This volume brings together leading scholars in the geography and history of twentieth-century Britain to illustrate the contribution that geographical thinking can make to understanding modern Britain. The first collection to explore the contribution that geographical thinking can make to our understanding of modern Britain. Contains thirteen essays by leading scholars in the geography and history of twentieth-century Britain. Focuses on how and why geographies of Britain have formed and changed over the past century. Combines economic, political, social and cultural geographies. Demonstrates the vitality of work in this field and its relevance to everyday life.

This revealing 1997 book in the Cambridge Studies in Historical Geography series presents some of the first researches into a trove of hitherto inaccessible primary source material. A controversial component of Lloyd George's People's Budget of 1909-10 was the 'New Domesday' of landownership and land values. This rich documentation, for long locked away in the Inland Revenue's offices, became available to the public in the late 1970s. For the growing number of scholars of early twentieth century urban and rural Britain, Dr Short offers both a coherent overview and a standard source of reference to this valuable archive. Part I is concerned with the processes of assembling the material and its style of representation; Part II with suggested themes and locality studies. A final chapter places this new material in the context of discourses of state intervention in landed society prior to the Great War.

This book examines the English rural community, past and present, in its variety and dynamism. The distinguished team of contributors brings a variety of disciplinary perspectives to bear upon the central issues of movement and migration; the farm family and rural labour force; the development of contrasting rural communities; the portrayal of rural labour in both 'high' and popular culture; the changing nature of religious practice in the English countryside; the rural/urban fringe, and the spread of notions of a rural English arcadia within a predominantly urban society. Fully illustrated with accompanying maps, paintings and photographs, The English Rural Community provides an important and innovative overview of a subject where history, myth and debate are inseparably entwined. A full bibliography will assist a broad range of general readers and students of social history, historical geography and development studies approaching the subject for the first time, and the whole should establish itself as the central analytical account in an area where image and reality are notoriously hard to unravel.

This revealing 1997 book in the Cambridge Studies in Historical Geography series presents some of the first researches into a trove of hitherto inaccessible primary source material. A controversial component of Lloyd George's People's Budget of 1909-10 was the 'New Domesday' of landownership and land values. This rich documentation, for long locked away in the Inland Revenue's offices, became available to the public in the late 1970s. For the growing number of scholars of early twentieth century urban and rural Britain, Dr Short offers both a coherent overview and a standard source of reference to this valuable archive. Part I is concerned with the processes of assembling the material and its style of representation; Part II with suggested themes and locality studies. A final chapter places this new material in the context of discourses of state intervention in landed society prior to the Great War.

This volume brings together leading scholars in the geography and history of twentieth-century Britain to illustrate the contribution that geographical thinking can make to understanding modern Britain. The first collection to explore the contribution that geographical thinking can make to our understanding of modern Britain. Contains thirteen essays by leading scholars in the geography and history of twentieth-century Britain. Focuses on how and why geographies of Britain have formed and changed over the past century. Combines economic, political, social and cultural geographies. Demonstrates the vitality of work in this field and its relevance to everyday life.

“The peerless musicians of the Royal Marines Band Service are no strangers to war, as the Author, Brian Short, himself a musician, reminds us in his book. Brian Short has an engaging style, and sense of humour, combined with a shrewd assessment of his fellow human beings. His description of his training and early years in the Band Service provide a vivid and necessary prelude to what follows, setting the scene and introducing the reader to aspects of life in the Royal Marines Band Service and the Band’s experiences at war.From time to time the future existence of Royal Marines Bands is questioned by politicians. They should read this book; perhaps they will come to appreciate what a splendid contribution the Royal Marines Band Service has made to our country, by land and sea, and will continue to do so.” **- Major General Julian Thompson Royal Marines**The Royal Marines Band Service are well known for their professional musical performances around the world and at all Royal and major high profile public engagements in the UK. Arguably one of the finest military bands, perhaps they are less well known for their military deployments in war zones around the globe, along with their humanitarian work in times of need. These fine musicians, can turn their talented hands to a multitude of non musical taskings, bringing enthusiasm and ‘musical intellect’ to whatever is asked of them. Held in high regard by Royalty, the Royal Marines and the anyone in the public who has seen them perform; the book ‘Royal Marines musicians at war’ shows them in a different light as they show their worth in the likes of Afghanistan, Kosovo, The Falklands and many more areas of conflict besides.

The Royal Marines are renowned for their military skill and also for having one of the finest military bands in the world. These highly trained and talented musicians are equally at home parading at Buckingham Palace, playing at the Royal Albert Hall, or on the flight deck of an aircraft carrier in a foreign port.Why then when the Argentines invaded the Falklands in April 1982 did these superb musicians get involved in what became a serious and deadly military campaign? The answer is that, in addition to their musical expertise, the RM Band Service members are trained for military service and fully qualified in a multitude of military and medical skills, providing support to their comrades, the fighting commandos.The Band That Went to War is a graphic first-hand account of the Falklands War as it has never been told before. It describes the roles played by Royal Marine musicians in the conflict; unloading the wounded from helicopters, moving tons of stores and ammunition, burying their dead at sea and guarding and repatriating Argentine prisoners of war. These and other unseen tasks were achieved while still ready to provide morale boosting music to their commando brethren and other frontline troops. These men are not just musicians; they are Royal Marines.

A first-hand account of the Falklands War from the perspective of the Royal Marine Band Service members who fought in the conflict.The Royal Marines are renowned for their military skill and also for having one of the finest military bands in the world. These highly trained and talented musicians are equally at home parading at Buckingham Palace, playing at the Royal Albert Hall, or on the flight deck of an aircraft carrier in a foreign port.Why then when the Argentines invaded the Falklands in April 1982 did these superb musicians get involved in what became a serious and deadly military campaign? The answer is that, in addition to their musical expertise, the RM Band Service members are trained for military service and fully qualified in a multitude of military and medical skills, providing support to their comrades, the fighting commandos.The Band That Went to War is a graphic first-hand account of the Falklands War as it has never been told before. It describes the roles played by Royal Marine musicians in the conflict; unloading the wounded from helicopters, moving tons of stores and ammunition, burying their dead at sea and guarding and repatriating Argentine prisoners of war. These and other unseen tasks were achieved while still ready to provide morale boosting music to their commando brethren and other frontline troops. These men are not just musicians; they are Royal Marines.Praise for The Band That Went to War"I really enjoyed this account of how the Band of the Royal Marines were involved in the attempt to liberate the Falkland Islands back in 1982 . . . Brian Short''s excellent book is really entertaining." —Books Monthly

A first-hand account of the Falklands War from the perspective of the Royal Marine Band Service members who fought in the conflict.The Royal Marines are renowned for their military skill and also for having one of the finest military bands in the world. These highly trained and talented musicians are equally at home parading at Buckingham Palace, playing at the Royal Albert Hall, or on the flight deck of an aircraft carrier in a foreign port.Why then when the Argentines invaded the Falklands in April 1982 did these superb musicians get involved in what became a serious and deadly military campaign? The answer is that, in addition to their musical expertise, the RM Band Service members are trained for military service and fully qualified in a multitude of military and medical skills, providing support to their comrades, the fighting commandos.The Band That Went to War is a graphic first-hand account of the Falklands War as it has never been told before. It describes the roles played by Royal Marine musicians in the conflict; unloading the wounded from helicopters, moving tons of stores and ammunition, burying their dead at sea and guarding and repatriating Argentine prisoners of war. These and other unseen tasks were achieved while still ready to provide morale boosting music to their commando brethren and other frontline troops. These men are not just musicians; they are Royal Marines.Praise for The Band That Went to War"I really enjoyed this account of how the Band of the Royal Marines were involved in the attempt to liberate the Falkland Islands back in 1982 . . . Brian Short''s excellent book is really entertaining." —Books Monthly

This volume brings together leading scholars in the geography and history of twentieth-century Britain to illustrate the contribution that geographical thinking can make to understanding modern Britain. The first collection to explore the contribution that geographical thinking can make to our understanding of modern Britain. Contains thirteen essays by leading scholars in the geography and history of twentieth-century Britain. Focuses on how and why geographies of Britain have formed and changed over the past century. Combines economic, political, social and cultural geographies. Demonstrates the vitality of work in this field and its relevance to everyday life.

A richly detailed history of Ashdown Forest -- home of Winnie-the-Pooh.The seeming tranquility of many rural landscapes can hide a combative history. This biography of one such landscape, Ashdown Forest in the Weald of Sussex, exemplifies the evolving conflicts that have taken place over many centuries. Wealth and poverty, power and exclusion, have all characterised this landscape through the ages. When a thirteenth-century boundary was erected to form a hunting park it was imposed upon a landscape which for centuries had provided sustenance for peasant families, for swine herds, for itinerant groups, all of whom had developed grazing and collecting rights and customary ties with the area. Conflict between manorial lords and commoners, "turbulent foresters", was born, and the evolution of this conflict over succeeding centuries is the recurring motif of this book. We move through the exploitation of iron ore and timber during the Tudor period, learn of the real threats of enclosure, of military occupation, to be followed by a landscape aesthetic bringing wealthy incomers, attracted by scenery easily reachable from London by train. All sides felt that the Forest was theirs by right. Victorian law-suits, twentieth-century protective legislation and a growing environmental consciousness have all left their mark. And the struggle for Ashdown continues amid ongoing development pressures. This book demonstrates that multi-layered conflict has been a characteristic feature of what still miraculously remains the largest area of internationally recognised heath in the South-East of England.

'Theirs was a pre-urban world in the glow of its last sunset, without a care or doubt, in which it seemed as if nothing could ever come to harm. Here was their version of that ideal world that has haunted the dreamer, rebel and pastoral poet for centuries.'Between 1850 and 1939 such well-known writers as Rudyard Kipling, Virginia Woolf and Richard Jefferies came to Sussex, a county already home to the likes of Wilfrid Blunt, Hilaire Belloc and others. The result was an explosion of literary creativity which rejected modernity and the London scene, and instead developed writing imbued with a sense of nature and landscape.In this, his last book, Peter Brandon (1927–2011) has drawn on his vast knowledge of the Sussex landscape to show how such writers, seeking a foil to London, were inspired by their surroundings and found peace and a tranquillity which existed in few other places.

This book will appeal not only to historians and geographers, but to many who maintain a deep interest in the British countryside and its past, and to those who continue to share a fascination for the Second World War, in particular the 'home front'.The Battle of the Fields tells the story of rural community and authority in Britain during the Second World War by looking at the County War Agricultural Executive Committees. From 1939 they were imbued with powers to transform British farming to combat the loss of food imports caused by German naval activity and initial European mainland successes. Their powers were sweeping and draconian. When fully exercised against recalcitrant farmers, dispossession in part or whole could and did result. This book includes the most detailed analysis of these dispossessions including the tragic case of Ray Walden, the Hampshire farmer who was killed by police after refusing to leave hisfarmhouse in 1940.The committees were deemed successful by Whitehall as harbingers of modernity: mechanization, draining, artificial fertilizers, reclamation of heaths, marshes and woodlands. We now deplore some of these changes but Britain did not starve, in large part thanks to their efforts. This book will appeal not only to historians and geographers, but to many who maintain a deep interest in the British countryside and its past, and tothose who continue to share a fascination for the Second World War, in particular the "home front". It will also demonstrate to all who are anxious about food security in the modern age how this question was dealt with 70 years ago.BRIAN SHORT is Emeritus Professor of Historical Geography at the University of Sussex, and formerly Dean of School and Head of the Department of Geography.

After ten years in a Zen monastery, Proteus knows it's time to leave. A troubled, solitary man, he knows what he seeks is not to be found sitting in meditation. His problem is that, during his time at the monastery, he's discovered something strange inside his mind: the ability to connect with a mysterious, silent, metallic spherical object he calls Mosquito. His connection to this possibly extraterrestrial object, which seems to dwell on an existential plane of its own, gives Proteus a flimsy sense of purpose. So when Mosquito abruptly disappears one day, Proteus can't bear the loss, and he sets off in pursuit of answers.Thus starts a surreal, philosophically maddening quest for meaning. Chasing the elusive Mosquito leads Proteus to in-between worlds where things do not quite hold together, and where the living and the dead must learn to live in and out of the boundaries of time. The further he gets from sanity, the closer he comes to something that may turn out to be wisdom.Playful but unapologetically challenging, New People of the Flat Earth is a breathtakingly original novel that defies categorisation or summary.

This volume brings together leading scholars in the geography and history of twentieth-century Britain to illustrate the contribution that geographical thinking can make to understanding modern Britain. The first collection to explore the contribution that geographical thinking can make to our understanding of modern Britain. Contains thirteen essays by leading scholars in the geography and history of twentieth-century Britain. Focuses on how and why geographies of Britain have formed and changed over the past century. Combines economic, political, social and cultural geographies. Demonstrates the vitality of work in this field and its relevance to everyday life.

This revealing 1997 book in the Cambridge Studies in Historical Geography series presents some of the first researches into a trove of hitherto inaccessible primary source material. A controversial component of Lloyd George's People's Budget of 1909-10 was the 'New Domesday' of landownership and land values. This rich documentation, for long locked away in the Inland Revenue's offices, became available to the public in the late 1970s. For the growing number of scholars of early twentieth century urban and rural Britain, Dr Short offers both a coherent overview and a standard source of reference to this valuable archive. Part I is concerned with the processes of assembling the material and its style of representation; Part II with suggested themes and locality studies. A final chapter places this new material in the context of discourses of state intervention in landed society prior to the Great War.

This book examines the English rural community, past and present, in its variety and dynamism. The distinguished team of contributors brings a variety of disciplinary perspectives to bear upon the central issues of movement and migration; the farm family and rural labour force; the development of contrasting rural communities; the portrayal of rural labour in both 'high' and popular culture; the changing nature of religious practice in the English countryside; the rural/urban fringe, and the spread of notions of a rural English arcadia within a predominantly urban society. Fully illustrated with accompanying maps, paintings and photographs, The English Rural Community provides an important and innovative overview of a subject where history, myth and debate are inseparably entwined. A full bibliography will assist a broad range of general readers and students of social history, historical geography and development studies approaching the subject for the first time, and the whole should establish itself as the central analytical account in an area where image and reality are notoriously hard to unravel.

This revealing 1997 book in the Cambridge Studies in Historical Geography series presents some of the first researches into a trove of hitherto inaccessible primary source material. A controversial component of Lloyd George's People's Budget of 1909-10 was the 'New Domesday' of landownership and land values. This rich documentation, for long locked away in the Inland Revenue's offices, became available to the public in the late 1970s. For the growing number of scholars of early twentieth century urban and rural Britain, Dr Short offers both a coherent overview and a standard source of reference to this valuable archive. Part I is concerned with the processes of assembling the material and its style of representation; Part II with suggested themes and locality studies. A final chapter places this new material in the context of discourses of state intervention in landed society prior to the Great War.

This volume brings together leading scholars in the geography and history of twentieth-century Britain to illustrate the contribution that geographical thinking can make to understanding modern Britain. The first collection to explore the contribution that geographical thinking can make to our understanding of modern Britain. Contains thirteen essays by leading scholars in the geography and history of twentieth-century Britain. Focuses on how and why geographies of Britain have formed and changed over the past century. Combines economic, political, social and cultural geographies. Demonstrates the vitality of work in this field and its relevance to everyday life.

“The peerless musicians of the Royal Marines Band Service are no strangers to war, as the Author, Brian Short, himself a musician, reminds us in his book. Brian Short has an engaging style, and sense of humour, combined with a shrewd assessment of his fellow human beings. His description of his training and early years in the Band Service provide a vivid and necessary prelude to what follows, setting the scene and introducing the reader to aspects of life in the Royal Marines Band Service and the Band’s experiences at war.From time to time the future existence of Royal Marines Bands is questioned by politicians. They should read this book; perhaps they will come to appreciate what a splendid contribution the Royal Marines Band Service has made to our country, by land and sea, and will continue to do so.” **- Major General Julian Thompson Royal Marines**The Royal Marines Band Service are well known for their professional musical performances around the world and at all Royal and major high profile public engagements in the UK. Arguably one of the finest military bands, perhaps they are less well known for their military deployments in war zones around the globe, along with their humanitarian work in times of need. These fine musicians, can turn their talented hands to a multitude of non musical taskings, bringing enthusiasm and ‘musical intellect’ to whatever is asked of them. Held in high regard by Royalty, the Royal Marines and the anyone in the public who has seen them perform; the book ‘Royal Marines musicians at war’ shows them in a different light as they show their worth in the likes of Afghanistan, Kosovo, The Falklands and many more areas of conflict besides.

The Royal Marines are renowned for their military skill and also for having one of the finest military bands in the world. These highly trained and talented musicians are equally at home parading at Buckingham Palace, playing at the Royal Albert Hall, or on the flight deck of an aircraft carrier in a foreign port.Why then when the Argentines invaded the Falklands in April 1982 did these superb musicians get involved in what became a serious and deadly military campaign? The answer is that, in addition to their musical expertise, the RM Band Service members are trained for military service and fully qualified in a multitude of military and medical skills, providing support to their comrades, the fighting commandos.The Band That Went to War is a graphic first-hand account of the Falklands War as it has never been told before. It describes the roles played by Royal Marine musicians in the conflict; unloading the wounded from helicopters, moving tons of stores and ammunition, burying their dead at sea and guarding and repatriating Argentine prisoners of war. These and other unseen tasks were achieved while still ready to provide morale boosting music to their commando brethren and other frontline troops. These men are not just musicians; they are Royal Marines.

A first-hand account of the Falklands War from the perspective of the Royal Marine Band Service members who fought in the conflict.The Royal Marines are renowned for their military skill and also for having one of the finest military bands in the world. These highly trained and talented musicians are equally at home parading at Buckingham Palace, playing at the Royal Albert Hall, or on the flight deck of an aircraft carrier in a foreign port.Why then when the Argentines invaded the Falklands in April 1982 did these superb musicians get involved in what became a serious and deadly military campaign? The answer is that, in addition to their musical expertise, the RM Band Service members are trained for military service and fully qualified in a multitude of military and medical skills, providing support to their comrades, the fighting commandos.The Band That Went to War is a graphic first-hand account of the Falklands War as it has never been told before. It describes the roles played by Royal Marine musicians in the conflict; unloading the wounded from helicopters, moving tons of stores and ammunition, burying their dead at sea and guarding and repatriating Argentine prisoners of war. These and other unseen tasks were achieved while still ready to provide morale boosting music to their commando brethren and other frontline troops. These men are not just musicians; they are Royal Marines.Praise for The Band That Went to War"I really enjoyed this account of how the Band of the Royal Marines were involved in the attempt to liberate the Falkland Islands back in 1982 . . . Brian Short''s excellent book is really entertaining." —Books Monthly

A first-hand account of the Falklands War from the perspective of the Royal Marine Band Service members who fought in the conflict.The Royal Marines are renowned for their military skill and also for having one of the finest military bands in the world. These highly trained and talented musicians are equally at home parading at Buckingham Palace, playing at the Royal Albert Hall, or on the flight deck of an aircraft carrier in a foreign port.Why then when the Argentines invaded the Falklands in April 1982 did these superb musicians get involved in what became a serious and deadly military campaign? The answer is that, in addition to their musical expertise, the RM Band Service members are trained for military service and fully qualified in a multitude of military and medical skills, providing support to their comrades, the fighting commandos.The Band That Went to War is a graphic first-hand account of the Falklands War as it has never been told before. It describes the roles played by Royal Marine musicians in the conflict; unloading the wounded from helicopters, moving tons of stores and ammunition, burying their dead at sea and guarding and repatriating Argentine prisoners of war. These and other unseen tasks were achieved while still ready to provide morale boosting music to their commando brethren and other frontline troops. These men are not just musicians; they are Royal Marines.Praise for The Band That Went to War"I really enjoyed this account of how the Band of the Royal Marines were involved in the attempt to liberate the Falkland Islands back in 1982 . . . Brian Short''s excellent book is really entertaining." —Books Monthly

This volume brings together leading scholars in the geography and history of twentieth-century Britain to illustrate the contribution that geographical thinking can make to understanding modern Britain. The first collection to explore the contribution that geographical thinking can make to our understanding of modern Britain. Contains thirteen essays by leading scholars in the geography and history of twentieth-century Britain. Focuses on how and why geographies of Britain have formed and changed over the past century. Combines economic, political, social and cultural geographies. Demonstrates the vitality of work in this field and its relevance to everyday life.

A richly detailed history of Ashdown Forest -- home of Winnie-the-Pooh.The seeming tranquility of many rural landscapes can hide a combative history. This biography of one such landscape, Ashdown Forest in the Weald of Sussex, exemplifies the evolving conflicts that have taken place over many centuries. Wealth and poverty, power and exclusion, have all characterised this landscape through the ages. When a thirteenth-century boundary was erected to form a hunting park it was imposed upon a landscape which for centuries had provided sustenance for peasant families, for swine herds, for itinerant groups, all of whom had developed grazing and collecting rights and customary ties with the area. Conflict between manorial lords and commoners, "turbulent foresters", was born, and the evolution of this conflict over succeeding centuries is the recurring motif of this book. We move through the exploitation of iron ore and timber during the Tudor period, learn of the real threats of enclosure, of military occupation, to be followed by a landscape aesthetic bringing wealthy incomers, attracted by scenery easily reachable from London by train. All sides felt that the Forest was theirs by right. Victorian law-suits, twentieth-century protective legislation and a growing environmental consciousness have all left their mark. And the struggle for Ashdown continues amid ongoing development pressures. This book demonstrates that multi-layered conflict has been a characteristic feature of what still miraculously remains the largest area of internationally recognised heath in the South-East of England.

'Theirs was a pre-urban world in the glow of its last sunset, without a care or doubt, in which it seemed as if nothing could ever come to harm. Here was their version of that ideal world that has haunted the dreamer, rebel and pastoral poet for centuries.'Between 1850 and 1939 such well-known writers as Rudyard Kipling, Virginia Woolf and Richard Jefferies came to Sussex, a county already home to the likes of Wilfrid Blunt, Hilaire Belloc and others. The result was an explosion of literary creativity which rejected modernity and the London scene, and instead developed writing imbued with a sense of nature and landscape.In this, his last book, Peter Brandon (1927–2011) has drawn on his vast knowledge of the Sussex landscape to show how such writers, seeking a foil to London, were inspired by their surroundings and found peace and a tranquillity which existed in few other places.

This book will appeal not only to historians and geographers, but to many who maintain a deep interest in the British countryside and its past, and to those who continue to share a fascination for the Second World War, in particular the 'home front'.The Battle of the Fields tells the story of rural community and authority in Britain during the Second World War by looking at the County War Agricultural Executive Committees. From 1939 they were imbued with powers to transform British farming to combat the loss of food imports caused by German naval activity and initial European mainland successes. Their powers were sweeping and draconian. When fully exercised against recalcitrant farmers, dispossession in part or whole could and did result. This book includes the most detailed analysis of these dispossessions including the tragic case of Ray Walden, the Hampshire farmer who was killed by police after refusing to leave hisfarmhouse in 1940.The committees were deemed successful by Whitehall as harbingers of modernity: mechanization, draining, artificial fertilizers, reclamation of heaths, marshes and woodlands. We now deplore some of these changes but Britain did not starve, in large part thanks to their efforts. This book will appeal not only to historians and geographers, but to many who maintain a deep interest in the British countryside and its past, and tothose who continue to share a fascination for the Second World War, in particular the "home front". It will also demonstrate to all who are anxious about food security in the modern age how this question was dealt with 70 years ago.BRIAN SHORT is Emeritus Professor of Historical Geography at the University of Sussex, and formerly Dean of School and Head of the Department of Geography.

After ten years in a Zen monastery, Proteus knows it's time to leave. A troubled, solitary man, he knows what he seeks is not to be found sitting in meditation. His problem is that, during his time at the monastery, he's discovered something strange inside his mind: the ability to connect with a mysterious, silent, metallic spherical object he calls Mosquito. His connection to this possibly extraterrestrial object, which seems to dwell on an existential plane of its own, gives Proteus a flimsy sense of purpose. So when Mosquito abruptly disappears one day, Proteus can't bear the loss, and he sets off in pursuit of answers.Thus starts a surreal, philosophically maddening quest for meaning. Chasing the elusive Mosquito leads Proteus to in-between worlds where things do not quite hold together, and where the living and the dead must learn to live in and out of the boundaries of time. The further he gets from sanity, the closer he comes to something that may turn out to be wisdom.Playful but unapologetically challenging, New People of the Flat Earth is a breathtakingly original novel that defies categorisation or summary.