Wen-chin Ouyang – författare

Adopting a multi-disciplinary approach, this comparative study of a selection of The Arabian Nights stories in a cross-cultural context, brings together a number of disciplines and subject areas to examine the workings of narrative. It predominantly focuses on the ways in which the Arabian Nights have transformed as its stories have travelled across historical eras, cultures, genres and media. Departing from the familiar approaches of influence and textual studies, this book locates its central inquiry in the theoretical questions surrounding the workings of ideology, genre and genre ideology in shaping and transforming stories. The ten essays included in this volume respond to a general question, ‘what can the transformation of Nights stories in their travels tell us about narrative and storytelling, and their function in a particular culture?’ Following a Nights story in its travels from past to present, from Middle East to Europe and from literature to film, the book engages in close comparative analyses of ideological variations found in a variety of texts. These analyses allow new modes of reading texts and make it possible to breach new horizons for thinking about narrative.This Book was previously published as a special issue of Middle Eastern Literatures entitled Ideological Variations and Narrative Horizons: New Perspectives on Arabian Nights.

Adopting a multi-disciplinary approach, this comparative study of a selection of The Arabian Nights stories in a cross-cultural context, brings together a number of disciplines and subject areas to examine the workings of narrative. It predominantly focuses on the ways in which the Arabian Nights have transformed as its stories have travelled across historical eras, cultures, genres and media. Departing from the familiar approaches of influence and textual studies, this book locates its central inquiry in the theoretical questions surrounding the workings of ideology, genre and genre ideology in shaping and transforming stories. The ten essays included in this volume respond to a general question, ‘what can the transformation of Nights stories in their travels tell us about narrative and storytelling, and their function in a particular culture?’ Following a Nights story in its travels from past to present, from Middle East to Europe and from literature to film, the book engages in close comparative analyses of ideological variations found in a variety of texts. These analyses allow new modes of reading texts and make it possible to breach new horizons for thinking about narrative.This Book was previously published as a special issue of Middle Eastern Literatures entitled Ideological Variations and Narrative Horizons: New Perspectives on Arabian Nights.

Literature has for thousands of years served as a space in which people have negotiated the ethics of daily life. In the Islamic tradition, the broad concept of adab spans ethical instruction and literary culture. Literature classified as adab was intended to cultivate readers’ minds and characters. Similarly, the Chinese concept of wen represents the intellectual, cultural, and ethical foundations of society. Adab and wen offer ways to navigate complex social environments with respect and empathy, promoting harmony in multicultural societies. Such concepts remain highly relevant and valuable in today’s global world.In this book, Wen-chin Ouyang shows how our experience of adab stories has the power to transform both our personal relationships and society. She draws on classic Arabic stories from the famous Thousand and One Nights and compares them with tales from the canonical Chinese novels Three Kingdoms, The Journey to the West, and Water Margin. The book demonstrates how these stories tell us about ourselves, allowing us to define, test, and refine our ethics of living. More than this, they have the power to help us experience a profound contemplation of our lives on earth, linking us to our shared humanity and showing us how to live meaningfully.

Wen-Chin Ouyang explores the development of the Arabic novel, especially the ways in it engages with aesthetics, ethics and politics in a cross-cultural context and from a transnational perspective.Taking love and desire as the central tropes , the story of the Arabic novel is presented as a series of failed, illegitimate love affairs, all tainted by its suspicion of the legitimacy of the nation, modernity and tradition and, above all, by its misgiving about its own propriety. Authors studied include Naguib Mahfouz; Ghassan Kanafani; Ibrahim Nasrallah; Emil Habiby; Jamal al-Ghitani; Ali Mubarak; Muhammad al-Muwaylihi; Badr Shakir al-Sayyab; Khalil Hawi and Salah 'Abd al-Sabur.

The Arabic novel has taken shape in the intercultural networks of exchange between East and West, past and present. Wen-chin Ouyang shows how this has created a politics of nostalgia which can be traced to discourses on aesthetics, ethics and politics relevant to cultural and literary transformations of the Arabic speaking world in the 19th and 20th centuries. She reveals nostalgia and madness as the tropes through which the Arabic novel writes its own story of grappling with and resisting the hegemony of both the state and cultural heritage.

Multilingual Literature as World Literature examines and adjusts current theories and practices of world literature, particularly the conceptions of world, global and local, reflecting on the ways that multilingualism opens up the borders of language, nation and genre, and makes visible different modes of circulation across languages, nations, media and cultures.The contributors to Multilingual Literature as World Literature examine four major areas of critical research. First, by looking at how engaging with multilingualism as a mode of reading makes visible the multiple pathways of circulation, including as aesthetics or poetics emerging in the literary world when languages come into contact with each other. Second, by exploring how politics and ethics contribute to shaping multilingual texts at a particular time and place, with a focus on the local as a site for the interrogation of global concerns and a call for diversity. Third, by engaging with translation and untranslatability in order to consider the ways in which ideas and concepts elude capture in one language but must be read comparatively across multiple languages. And finally, by proposing a new vision for linguistic creativity beyond the binary structure of monolingualism versus multilingualism.

Multilingual Literature as World Literature examines and adjusts current theories and practices of world literature, particularly the conceptions of world, global and local, reflecting on the ways that multilingualism opens up the borders of language, nation and genre, and makes visible different modes of circulation across languages, nations, media and cultures.The contributors to Multilingual Literature as World Literature examine four major areas of critical research. First, by looking at how engaging with multilingualism as a mode of reading makes visible the multiple pathways of circulation, including as aesthetics or poetics emerging in the literary world when languages come into contact with each other. Second, by exploring how politics and ethics contribute to shaping multilingual texts at a particular time and place, with a focus on the local as a site for the interrogation of global concerns and a call for diversity. Third, by engaging with translation and untranslatability in order to consider the ways in which ideas and concepts elude capture in one language but must be read comparatively across multiple languages. And finally, by proposing a new vision for linguistic creativity beyond the binary structure of monolingualism versus multilingualism.

The Arabian Nights - stories told by Queen Shahrazad over a thousand and one nights, to beguile the Sultan into deferring her execution - first began to appear in the West in the early 18th century, firing in the European imagination an appetite for the mysterious and exotic which has never left it. Collected over centuries from Persia and Arabia and India, and ranging from vivacious erotica, animal fables and adventure fantasies to pointed Sufi teaching tales, they provided the daily entertainment of the medieval Islamic world at the height of its glory. English translations soon proliferated. Early ones were taken from Antoine Galland’s French version, but later scholars went back to the Arabic text and it is on three classic 19th-century translators – Richard Burton, Edward W. Lane and John Payne - that this anthology principally draws. It celebrates their role in bringing these stories to the centre of world literature, for they were subsequently retranslated into many other languages, including Chinese.. This collection showcases the richness and artistry of these English translations and to allow them to speak for the cultural context in which they were made. It is of academic importance in that it provides an alternative and more positive history of Orientalism, and reflects the history of Arabic Studies in Europe and North America and the ways in which they have fashioned the debate around Arabic literature and the translation of Arabic literary texts. It will also serve as a textbook for World Literature programmes and courses in the Anglophone world.But above all its timeless tales, its stories within stories, continue to fascinate and enchant, and the variety of translations used can only add to the pleasure of the general reader. The new Everyman edition has been beautifully designed to give something of the flavour of the first editions and includes elegant illustrations by the popular early Victorian engraver and designer, William Harvey.