David Gilbert – författare

Who is A. N. Dyer? For fans of `The Art of Fielding’ and `Wonder Boys’ – this is the panoramic, deeply affecting story of an iconic novelist and the heartbreaking truths that fiction can hide.The Manhattan funeral of Charles Henry Topping would have been a minor affair but for the identity of the eulogist: reclusive author A. N. Dyer, whose novel `Ampersand’ stands as a classic of teenage angst. Now Andrew Newbold Dyer takes stock of his own life, the people he’s hurt and the novel that will endure as his legacy. He realises he must reunite with his three sons before it’s too late.Eldest son Richard is a screenwriter in Californian exile. In the middle is Jamie, who has spent his life capturing the sorrow that surrounds him. And last is Andy, now a pupil at the boarding school that inspired `Ampersand’. It is only when the hidden purpose of the reunion comes to light do the sons realise what’s at stake – for their father, themselves and three generations of Dyers.Daring, entertaining and insightful, `& Sons’ establishes David Gilbert as a writer to be treasured.

Who is A. N. Dyer? For fans of ‘The Art of Fielding’ and ‘Wonder Boys’ – this is the panoramic, deeply affecting story of an iconic novelist and the heartbreaking truths that fiction can hide.A.N. Dyer is America’s most mysterious literary recluse, his cult book ‘Ampersand’ treasured by angst-ridden adolescents everywhere. But seventeen years ago, the unexpected arrival of a new baby Dyer wrecked the writer’s relationship with his wife and their own teenage sons.David Gilbert’s astonishing novel is an ingenious, death-defying leap into the life of a giant of literature and a father with one final revelation for his boys – or is it actually just one last fiction?

This volume brings together leading scholars in the geography and history of twentieth-century Britain to illustrate the contribution that geographical thinking can make to understanding modern Britain. The first collection to explore the contribution that geographical thinking can make to our understanding of modern Britain. Contains thirteen essays by leading scholars in the geography and history of twentieth-century Britain. Focuses on how and why geographies of Britain have formed and changed over the past century. Combines economic, political, social and cultural geographies. Demonstrates the vitality of work in this field and its relevance to everyday life.

This volume brings together leading scholars in the geography and history of twentieth-century Britain to illustrate the contribution that geographical thinking can make to understanding modern Britain. The first collection to explore the contribution that geographical thinking can make to our understanding of modern Britain. Contains thirteen essays by leading scholars in the geography and history of twentieth-century Britain. Focuses on how and why geographies of Britain have formed and changed over the past century. Combines economic, political, social and cultural geographies. Demonstrates the vitality of work in this field and its relevance to everyday life.

Imperial cities explores the influence of imperialism in the landscapes of modern European cities including London, Paris, Rome, Vienna, Marseilles, Glasgow and Seville. Examines large-scale architectural schemes and monuments, including the Queen Victoria Memorial in London and the Vittoriano in Rome. Focuses on imperial display throughout the city, from spectacular exhibitions and ceremonies, to more private displays of empire in suburban gardens. Cconsiders the changing cultural and political identities in the imperial city, looking particularly at nationalism, masculinity and anti-imperialism.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BYThe Washington Post • The New Yorker • Esquire • The Austin Chronicle • Kansas City Star • The Guardian (UK) • BookPage • Flavorwire • Bookish“[A] big, brilliant novel.”—The New York Times Book ReviewWho is A. N. Dyer? & Sons is a literary masterwork for readers of The Art of Fielding, The Emperor’s Children, and Wonder Boys—the panoramic, deeply affecting story of an iconic novelist, two interconnected families, and the heartbreaking truths that fiction can hide.Look for special features inside. Join the Random House Reader’s Circle for author chats and more.  The funeral of Charles Henry Topping on Manhattan’s Upper East Side would have been a minor affair (his two-hundred-word obit in The New York Times notwithstanding) but for the presence of one particular mourner: the notoriously reclusive author A. N. Dyer, whose novel Ampersand stands as a classic of American teenage angst. But as Andrew Newbold Dyer delivers the eulogy for his oldest friend, he suffers a breakdown over the life he’s led and the people he’s hurt and the novel that will forever endure as his legacy. He must gather his three sons for the first time in many years—before it’s too late.   So begins a wild, transformative, heartbreaking week, as witnessed by Philip Topping, who, like his late father, finds himself caught up in the swirl of the Dyer family. First there’s son Richard, a struggling screenwriter and father, returning from self-imposed exile in California. In the middle lingers Jamie, settled in Brooklyn after his twenty-year mission of making documentaries about human suffering. And last is Andy, the half brother whose mysterious birth tore the Dyers apart seventeen years ago, now in New York on spring break, determined to lose his virginity before returning to the prestigious New England boarding school that inspired Ampersand. But only when the real purpose of this reunion comes to light do these sons realize just how much is at stake, not only for their father but for themselves and three generations of their family.   In this daring feat of fiction, David Gilbert establishes himself as one of our most original, entertaining, and insightful authors. & Sons is that rarest of treasures: a startlingly imaginative novel about families and how they define us, and the choices we make when faced with our own mortality.NATIONAL BESTSELLER • A NEW YORK TIMES EDITORS’ CHOICE  “Big, brilliant, and terrifically funny.”—Jess Walter, author of Beautiful Ruins “Extraordinary.”—Time   “Smart and savage . . . Seductive and ripe with both comedy and heartbreak, [& Sons] made me reconsider my stance on . . . the term ‘instant classic.’”—NPR   “A big, ambitious book about fathers and sons, Oedipal envy and sibling rivalry, and the dynamics between art and life . . . [& Sons] does a wonderful job of conjuring up its characters’ memories . . . in layered, almost Proustian detail.”—Michiko Kakutani, The New York Times   “[A] smart, engrossing saga . . . Perfect for fans of Jonathan Franzen or Claire Messud.”—Entertainment Weekly  “Audacious . . . [one of the year’s] most dazzlingly smart, fully realized works of fiction.”—The Washington PostFrom the Trade Paperback edition.

In The End of Catholic Mexico: Causes and Consequences of the Mexican Reforma (1855-1861), historian David A. Gilbert provides a new interpretation of one of the defining events of Mexican history: the Reforma. During this period, Mexico transformed from a Catholic confessional state to a modern secular nation, sparking a three-year civil war in the process. While past accounts of the Reforma have foregrounded its class dimensions and portrayed it as a liberal triumph over conservative elites, Gilbert instead argues that the Reforma was a religious war fueled two competing interpretations of the Catholic faith. These competing interpretations, Gilbert contends, generated sharp disagreements about Mexico's future, which further polarized the country and led to a culture war centered on religion.Gilbert's fresh account of this pivotal moment in Mexican history will be of interest to scholars of Latin American religious history, nineteenth-century church history, and US historians of the antebellum republic.

In The End of Catholic Mexico: Causes and Consequences of the Mexican Reforma (1855-1861), historian David A. Gilbert provides a new interpretation of one of the defining events of Mexican history: the Reforma. During this period, Mexico transformed from a Catholic confessional state to a modern secular nation, sparking a three-year civil war in the process. While past accounts of the Reforma have foregrounded its class dimensions and portrayed it as a liberal triumph over conservative elites, Gilbert instead argues that the Reforma was a religious war fueled two competing interpretations of the Catholic faith. These competing interpretations, Gilbert contends, generated sharp disagreements about Mexico's future, which further polarized the country and led to a culture war centered on religion.Gilbert's fresh account of this pivotal moment in Mexican history will be of interest to scholars of Latin American religious history, nineteenth-century church history, and US historians of the antebellum republic.

In The End of Catholic Mexico, historian David Gilbert provides a new interpretation of one of the defining events of Mexican history: the Reforma. During this period, Mexico was transformed from a Catholic confessional state into a modern secular nation, sparking a three-year civil war in the process. While past accounts have portrayed the Reforma as a political contest, ending with a liberal triumph over conservative elites, Gilbert argues that it was a much broader culture war centered on religion. This dynamic, he contends, explains why the resulting conflict was more violent and the outcome more extreme than other similar contests during the nineteenth century. Gilbert's fresh account of this pivotal moment in Mexican history will be of interest to scholars of postindependence Mexico, Latin American religious history, nineteenth-century church history, and US historians of the antebellum republic.

Thanks to its engaging writing style and accessible structure, Fletcher has become the ultimate one-stop text for any student studying Tourism. Its broad appeal and popularity increases with each new edition, making it excellent value for any student who wants to understand and explore the principles of the subject.

 

Well-liked by students and lecturers alike, Tourism: Principles and Practice is the ultimate reference text for anyone wishing to understand the complex and varied issues involved with such a diverse and constantly changing subject.

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In a changing and turbulent environment for tourism, the sixth edition of Tourism: Principles and Practice offers you the fundamental and underlying principles with which to approach the study of tourism, contributing a complete framework that effectively integrates theory and practice. The text has been updated to take into account developments such as Special Interest Tourism, and has added content on the history and evolution of the subject.

This volume brings together leading scholars in the geography and history of twentieth-century Britain to illustrate the contribution that geographical thinking can make to understanding modern Britain. The first collection to explore the contribution that geographical thinking can make to our understanding of modern Britain. Contains thirteen essays by leading scholars in the geography and history of twentieth-century Britain. Focuses on how and why geographies of Britain have formed and changed over the past century. Combines economic, political, social and cultural geographies. Demonstrates the vitality of work in this field and its relevance to everyday life.

In 1912 James Reese Europe made history by conducting his 125-member Clef Club Orchestra at Carnegie Hall. The first concert by an African American ensemble at the esteemed venue was more than just a concert--it was a political act of desegregation, a defiant challenge to the status quo in American music. In this book, David Gilbert explores how Europe and other African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as "black music." Gilbert shows how Europe and others used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging many of the nation''s preconceived ideas about race, culture, and modernity and setting off a musical craze in the process.Gilbert sheds new light on the little-known era of African American music and culture between the heyday of minstrelsy and the Harlem Renaissance. He demonstrates how black performers played a pioneering role in establishing New York City as the center of American popular music, from Tin Pan Alley to Broadway, and shows how African Americans shaped American mass culture in their own image.

In 1912 James Reese Europe made history by conducting his 125-member Clef Club Orchestra at Carnegie Hall. The first concert by an African American ensemble at the esteemed venue was more than just a concert--it was a political act of desegregation, a defiant challenge to the status quo in American music. In this book, David Gilbert explores how Europe and other African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as "black music." Gilbert shows how Europe and others used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging many of the nation''s preconceived ideas about race, culture, and modernity and setting off a musical craze in the process.Gilbert sheds new light on the little-known era of African American music and culture between the heyday of minstrelsy and the Harlem Renaissance. He demonstrates how black performers played a pioneering role in establishing New York City as the center of American popular music, from Tin Pan Alley to Broadway, and shows how African Americans shaped American mass culture in their own image.

In 1912 James Reese Europe made history by conducting his 125-member Clef Club Orchestra at Carnegie Hall. The first concert by an African American ensemble at the esteemed venue was more than just a concert--it was a political act of desegregation, a defiant challenge to the status quo in American music. In this book, David Gilbert explores how Europe and other African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as ""black music."" Gilbert shows how Europe and others used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging many of the nation's preconceived ideas about race, culture, and modernity and setting off a musical craze in the process.Gilbert sheds new light on the little-known era of African American music and culture between the heyday of minstrelsy and the Harlem Renaissance. He demonstrates how black performers played a pioneering role in establishing New York City as the center of American popular music, from Tin Pan Alley to Broadway, and shows how African Americans shaped American mass culture in their own image.

“Gilbert’s dead-on mimicry of conversational rhythms makes even the most ludicrous exchanges sound plausible, and he applies physical details sparingly and potently…wickedly funny.” —Adam Goodheart, The New York Times Book ReviewThe masterfully crafted stories that comprise Remote Feed mark the auspicious debut of a daring and remarkably perceptive writer. From war-torn Bosnia to a college sorority house to kill-or-be-killed Hollywood, David Gilbert uses bold prose and dark wit to paint a devastating picture of “normal” life on the brink of desperation and paranoia. His insights into the minor tragedies, disappointments, and desires that shape us reflect a deep understanding of human nature and a genuine compassion for his characters.Filled with startling twists, piercing irony, and layers of meaning, the world Gilbert creates in Remote Feed is a complex one—often hilarious, sometimes frightening, but always fascinating.“The short stories in David Gilbert’s Remote Feed speak volumes about the ways modern men seek adventure and comfort.” —Sara Nelson, Glamour“These stories are funny and thoroughly entertaining…Keep an eye on this guy David Gilbert.” —Mike Musgrove, The Washington Post

Imperial cities explores the influence of imperialism in the landscapes of modern European cities including London, Paris, Rome, Vienna, Marseilles, Glasgow and Seville. Examines large-scale architectural schemes and monuments, including the Queen Victoria Memorial in London and the Vittoriano in Rome. Focuses on imperial display throughout the city, from spectacular exhibitions and ceremonies, to more private displays of empire in suburban gardens. Cconsiders the changing cultural and political identities in the imperial city, looking particularly at nationalism, masculinity and anti-imperialism.

Not All Scars Are Wounded centers the good and bad of human connectionnot only with those around us but just as important within ourselves. At its heart, each poem shares the internal yet eternal conflict between our wanting for everything and our not wanting for anything. In other books, love and heartbreak become poetic themes, revealing how to find oneself and becoming a better person. However, in Not All Scars Are Wounded, these themes tear and unravel into threads to give a better look at who we are and what makes that special to us.

The NHS is in crisis - it's in record demand, and care services are at breaking point - but what if the solution to rescuing the NHS is in the hands of the patients themselves?In this refreshingly positive and remarkable book, David Gilbert shares the powerful real-life stories of 'patient leaders' - ordinary people affected by life-changing illnesses, disabilities, or conditions, who have all gone back into the fray to help change the healthcare system in necessary and inspiring ways. Charting their diverse journeys - from managing to live with their condition, and their motivation to change the status quo, right through to their successes in improving approaches to health and social care - these moving and courageous stories aim to motivate others to take back control and showcase the pivotal importance of patients as genuine decision-making leaders.Filled with hard-won wisdom and everyday heroism, The Patient Revolution challenges current discourse and sets out an empowering vision of how patient leaders can change the future of healthcare.

The NHS is in crisis - it's in record demand, and care services are at breaking point - but what if the solution to rescuing the NHS is in the hands of the patients themselves?In this refreshingly positive and remarkable book, David Gilbert shares the powerful real-life stories of 'patient leaders' - ordinary people affected by life-changing illnesses, disabilities, or conditions, who have all gone back into the fray to help change the healthcare system in necessary and inspiring ways. Charting their diverse journeys - from managing to live with their condition, and their motivation to change the status quo, right through to their successes in improving approaches to health and social care - these moving and courageous stories aim to motivate others to take back control and showcase the pivotal importance of patients as genuine decision-making leaders.Filled with hard-won wisdom and everyday heroism, The Patient Revolution challenges current discourse and sets out an empowering vision of how patient leaders can change the future of healthcare.

New York, Paris, London, Milan, Tokyo. This familiar list of cities conjures up the image of high fashion. This book examines the powerful relationship between metropolitan modernity and fashion culture. The authors look at the significance of certain key sites in fashion's world order and at transformations in the connections between key cities. The status of fashion capital has now become a goal for urban boosters and planners, part of the wider promotion of the 'cultural economy' of major cities. In a rapidly changing global fashion system, new centres like Shanghai are making claims to join the ranks of Fashion's World Cities. In chapters ranging from Los Angeles to Moscow and Dakar to Mumbai, Fashion's World Cities explores the relationship between major metropolises and the production, consumption and mythologizing of fashion.

New York, Paris, London, Milan, Tokyo. This familiar list of cities conjures up the image of high fashion. This book examines the powerful relationship between metropolitan modernity and fashion culture. The authors look at the significance of certain key sites in fashion's world order and at transformations in the connections between key cities. The status of fashion capital has now become a goal for urban boosters and planners, part of the wider promotion of the 'cultural economy' of major cities. In a rapidly changing global fashion system, new centres like Shanghai are making claims to join the ranks of Fashion's World Cities. In chapters ranging from Los Angeles to Moscow and Dakar to Mumbai, Fashion's World Cities explores the relationship between major metropolises and the production, consumption and mythologizing of fashion.