Richard Howard - Böcker

First published in 2002, Clinical Pain Management is a comprehensive textbook for trainee and practicing specialists in Pain Management and related areas, presenting readers with all they need to know to provide a successful pain management service. This major clinical reference work comprises four volumes. Three clinical volumes deal respectively with all aspects of Acute Pain, Chronic Pain and Cancer Pain; from the basic mechanisms underlying the development of pain, to the various treatments that can be applied in different clinical situations. The fourth volume, Practic and Procedures, complements these by providing helpful advice on practical aspects of clinical management and research, including protocols and established clinical guidelines, making it a ready-reference manual for the busy clinician. Innovative features such as evidence scoring and reference annotation are incoproated for ease of reference, and the text is supported throughout with plentiful illustrations and numerous tables. New for this second edition, there is a companion website containing chapters and illustrations from the four volume set. Written and edited by a large team of acknowledged international aspects, the fully updated second edition of Clinical Pain Management remains an authoritative and comprehensive guide to this growing specialty and is an invaluable addition to the bookshelves of anyone training or working in the field of pain management.

Presents the evidence-base for links between personality traits, psychological functioning, personality disorder and violence - with a focus on assessment and treatment approaches that will help clinicians to assess risk in this client group. An evidence-based examination of those personality traits and types of psychological functioning that may contribute to personality disorder and violence- and the links that can be made between the twoEach chapter tackles an area of personality or psychological functioning and includes a developmental perspective, discussion of how to gauge risk, and an outline of effective treatmentsTraits covered include impulsivity, aggressiveness, narcissism and the ‘Big Five’ - neuroticism, extraversion, openness, agreeableness and conscientiousnessNew for the prestigious Wiley Series in Forensic Clinical Psychology, a market leader with more than 20,000 books in print

Presents the evidence-base for links between personality traits, psychological functioning, personality disorder and violence - with a focus on assessment and treatment approaches that will help clinicians to assess risk in this client group. An evidence-based examination of those personality traits and types of psychological functioning that may contribute to personality disorder and violence- and the links that can be made between the twoEach chapter tackles an area of personality or psychological functioning and includes a developmental perspective, discussion of how to gauge risk, and an outline of effective treatmentsTraits covered include impulsivity, aggressiveness, narcissism and the ‘Big Five’ - neuroticism, extraversion, openness, agreeableness and conscientiousnessNew for the prestigious Wiley Series in Forensic Clinical Psychology, a market leader with more than 20,000 books in print

Science fiction might not be the first thing that springs to mind when we think of Irish literature. But in the post-war period in Belfast, two authors, Bob Shaw and James White, began producing science fiction stories, eventually selling them to international markets and gaining the respect of luminaries such as Arthur C. Clarke, Brian Aldiss and Stanley Kubrick.Although lauded in the international science fiction scene for their innovations in the genre, Shaw and White’s work has been relatively ignored within Irish Studies. This book connects the emergence of science fiction in Belfast with the position of the city as the locus of technological development on the island of Ireland, and the development of a corresponding technological imaginary. Breaking new ground in the study of Irish modernity, Richard Howard draws parallels between the narratives of Shaw and White and the persistent influence of historical narratives embodied by the two-traditions paradigm in the region, as well as exploring the figure of the alien both in science fiction and in the history of Northern Ireland. He also considers the works of Shaw and White as utopian gestures against the backdrop of the Irish Troubles, finding both repressive and redemptive elements therein. The book makes an important contribution to the growing conversation about Irish science fiction and our understanding of modernity in Ireland.

Science fiction might not be the first thing that springs to mind when we think of Irish literature. But in the post-war period in Belfast, two authors, Bob Shaw and James White, began producing science fiction stories, eventually selling them to international markets and gaining the respect of luminaries such as Arthur C. Clarke, Brian Aldiss and Stanley Kubrick.Although lauded in the international science fiction scene for their innovations in the genre, Shaw and White’s work has been relatively ignored within Irish Studies. This book connects the emergence of science fiction in Belfast with the position of the city as the locus of technological development on the island of Ireland, and the development of a corresponding technological imaginary. Breaking new ground in the study of Irish modernity, Richard Howard draws parallels between the narratives of Shaw and White and the persistent influence of historical narratives embodied by the two-traditions paradigm in the region, as well as exploring the figure of the alien both in science fiction and in the history of Northern Ireland. He also considers the works of Shaw and White as utopian gestures against the backdrop of the Irish Troubles, finding both repressive and redemptive elements therein. The book makes an important contribution to the growing conversation about Irish science fiction and our understanding of modernity in Ireland.

Making use of the old name for psychoanalysis in his title, American Book Award- and Pulitzer Prize-winner Richard Howard's poems are spoken out of a solitude and into a solitude, but passing through a company of some order, some chaos. Themed throughout with concerns of the psyche and psychoanalysis, a comic atmosphere yet pervades in this humble, yet triumphant work.

"Trappings reminds us how, for decades, Howard's is the gold standard for those who care about the shape sound and wit of a poem."—Boston Review

It remains something of a mystery why some individuals behave in persistently malevolent and destructive ways towards their fellows, causing untold harm both to themselves and their victims. This book argues that to understand the roots of antisocial behaviour, one first has to understand what motivates the majority of people to behave prosocially - to think, feel and act in non-malevolent ways. All people are motivated to seek emotion goals - to feel thrilled and excited, to feel safe from the threats of others, to feel a sense of justice, and to feel gratified. However some individuals seek these emotion goals in antisocial ways due to an excess of emotions such as distrust, boredom, greed, vengeance and insecurity. The authors outline interpersonal and neurobiological correlates of antisocial personality, its developmental antecedents, its frequency and pattern across different societies and cultures, and different approaches to its treatment and rehabilitation.

In Richard Howard’s new collection, voices of myth and memory prevail, if only by means of prevarication: the voice of Medea’s mother trying to explain her daughter’s odd behavior to an indiscreet interviewer; or first and last the voice of Henry James, late in life, faced with the disputed prospect of meeting L. Frank Baum and then, later on, “managing” not only Maeterlinck’s Blue Bird but his own unruly cast of characters, including Mrs. Wharton and young Hugh Walpole.Richard Howard’s honors include the Pulitzer Prize, the PEN Medal for Translation, and grants from the Guggenheim and MacArthur foundations.