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368 produkter
368 produkter
2 572 kr
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Based on Chaucer's Knight's Tale the central themes of this humourous and moving play are the claims of love and friendship. The introduction to this new edition offers an illuminating account of Shakespeare's collaboration with his younger colleague John Fletcher, and there are full and helpful notes on unfamiliar words, stage business, allusions, and the play's often complex language.Eugene Waith is Douglas Tracy Smith Professor of English Literature Emeritus at Yale University, USA
112 kr
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Based on Chaucer's Knight's Tale, the central themes of this humourous and moving play are the claims of love and friendship. The introduction to this new edition offers an illuminating account of Shakespeare's collaboration with his younger colleague John Fletcher, and there are full and helpful notes on unfamiliar words, stage business, allusions, and the play's often complex language.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
138 kr
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Critical Edition of John Fletcher's Comedy, Monsieur Thomas, or, Father's Own Son
Inbunden, Engelska, 2019
2 482 kr
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Published in 1987: This thesis presents an edition of the author’s play, Monsieur Thomas, with a substantial introduction in several sections and a sizeable apparatus.
Critical Edition of John Fletcher's Comedy, Monsieur Thomas, or, Father's Own Son
Häftad, Engelska, 2020
835 kr
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Published in 1987: This thesis presents an edition of the author’s play, Monsieur Thomas, with a substantial introduction in several sections and a sizeable apparatus.
1 382 kr
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Alain Robbe-Grillet had traditionally been seen as an austere experimentalist in fiction, addicted to arid and interminable descriptions of objects like coffee pots, erasers and pieces of string. His own rather bellicose theoretical pronouncements were partly to blame for this unattractive picture, belied by the immense popular success of the film Last Year at Marienbad (1961) (made by Alain Resnais from Robbe-Grillet’s script) and the high critical esteem in which novels like Jealousy and The Voyeur are held. In his original study, first published in 1983, John Fletcher attempts to resolve this paradox by offering a new interpretation of Robbe-Grillet’s work which stresses the subversive qualities of his imagination and the disturbing power of his vision of a world of labyrinths and bizarre sexual stereotypes, haunted by images of love and loss.
554 kr
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Alain Robbe-Grillet had traditionally been seen as an austere experimentalist in fiction, addicted to arid and interminable descriptions of objects like coffee pots, erasers and pieces of string. His own rather bellicose theoretical pronouncements were partly to blame for this unattractive picture, belied by the immense popular success of the film Last Year at Marienbad (1961) (made by Alain Resnais from Robbe-Grillet’s script) and the high critical esteem in which novels like Jealousy and The Voyeur are held. In his original study, first published in 1983, John Fletcher attempts to resolve this paradox by offering a new interpretation of Robbe-Grillet’s work which stresses the subversive qualities of his imagination and the disturbing power of his vision of a world of labyrinths and bizarre sexual stereotypes, haunted by images of love and loss.
1 448 kr
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This book, first published in 1985, stresses Beckett’s success as an innovator in the theatre through a close reading and analysis of his plays. The differing backgrounds of the two authors enables them to approach Beckett’s drama in a particularly fruitful way: ‘Their analysis is clever yet level-headed, readable but does not shirk complexities.’ (Times Educational Supplement). ‘Brilliant collection of essays on Beckett and his works.’ (Irish Times)
468 kr
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This book, first published in 1985, stresses Beckett’s success as an innovator in the theatre through a close reading and analysis of his plays. The differing backgrounds of the two authors enables them to approach Beckett’s drama in a particularly fruitful way: ‘Their analysis is clever yet level-headed, readable but does not shirk complexities.’ (Times Educational Supplement). ‘Brilliant collection of essays on Beckett and his works.’ (Irish Times)
2 091 kr
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Since the death of Jacques Lacan, Jean Laplanche is now considered to be one of the worlds foremost psychoanalytic thinkers. In spite of the influence of his work over the last thirty years, remarkably little has been available in English. Essays On Otherness presents for the first time in English many of Laplanche's key essays and is the first book to provide an overview of his thinking. It offers an introduction to many of the key themes that characterise his work: seduction, persecution, revelation, masochism, transference and mourning. Such themes have been increasingly both in psychoanalytic thought and in continental philosophy, social and cultural theory, and literature making Essays On Otherness indispensable reading for all those concerned with the implications of psychoanalytic theory today.
577 kr
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Since the death of Jacques Lacan, Jean Laplanche is now considered to be one of the worlds foremost psychoanalytic thinkers. In spite of the influence of his work over the last thirty years, remarkably little has been available in English. Essays On Otherness presents for the first time in English many of Laplanche's key essays and is the first book to provide an overview of his thinking. It offers an introduction to many of the key themes that characterise his work: seduction, persecution, revelation, masochism, transference and mourning. Such themes have been increasingly both in psychoanalytic thought and in continental philosophy, social and cultural theory, and literature making Essays On Otherness indispensable reading for all those concerned with the implications of psychoanalytic theory today.
2 405 kr
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This volume begins with a new essay by Julia Kristeva, ‘The Adolescent Novel’, in which she examines the relation between novelistic writing and the experience of adolescence as an ‘open structure’. It is this blend of the literary with the psychoanalytic that places Kristeva’s work central to current thinking, from semiotics and critical theory to feminism and psychoanalysis.The essays in this volume offer insight into the workings of Kristeva’s thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature.Kristeva’s persistent humanity, her profound understanding of the dynamics of intention and creativity, mark her out as one of the leading theoreticians of desire. Each essay offers the reader a new insight into the many aspects that make up Kristeva’s entire oeuvre.
929 kr
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This volume begins with a new essay by Julia Kristeva, ‘The Adolescent Novel’, in which she examines the relation between novelistic writing and the experience of adolescence as an ‘open structure’. It is this blend of the literary with the psychoanalytic that places Kristeva’s work central to current thinking, from semiotics and critical theory to feminism and psychoanalysis.The essays in this volume offer insight into the workings of Kristeva’s thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature.Kristeva’s persistent humanity, her profound understanding of the dynamics of intention and creativity, mark her out as one of the leading theoreticians of desire. Each essay offers the reader a new insight into the many aspects that make up Kristeva’s entire oeuvre.
Preaching to Convert
Evangelical Outreach and Performance Activism in a Secular Age
Häftad, Engelska, 2015
418 kr
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Preaching to Convert offers an intriguing new perspective on the outreach strategies of U.S. evangelicals, framing them as examples of activist performance, broadly defined as acts performed before an audience in the hopes of changing hearts and minds. Most writing about activist performance has focused on left-progressive causes, events, and actors. Preaching to Convert argues against such a constricted view of activism and for a more nuanced understanding of U.S. evangelicalism as a movement defined by its desire to win converts and spread the gospel.The book positions evangelicals as a diverse, complicated group confronting the loss of conservative Christianity’s default status in 21st-century U.S. culture. In the face of an increasingly secular age, evangelicals have been reassessing models of outreach. In acts like handing out Bible tracts to strangers on the street or going door-to-door with a Bible in hand, in elaborately staged horror-themed morality plays or multimillion-dollar creationist discovery centers, in megachurch services beamed to dozens of satellite campuses, and in controversial “ex-gay” ministries striving to return gays and lesbians to the straight and narrow, evangelicals are redefining what it means to be deeply committed in a pluralist world. The book’s engaging style and careful argumentation make it accessible and appealing to scholars and students across a range of fields.
1 193 kr
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This is the tenth and final volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of six plays written by Fletcher and his collaborators, Nathan Field, Philip Massinger, Ben Jonson, George Chapman, John Ford and John Webster. Each play is introduced by a discussion of the text and authorship, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations. At the back of this concluding volume there is a useful index showing how the plays are distributed between the volumes, and a table giving the authorship of the plays.
The Dramatic Works in the Beaumont and Fletcher Canon: Volume 2, The Maid's Tragedy, A King and No King, Cupid's Revenge, The Scornful Lady, Love's Pilgrimage
Häftad, Engelska, 2008
1 146 kr
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This is the second volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is preceded by detailed notes on the text of the play, and is followed by textual notes, lists of variants, emendations of accidentals, and an historical collation. A general note of the principles on which the text of this edition was established is contained in Volume I.
The Dramatic Works in the Beaumont and Fletcher Canon: Volume 3, Love's Cure, The Noble Gentleman, The Tragedy of Thierry and Theodoret, The Faithful Shepherdess
Häftad, Engelska, 2008
1 193 kr
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This is the third volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.
The Dramatic Works in the Beaumont and Fletcher Canon: Volume 4, The Woman's Prize, Bonduca, Valentinian, Monsieur Thomas, The Chances
Häftad, Engelska, 2008
1 193 kr
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This is the fourth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.
The Dramatic Works in the Beaumont and Fletcher Canon: Volume 5, The Mad Lover, The Loyal Subject, The Humorous Lieutenant, Women Pleased, The Island Princess
Häftad, Engelska, 2008
1 193 kr
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This is the fifth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.
The Dramatic Works in the Beaumont and Fletcher Canon: Volume 6, Wit Without Money, The Pilgrim, The Wild-Goose Chase, A Wife for a Month, Rule a Wife and Have a Wife
Häftad, Engelska, 2008
1 193 kr
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This is the sixth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of five plays, all by Fletcher. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.
The Dramatic Works in the Beaumont and Fletcher Canon: Volume 7, Henry VIII, The Two Noble Kinsmen, Wit at Several Weapons, The Nice Valour, The Night Walker, A Very Woman
Häftad, Engelska, 2008
1 193 kr
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This is the seventh volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of six plays by Fletcher but two, Henry VIII and The Two Noble Kinsmen, include the collaborative efforts of Shakespeare. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.
1 193 kr
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This is the eighth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of five plays and one composite Fours Plays in One, written by Fletcher and his collaborators, Nathan Field and Philip Massinger. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.
The Dramatic Works in the Beaumont and Fletcher Canon: Volume 9, The Sea Voyage, The Double Marriage, The Prophetess, The Little French Lawyer, The Elder Brother, The Maid in the Mill
Häftad, Engelska, 2008
1 099 kr
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This is the ninth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of six plays written by Fletcher and his collaborators, William Rowley and Philip Massinger. Each play is introduced by a discussion of the text and authorship, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.
The Dramatic Works in the Beaumont and Fletcher Canon: Volume 1, The Knight of the Burning Pestle, The Masque of the Inner Temple and Gray's Inn, The Woman Hater, The Coxcomb, Philaster, The Captain
Häftad, Engelska, 2008
1 193 kr
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This is the first volume in a ten-volume series of the complete dramatic works of Beaumont and Fletcher, published under the general editorship of Fredson Bowers. Each volume contains several plays accompanied by a textual introduction and critical apparatus. The plays of Beaumont alone are published first, followed by those by Beaumont and Fletcher together, Beaumont and Fletcher revised by Massinger, Fletcher alone and finally Fletcher with his numerous collaborators.
The Dramatic Works in the Beaumont and Fletcher Canon: Volume 10, The Honest Man's Fortune, Rollo, Duke of Normandy, The Spanish Curate, The Lover's Progress, The Fair Maid of the Inn, The Laws of Candy
Inbunden, Engelska, 1996
3 312 kr
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This is the tenth and final volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of six plays written by Fletcher and his collaborators, Nathan Field, Philip Massinger, Ben Jonson, George Chapman, John Ford and John Webster. Each play is introduced by a discussion of the text and authorship, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations. At the back of this concluding volume there is a useful index showing how the plays are distributed between the volumes, and a table giving the authorship of the plays.
124 kr
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Do you want to know why Beckett has become a figure of such continuing influence and importance in the theatre? Are you studying his plays and looking for help with interpretation? Do you teach Beckett and need a reliable guide to his plays? A Faber Critical Guide to Samuel Beckett's major work gives all this and more:An introduction to the distinctive features of the playwright's workThe significance of the playwright in the context of modern theatreA detailed analysis of each of the classic plays: language, structure and characterfeatures of performanceselect bibliographyCompiled by experts in their field, for use in classroom, college or at home, Faber Critical Guides are the essential companions to the work of all leading dramatists.Also in this series: Faber Critical Guides to the major works of Sean O'Casey, Brian Friel, Harold Pinter and Tom Stoppard.
299 kr
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299 kr
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114 kr
Tillfälligt slut
1 201 kr
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This book argues that Freud's mapping of trauma as a scene is central to both his clinical interpretation of his patients' symptoms and his construction of successive theoretical models and concepts to explain the power of such scenes in his patients' lives. This attention to the scenic form of trauma and its power in determining symptoms leads to Freud's break from the neurological model of trauma he inherited from Charcot. It also helps to explain the affinity that Freud and many since him have felt between psychoanalysis and literature (and artistic production more generally), and the privileged role of literature at certain turning points in the development of his thought. It is Freud's scenography of trauma and fantasy that speaks to the student of literature and painting.Overall, the book develops the thesis of Jean Laplanche that in Freud's shift from a traumatic to a developmental model, along with the undoubted gains embodied in the theory of infantile sexuality, there were crucial losses: specifically, the recognition of the role of the adult other and the traumatic encounter with adult sexuality that is entailed in the ordinary nurture and formation of the infantile subject.