the government or the Church of England. In Hogarth's Harlot, Ronald Paulson explains this absence of official censure through a detailed examination of the parameters of blasphemy in eighteenth-century England and the changing attitudes toward the central tenets of the Christian Church among artists in this period. Discerning a profound spiritual and cultural shift from atonement and personal salvation to redemption, incarnation, and acts of charity and love, Paulson focuses on such influential factors as English antipopery and anti-Jacobitism, as well as the ideas of the English Enlightenment.Offering imaginative and deeply informed readings of a wide range of artistic works-engravings by Hogarth; poems by Milton, Pope, Christopher Smart, and Blake; plays by Nicholas Rowe and George Lillo; paintings and sculptures by Benjamin West, John Zoffany, Joseph Wright of Derby, and Louis-Francois Roubiliac; and oratorios by George Frederic Handel-Paulson explores the significance of the medium in which artists produced "sacred parody" and how these works both reflected and influenced attitudes toward the nature of Christianity in England. As England's faithful began to worry less about everlasting felicity in heaven and more about life on earth, these diverse artists provided them with new ways of thinking about both their spiritual and their social existence.
Häftad, Engelska, 2020
662 kr
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Originally published in 1995. In The Beautiful, Novel, and Strange, Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty—worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers.
Häftad, Engelska, 2020
667 kr
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Originally published in 1967. In this study of the English Augustan satirists, and the Roman and subsequent authors who were their models, Professor Paulson shows how rhetoric relates to imitation, persuasion to presentation, and the imitation of the satirist to the imitation of the satiric object. He illustrates the tendency of the satirist to invade his own fiction and imitate not the prime object of his satire but the satiric persona, which consequently takes on a life of its own. By analyzing the satiric fictions of the precursors of the Augustans, the author reveals the elements they bequeathed to those who rode the high crest of the satiric wave in England, before the art of satire became submerged in the deepening trough of sentimental romanticism.Paulson shows the Tories Dryden, Pope, and Swift and the Whigs Addison and Steele to be the heirs of a long line of satirists ancient and modern, from Horace, Juvenal, Lucian, Apuleius, and Petronius to Rabelais, Cervantes and the English Elizabethan and Civil War poets. Taking Swift as his main example, Paulson examines the dualism of satire in its most interesting and ambiguous modes, and as the embodiment of rhetorical devices that are as complex mimetically as they are rhetorically.
Inbunden, Engelska, 1998
600 kr
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Seldom has a single book, much less a translation, so deeply affected English literature as the translation of Cervantes' Don Quixote in 1612. The comic novel inspired drawings, plays, sermons, and other translations, making the name of the Knight of la Mancha as familiar as any folk character in English lore. In this comprehensive study of the reception and conversion of Don Quixote in England, Ronald Paulson highlights the qualities of the novel that most attracted English imitators. The English Don Quixote was not the same knight who meandered through Spain, or found a place in other translations throughout Europe. The English Don Quixote found employment in all sorts of specifically English ways, not excluding the political uses to which a Spanish fool could be turned. According to Paulson, a major impact of the novel and its hero was their stimulation of discussion about comedy itself, what he calls the "aesthetics of laughter." When Don Quixote reached England he did so at the time of the rise of empiricism, and adherents of both sides of the empiricist debate found arguments and evidence in the behavior and image of the noble knight.Four powerful disputes battered around his grey head: the proximity of madness and imagination; the definition of the beautiful; the cruelty of ridicule and its laughter; and the role of reason in the face of madness. Paulson's engaging account leads to a significant reassessment of current assumptions about eighteenth-century literature and art.