Peter Osborne – författare

“A must-read book for anyone suffering from chronic pain” (Sara Gottfried, MD), No Grain, No Pain demonstrates the proven link between a gluten-heavy diet and chronic pain and discomfort—and offers a groundbreaking, 30-day, grain-free diet to help you heal yourself from the inside out.More than 100 million Americans suffer from chronic pain, according to an Institute of Medicine report released in 2011. For many, chronic pain is part of an autoimmune disease, but all too often doctors turn to the same solution: painkilling drugs. But all of this medication simply isn’t helping, and as Dr. Peter Osborne, the leading authority on gluten sensitivity and food allergies has found, the real solution often lies in what you eat. In No Grain, No Pain, Dr. Osborne shows how grains wreak havoc on the body by causing tissue inflammation, creating vitamin and mineral deficiencies, and triggering an autoimmune response that causes the body to attack itself. But he also offers practical steps to find relief. Using his drug-free, easy-to-implement plan, you will be able to eliminate all sources of gluten and gluten-like substances, experience significant improvement in fifteen days, and eliminate pain within thirty days. The first book to identify diet—specifically, grain—as a leading cause of chronic suffering, No Grain, No Pain provides you with the knowledge you need to improve your health. Based on extensive research and examples culled from thousands of his satisfied patients, Dr. Osborne recommends changing your diet to achieve the relief that millions of Americans have been seeking once and for all, leading to a healthier, happier life.

Emphasizing the Romantic heritage and modernist legacy of Karl Marx’s writings, Peter Osborne presents Marx’s thought as a developing investigation into what it means, concretely, for humans to be practical historical beings.Drawing on passages from a wide range of Marx’s writings, and showing the links among them, Osborne refutes the myth of Marx as a reductively economistic thinker. What Marx meant by “materialism,” “communism,” and the “critique of political economy” was much richer and more original, philosophically, than is generally recognized. With the renewed globalization of capitalism since 1989, Osborne argues, Marx’s analyses of the consequences of commodification are more relevant today than ever before.Extracts are taken from the full breadth of Marx’s writings, including Notebooks on Epicurean Philosophy, the Economic and Philosophical Manuscripts, and The Communist Manifesto to Capital.

Since 1972, the journal Radical Philosophy has provided a forum for the discussion of radical and critical ideas in philosophy. It is the liveliest and probably the most widely read philosophical journal in Britain. This anthology reprints some of the best articles to have appeared in the journal during the past five years. It covers topics in social and moral philosophy which are central to current controversies on the left, focusing on theoretical issues raised by the socialist, feminist and environmental movements.Topics covered include feminist perspectives on a range of traditional philosophical issues and contemporary problems; theoretical questions involved in the rethinking of socialism and Marxism; and questions about the relation between humanity and nature raised by environmental debates. The pieces included engage with contemporary issues in critical terms, and represent the best of recent philosophical work on the left. The book is essential reading for anyone interested in the current state of radical thought.

This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.

A Critical Sense brings together in a single volume the leading figures of contemporary radical theory. Moving freely between philosophy, politics and cultural studies, it offers a fascinating overview of the lines of thought of today's intellectual left.Marxism, feminism, psychoanalysis and critical theory, literary studies, deconstruction, pragmatism, postcolonial and queer theory are discussed in a series of interviews from the journal Radical Philosophy. Those interviewed are:Judith ButlerCornelius CastoriadisDrucilla CornellAxel HonnethIstvan MeszarosEdward SaidRenata SaleclGayatri Chakravorty SpivakCornel WestSlavoj ZizekFor those unfamiliar with the often daunting work of some of today's most important thinkers, ACritical Sense will offer an ideal introduction; for those already acquainted with the writings of the theorists interviewed here, the collection will throw new - and often surprising - light on familiar ground.

A Critical Sense brings together in a single volume the leading figures of contemporary radical theory. Moving freely between philosophy, politics and cultural studies, it offers a fascinating overview of the lines of thought of today's intellectual left.Marxism, feminism, psychoanalysis and critical theory, literary studies, deconstruction, pragmatism, postcolonial and queer theory are discussed in a series of interviews from the journal Radical Philosophy. Those interviewed are:Judith ButlerCornelius CastoriadisDrucilla CornellAxel HonnethIstvan MeszarosEdward SaidRenata SaleclGayatri Chakravorty SpivakCornel WestSlavoj ZizekFor those unfamiliar with the often daunting work of some of today's most important thinkers, ACritical Sense will offer an ideal introduction; for those already acquainted with the writings of the theorists interviewed here, the collection will throw new - and often surprising - light on familiar ground.

Philosophy in Cultural Theory boldly crosses disciplinary boundaries to offer a philosophical critique of cultural theory today. Drawing on the legacy of Walter Benjamin, Peter Osborne looks critically at central philosophical debates in cultural theory, such as:* the relationship between sign and image* the technological basis of cultural form* the conceptuality of art* the place of fantasy in human affairs.It will appeal to those in philosophy, cultural studies and art theory.

Philosophy in Cultural Theory boldly crosses disciplinary boundaries to offer a philosophical critique of cultural theory today. Drawing on the legacy of Walter Benjamin, Peter Osborne looks critically at central philosophical debates in cultural theory, such as:* the relationship between sign and image* the technological basis of cultural form* the conceptuality of art* the place of fantasy in human affairs.It will appeal to those in philosophy, cultural studies and art theory.

No other single author has so commanding a critical presence across so many disciplines within the arts and humanities, in so many national contexts, as Walter Benjamin (1892-1940). The belated reception of his work as a literary critic (dating from the late 1950s) has been followed by a rapid series of critical receptions in different contexts: Frankfurt Critical Theory and Marxism, Judaism, Film Theory, Post-structuralism, Philosophical Romanticism, and Cultural Studies.This collection brings together a selection of the most critically important items in the literature, across the full range of Benjamin's cultural-theoretical interests, from all periods of the reception of his writings, but focusing upon the most recent, to produce a comprehensive overview of the best critical literature.

This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.

Race and ethnicity have become two of the most loaded and contested concepts in the contemporary world. Philosophies of Race and Ethnicity aims to disentangle this complexity and guide the reader to a clearer understanding of the debates.Analysing the genealogy, meanings and political uses of the concepts of race and ethnicity, Philosophies of Race and Ethnicity draws on the best scholarship from philosophy, history, post-colonial studies, political theory and literary studies to explore the structure, status and scope of these concepts.Contributors: Linda Martin Alcoff, Chetan Bhatt, Rey Chow, Rebecca Karl, David Macey, Naoki Sakai, Bill Schwarz, Denise da Silva, Francoise Verges, Robert J. C. Young

Since 1972, the journal Radical Philosophy has provided a forum for the discussion of radical and critical ideas in philosophy. It is the liveliest and probably the most widely read philosophical journal in Britain. This anthology reprints some of the best articles to have appeared in the journal during the past five years. It covers topics in social and moral philosophy which are central to current controversies on the left, focusing on theoretical issues raised by the socialist, feminist and environmental movements.Topics covered include feminist perspectives on a range of traditional philosophical issues and contemporary problems; theoretical questions involved in the rethinking of socialism and Marxism; and questions about the relation between humanity and nature raised by environmental debates. The pieces included engage with contemporary issues in critical terms, and represent the best of recent philosophical work on the left. The book is essential reading for anyone interested in the current state of radical thought.

Winner of the 2014 Annual Book Prize of the Association for the Study of the Arts of the Present (USA).Contemporary art is the object of inflated and widely divergent claims. But what kind of discourse can open it up effectively to critical analysis? Anywhere or Not at All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Developing the position that "contemporary art is postconceptual art," the book progresses through a dual series of conceptual constructions and interpretations of particular works to assess the art from a number of perspectives: contemporaneity and its global context; art against aesthetic; the Romantic pre-history of conceptual art; the multiplicity of modernisms; transcategoriality; conceptual abstraction; photographic ontology; digitalization; and the institutional and existential complexities of art-space and art-time. Anywhere or Not at All maps out the conceptual space for an art that is both critical and contemporary in the era of global capitalism.

If, as Walter Benjamin claimed, "it is the function of artistic form.to make historical content into a philosophical truth" then it is the function of criticism to recover and to complete that truth. Never has this been more necessary or more difficult than with respect to contemporary art. Contemporary art is a point of condensation of a vast array of social and historical forces, economic and political forms and technologies of image production. Contemporary art expresses this condition, Osborne maintains, through its distinctively postconceptual form. These essays-extending the scope and arguments of Osborne's Anywhere or Not at All: Philosophy of Contemporary Art-move from philosophical consideration of the changing temporal conditions of capitalist modernity, via problems of formalism, the politics of art and the changing shape of art institutions, to interpretation and analysis of particular works by Akram Zataari, Xavier Le Roy and Ilya Kabakov, and the postconceptual situation of a crisis-ridden New Music.

Criticism of contemporary art is split by an opposition between activism and the critical function of form. Yet the deeper, more subterranean terms of art-judgment are largely neglected on both sides. These essays combine a re-examination of the terms of judgement of contemporary art with critical interpretations of individual works and exhibitions by Luis Camnitzer, Marcel Duchamp, Matias Faldbakken, Anne Imhof and Cady Noland. The book moves from philosophical issues, via the lingering shadows of medium-specificity (in photography and art music), and the changing states of museums, to analyses of the peculiar ways that works of art relate to time.To give artistic form to crisis, it is suggested, one needs to understand contemporary art's own constitutive crisis of form.

If Aristotle sought to understand time through change, might we not reverse the procedure and seek to understand change through time? Once we do this, argues Peter Osborne, it soon becomes clear that ideas such as avant-garde, modern, postmodern and tradition-which are usually only treated as markets for empirically discrete periods, movements or styles-are best understood as categories of historical totalization. More specifically, Osborne claims, such ideas involve distinct "temporalizations" of history, giving rise to conflicting politics of time.His book begins with a consideration of the main aspects of modernity and develops though a series of critical engagements with the major twentieth-century positions in the philosophy of history. He concludes with a fascinating history of the avant-garde intervention into the temporality of everyday life in surrealism, the situationists and the work of Henri Lefebvre.