Irving Finkel - Böcker

Cuneiform script on tablets of clay is, as far as we know, the oldest form of writing in the world. The choice of clay as writing medium in ancient Mesopotamia meant that records of all kinds could survive down to modern times, preserving fascinating documents from ancient civilization, written by a variety of people and societies. From reading these tablets we can understand not only the history and economics of the time but also the beliefs, ideas and superstitions. This fascinating book will bring the world in which the cuneiform was written to life for the non-expert reader, revealing how ancient inscriptions can lead to a new way of thinking about the past. It will explain how this pre-alphabetic writing really worked and how it was possible to use cuneiform signs to record so many different languages so long ago. Richly illustrated with a wealth of fresh examples ranging from elementary school exercises to revealing private letters or beautifully calligraphic literature for the royal library, we will meet people that aren’t so very different from ourselves. We will read the work of many scribes – from mundane record keepers to state fortune tellers, using tricks from puns to cryptography. For the first time cuneiform tablets and their messages are not remote and inaccessible, but wonderfully human documents that resonate today.

The Lewis Chessmen were found on the Isle of Lewis in mysterious circumstances. Consisting of elaborately worked walrus ivory and whales’ teeth in the form of seated kings and queens, bishops, knights, warders and pawns, this curious chess set is strongly influenced by Norse culture. Of the 93 pieces known to us today, 11 pieces are in Edinburgh at the National Museum of Scotland, and 82 are in the British Museum, where they have delighted gen erations of visitors with their wonderfully expressive details. In this engaging story, Irving Finkel follows the many adventures of the chessmen after they came to light on a Scottish beach in the nineteenth century. It ends with the big surprise that befell them in September 1993, when they were all temporarily reunited for the first time since their separation, at a Sp ecial Exhibition of Chessmen at the British Museum.

Some historical artefacts are destined forever to alter how the ancient world is perceived. The unearthing in today's Iraq (in 1879) of a clay cylinder-shaped decree from Cyrus the Great, founder of the Achaemenid dynasty of Persia, stands in the same tradition of game-changing discoveries from antiquity as Hammurabi's famous law code or the intact tomb of the boy-king Tutankhamun. For the Cyrus Cylinder contains in microcosm the whole history of its period. Inscribed with an account of the conquest of Babylon in 539 BC by the Persian king, it records an event which launched one of the greatest imperial adventures in history. It describes Cyrus' capture and deposition of Nabonidus, last native Babylonian ruler (represented by the Cylinder text as an oppressor of his own people), and proclaims the Persian, aided by the god Marduk, as a liberator. His annexation of Babylon was to become the platform upon which the Achaemenid military machine built its later vast imperium. But the Cylinder is more than an ancient exercise in propaganda. It has been celebrated as the world's first declaration of human rights, and an international symbol of religious tolerance, setting out the decree from which Cyrus freed the Jews in Babylon: an event recorded by Isaiah. Few other objects from antiquity are invested with so many hopes for the future. This important volume is the first to discuss the Cylinder and its remarkable history. Written by internationally respected authorities from the British Museum, it offers a fresh consideration of its subject in the light of new discoveries. Included here is a complete new translation of the Cylinder inscription using recently identified but previously unpublished sources. Archive materials have allowed a fresh investigation of the circumstances of the original nineteenth-century find by Hormuzd Rassam, and a reappraisal of the mysterious 'Chinese bone' forgeries. The book also discusses the extraordinary and evolving history of Cyrus' timeless message: a message that continues powerfully to resonate.

In THE ARK BEFORE NOAH, British Museum expert Dr Irving Finkel reveals how decoding the symbols on a 4,000 year old piece of clay enable a radical new interpretation of the Noah's Ark myth. A world authority on the period, Dr Finkel's enthralling real-life detective story began with a most remarkable event at the British Museum - the arrival one day in 2008 of a single, modest-sized Babylonian cuneiform tablet - the palm-sized clay rectangles on which our ancestors created the first documents. It had been brought in by a member of the public and this particular tablet proved to be of quite extraordinary importance. Not only does it date from about 1850 BC, but it is a copy of the Babylonian Story of the Flood, a myth from ancient Mesopotamia revealing among other things, instructions for building a large boat to survive a flood. But Dr Finkel's pioneering work didn't stop there. Through another series of enthralling discoveries he has been able to decode the story of the Flood in ways which offer unanticipated revelations to readers of THE ARK BEFORE NOAH.

'It's enthralling stuff, mixing the scholarly with the accessible and placing storytelling right at the heart of the human experience.' - History Revealed'A fascinating journey' - Yorkshire Post'Marvellous...Finkel is an expert in Mesopotamian cultures at the British Museum, and is one of the most clever, and nicest, of people it has ever been my pleasure to encounter...A fascinating journey' - The ScotsmanThere are few things more in common across cultures than the belief in ghosts. Ghosts inhabit something of the very essence of what it is to be human. Whether we personally 'believe' or not, we are all aware of ghosts and the rich mythologies and rituals surrounding them. They have inspired, fascinated and frightened us for centuries - yet most of us are only familiar with the vengeful apparitions of Shakespeare, or the ghastly spectres haunting the pages of 19th century gothic literature. But their origins are much, much older...The First Ghosts: Most Ancient of Legacies takes us back to the very beginning. A world-renowned authority on cuneiform, the form of writing on clay tablets which dates back to 3400BC, Irving Finkel has embarked upon an ancient ghost hunt, scouring these tablets to unlock the secrets of the Sumerians, Babylonians and Assyrians to breathe new life into the first ghost stories ever written. In The First Ghosts, he uncovers an extraordinarily rich seam of ancient spirit wisdom which has remained hidden for nearly 4000 years, covering practical details of how to live with ghosts, how to get rid of them and bring them back, and how to avoid becoming one, as well as exploring more philosophical questions: what are ghosts, why does the idea of them remain so powerful despite the lack of concrete evidence, and what do they tell us about being human?

"The library is situated," said the short entry in the Guide to British Libraries A-L, "in pleasant rolling countryside not too far from Hereford, and is perhaps most readily accessible by private motor vehicle." This statement was quite accurate. Inaccessibility had always been one of the Library's most prized qualities. "The Last Resort Library was founded in 1962, and is a forward-looking institution with very much its own sense of mission," it continued. The truth was that the Guide compiler had never heard of the Library himself, but someone had mentioned it to him right at the last minute, and he was improvising while correcting proofs. "Researchers should be aware that, despite the size of the Library's holdings, there is no published catalogue of any kind." That's what he had been told, and it seemed only sensible to make a formal note of it. - Prologue

In the capital, Nineveh, resides a deep and complex man, the power behind the King of the World. Faced with unforeseen disaster that threatens his authority, he emerges as a psychopathic killer.The author uses his familiarity with ancient writings preserved in the world's museums to recreate a vanished world in which those who step from the shadows in ruthless violence to pursue ultimate control show themselves at the same time to be disconcertingly human.The tight prose and graphic illustrations make this a gripping and unusual tale not of this world, but at the same time weirdly familiar.