Objective narrative, irony and sympathy in Flaubert's 'Un Coeur simple'Rebecca Steltner E-bok200384 kr
Two modern trials: Camus' "e;L'etranger"e; and Kafka's "e;Der Proce"e; - a comparisonRebecca Steltner E-bok2003236 kr
Classical allusion - a Russian modernism? Mandelstam's use of classical allusionRebecca Steltner E-bok2003185 kr
distinctive qualities of Russian fairytales (as reflected in the Afanas'ev collection)Rebecca Steltner E-bok2003185 kr
diseased city - Images of the body in expressionist and futurist poetryRebecca Steltner E-bok2006196 kr
Individuality and Self-perception in 'The Bell Jar' by Sylvia Plath and 'The Immoralist' by Andre Gide. A ComparisonRebecca Steltner E-bok200783 kr
On the Importance of Memories to Character and the Different Concepts of Adulthood in 'Brave New World'Rebecca Steltner E-bok200783 kr
Milan Kundera - a modern existentialist? Or: Why "e;The Joke"e; is not an existential novelRebecca Steltner E-bok200783 kr
Classical allusion - a Russian modernism? Mandelstam's use of classical allusionRebecca Steltner E-bok2003185 kr
Individuality and Self-perception in 'The Bell Jar' by Sylvia Plath and 'The Immoralist' by Andre Gide. A ComparisonRebecca Steltner E-bok200783 kr
distinctive qualities of Russian fairytales (as reflected in the Afanas'ev collection)Rebecca Steltner E-bok2003185 kr
diseased city - Images of the body in expressionist and futurist poetryRebecca Steltner E-bok2006196 kr
On the Importance of Memories to Character and the Different Concepts of Adulthood in 'Brave New World'Rebecca Steltner E-bok200783 kr
Classical allusion - a Russian modernism? Mandelstam's use of classical allusionRebecca SteltnerHäftad, 2007343 kr
Two modern trials: Camus' "e;L'etranger"e; and Kafka's "e;Der Proce"e; - a comparisonRebecca Steltner E-bok2003236 kr