John Spurling – författare

This book, first published in 1985, stresses Beckett’s success as an innovator in the theatre through a close reading and analysis of his plays. The differing backgrounds of the two authors enables them to approach Beckett’s drama in a particularly fruitful way: ‘Their analysis is clever yet level-headed, readable but does not shirk complexities.’ (Times Educational Supplement). ‘Brilliant collection of essays on Beckett and his works.’ (Irish Times)

This book, first published in 1985, stresses Beckett’s success as an innovator in the theatre through a close reading and analysis of his plays. The differing backgrounds of the two authors enables them to approach Beckett’s drama in a particularly fruitful way: ‘Their analysis is clever yet level-headed, readable but does not shirk complexities.’ (Times Educational Supplement). ‘Brilliant collection of essays on Beckett and his works.’ (Irish Times)

Beneath the floorboards of a ruined house, an 18th-century memoir is discovered. It reveals the life story of William Congreve, the acclaimed English playwright. The lost manuscript is penned by his faithful servant, Jeremy, who tells how they lived together through fierce political division and triumphal nationalism in that era of war with France, the aftermath of the Glorious Revolution.Upon his death a monument in Stowe is erected to honour Mr Congreve. Atop a slender pyramid sits a monkey peering into a mirror, a court wit seeing reflected the ironies of polite society folding in on itself as Whigs and Tories feud with scant ground for compromise.Through the prisms of memory and art, award-winning author John Spurling reimagines this tumultuous period and brings to life historical figures Dryden, Vanbrugh, Swift, Pope and Lady Mary Wortley Montagu as never before.

The Greek myths, refined by the great poets and playwrights of Ancient Greece, distil the essence of human life: its brief span, its pride, courage and insecurity, its anxious relationship with the natural world – earth, sea and sky, represented by powerful gods and monsters.Taking inspiration from the incomparably beautiful and intense poetry of Homer, Aeschylus, Sophocles and Euripides, Spurling – a lifelong classicist and an award-winning playwright and historical novelist – spins five more myths for contemporary readers. These captivating tales centre on male-female pairs – Prometheus and Pandora, Jason and the sorceress Medea, Oedipus and his daughter Antigone, Achilles and his mother Thetis, Odysseus and Penelope – that destroyed dynasties, raised and felled heroes, and sealed the fates of men.

Ancient as they are, the Greek myths still resonate at the core of our literature and culture, and may well reveal more about human nature and the world we have created than we like to believe.From the garden of his house in the Peloponnese overlooking the gulf of Argos, award-winning playwright and novelist John Spurling draws on a lifetime’s engagement with the classics and with Greek culture to reanimate the characters of Apollo, Herakles, Theseus, Perseus and Agamemnon, along with the gods, demi-gods, monsters and mortals who shaped their destinies. Gripping, spirited and sometimes grisly, Spurling’s fresh interpretations of these timeless tales bring both their heroes and their context vividly to life.

In the turbulent final years of the Yuan Dynasty, Wang Meng is a minor bureaucrat in the government of the Mongol conquerors. He is also an extraordinarily gifted artist whose paintings capture the infinite expanse of China's natural beauty. But an empire in turmoil is not a place or time for sitting still. On his journeys across the realm, Wang encounters fellow master painters, a fierce female warrior known as the White Tigress who recruits him as a military strategist, and an unprepossessing young Buddhist monk who rises from beggary to extraordinary heights.John Spurling's award-winning The Ten Thousand Things seamlessly fuses the epic and the intimate with the precision and depth that the real-life Wang Meng brought to his art.

First published in 1978, Beckett examines the plays of Beckett in the order in which they were written. The book affords a lively and fresh introduction to Beckett’s theatre. Both authors stress that ‘Beckett was waiting for the theatre as the theatre was waiting for Beckett.’ The differing backgrounds of the two authors of this study have enabled them to approach Beckett’s drama in a particularly fruitful way. This book will be of interest to students of literature and drama.

First published in 1978, Beckett examines the plays of Beckett in the order in which they were written. The book affords a lively and fresh introduction to Beckett’s theatre. Both authors stress that ‘Beckett was waiting for the theatre as the theatre was waiting for Beckett.’ The differing backgrounds of the two authors of this study have enabled them to approach Beckett’s drama in a particularly fruitful way. This book will be of interest to students of literature and drama.

Graham Greene is an immensely popular as well as powerful and idiosyncratic writer. His leading characters are murderers, spies, fugitives and outsiders and his most typical plot is that of the hunter and the hunted. In this book, originally published in 1983, John Spurling sets about tracking down the author behind the protagonists. Beginning with an analysis of the patterns of Greene’s mind as revealed in the 40 or so works of fiction, drama, criticism, travel and autobiography he has published, the author goes on to explore the way the patterns are modified from the political thrillers of the 1930s through the ‘Catholic’ novels of the 1940s and 1950s to the post-war comedies and ‘Third World’ novels. Greene is the odd man out of a generation of remarkable writers born around the turn of the 20th Century who lived through the destruction of the 19th century world order. John Spurling’s highly original study tells us why.

Graham Greene is an immensely popular as well as powerful and idiosyncratic writer. His leading characters are murderers, spies, fugitives and outsiders and his most typical plot is that of the hunter and the hunted. In this book, originally published in 1983, John Spurling sets about tracking down the author behind the protagonists. Beginning with an analysis of the patterns of Greene’s mind as revealed in the 40 or so works of fiction, drama, criticism, travel and autobiography he has published, the author goes on to explore the way the patterns are modified from the political thrillers of the 1930s through the ‘Catholic’ novels of the 1940s and 1950s to the post-war comedies and ‘Third World’ novels. Greene is the odd man out of a generation of remarkable writers born around the turn of the 20th Century who lived through the destruction of the 19th century world order. John Spurling’s highly original study tells us why.