Aishika Chakraborty – författare

This book explores contemporary issues in women’s studies, focusing on the agency of marginalised and disenfranchised within political, cultural, and social spheres. It employs feminist pedagogies to articulate the multiple intersecting histories of class, caste, race, sexuality, disability and citizenship.Using feminist perspectives, the book challenges the hegemonic and patriarchal logic of heteronormativity by contextualizing verbal abuse, violence in the private sphere, and the tensions between women's and men's rights across the continuum of family, community, and state. The essays in this volume examine the (im)possibilities of creating violence-free, caring, and affordable living space on the one hand, and seek to understand the gendered experience of violence in the context of migration, as well as cultural and sexual labour on the other. In addition to interrogating the cultural taboos that restrict women's autonomy and rights, the essays prioritise a diverse range of voices, including those of dancers in the entertainment industry, sexual and gender minorities, urban poor populations living in slums, and disabled women. They also document and archive the academic agency of staff and students working to address injustices within higher education institutions.Part of the Contemporary Issues in Social Science Research series, this volume will be of significant interest to scholars and researchers in gender studies, women’s studies, history, political science, sociology, social anthropology, development studies, law, media studies and South Asia studies.

This book explores contemporary issues in women’s studies, focusing on the agency of marginalised and disenfranchised within political, cultural, and social spheres. It employs feminist pedagogies to articulate the multiple intersecting histories of class, caste, race, sexuality, disability and citizenship.Using feminist perspectives, the book challenges the hegemonic and patriarchal logic of heteronormativity by contextualizing verbal abuse, violence in the private sphere, and the tensions between women's and men's rights across the continuum of family, community, and state. The essays in this volume examine the (im)possibilities of creating violence-free, caring, and affordable living space on the one hand, and seek to understand the gendered experience of violence in the context of migration, as well as cultural and sexual labour on the other. In addition to interrogating the cultural taboos that restrict women's autonomy and rights, the essays prioritise a diverse range of voices, including those of dancers in the entertainment industry, sexual and gender minorities, urban poor populations living in slums, and disabled women. They also document and archive the academic agency of staff and students working to address injustices within higher education institutions.Part of the Contemporary Issues in Social Science Research series, this volume will be of significant interest to scholars and researchers in gender studies, women’s studies, history, political science, sociology, social anthropology, development studies, law, media studies and South Asia studies.

This book, with its focus on the dancing body, is the first of its kind within the larger context of dance in India. The Dancing Body is a body that exists, survives, inhabits and performs in multiple space and time, by moving, laboring, migrating and straddling across geographic, cultural and emotional borders, writing different cultural meanings at different moments of time. In India, discourses around the body in dance have long been trapped within hagiographic histories in and around dancers and their dance. During the last few decades, however, significant scholarly inroads were made into the domain of dance by shaking up the stereotypes, assertions and labels, shaped and moulded by patriarchy, class, caste and power. This book brings together emerging discourses around dance and the body that have become central in the Indian nation-state. Contemporary discourses around identity politics, moral policing, politics of exclusion, and neo-liberal dispossessions vis a vis sexual labour, means of survival, pleasure and agency of dancers have helped frame the focus around labour, leisure and livelihood concerning the everyday existence of the body in dance.This volume will be of great value to students, researchers and scholars in dance, gender studies, cultural studies, and performance studies, with a particular interest in Asian and South Asian Studies. The chapters in this book were originally published in a special issue of South Asian History and Culture.The chapters in this book were originally published in a special issue of South Asian History and Culture.

This book, with its focus on the dancing body, is the first of its kind within the larger context of dance in India. The Dancing Body is a body that exists, survives, inhabits and performs in multiple space and time, by moving, laboring, migrating and straddling across geographic, cultural and emotional borders, writing different cultural meanings at different moments of time. In India, discourses around the body in dance have long been trapped within hagiographic histories in and around dancers and their dance. During the last few decades, however, significant scholarly inroads were made into the domain of dance by shaking up the stereotypes, assertions and labels, shaped and moulded by patriarchy, class, caste and power. This book brings together emerging discourses around dance and the body that have become central in the Indian nation-state. Contemporary discourses around identity politics, moral policing, politics of exclusion, and neo-liberal dispossessions vis a vis sexual labour, means of survival, pleasure and agency of dancers have helped frame the focus around labour, leisure and livelihood concerning the everyday existence of the body in dance.This volume will be of great value to students, researchers and scholars in dance, gender studies, cultural studies, and performance studies, with a particular interest in Asian and South Asian Studies. The chapters in this book were originally published in a special issue of South Asian History and Culture.The chapters in this book were originally published in a special issue of South Asian History and Culture.