Alan Johnson – författare

Mapping the New Left Antisemitism: The Fathom Essays provides a comprehensive guide to contemporary Left antisemitism.

The rise of a new and largely left-wing form of antisemitism in the era of the Jewish state and the distinction between it and legitimate criticism of Israel are now roiling progressive politics in the West and causing alarming spikes in antisemitic incitement and incidents. Fathom journal has examined these questions relentlessly in the first decade of its existence, earning a reputation for careful textual analysis and cogent advocacy. In this book, the Fathom essays are contextualised by three new contributions: Lesley Klaff provides a map of contemporary antisemitic forms of antizionism, Dave Rich writes on the oft-neglected lived experience of the Jewish victims of contemporary antisemitism and David Hirsh assesses the intellectual history of the left from which both Fathom and his own London Centre for the Study of Contemporary Antisemitism, as well as this book series, have emerged. Topics covered by the contributors include antisemitic antizionism and its underappreciated Soviet roots; the impact of analogies with the Nazis; the rise of antisemitism on the European continent, exploring the hybrid forms emerging from a cross-fertilisation between new left, Christian and Islamist antisemitism; the impact of antizionist activism on higher education; and the bitter debates over the adoption of the oft-misrepresented International Holocaust Remembrance Alliance (IHRA) definition of antisemitism.

This work will be of considerable appeal to scholars and activists with an interest in antisemitism, Jewish studies and the politics of Israel.

Mapping the New Left Antisemitism: The Fathom Essays provides a comprehensive guide to contemporary Left antisemitism.

The rise of a new and largely left-wing form of antisemitism in the era of the Jewish state and the distinction between it and legitimate criticism of Israel are now roiling progressive politics in the West and causing alarming spikes in antisemitic incitement and incidents. Fathom journal has examined these questions relentlessly in the first decade of its existence, earning a reputation for careful textual analysis and cogent advocacy. In this book, the Fathom essays are contextualised by three new contributions: Lesley Klaff provides a map of contemporary antisemitic forms of antizionism, Dave Rich writes on the oft-neglected lived experience of the Jewish victims of contemporary antisemitism and David Hirsh assesses the intellectual history of the left from which both Fathom and his own London Centre for the Study of Contemporary Antisemitism, as well as this book series, have emerged. Topics covered by the contributors include antisemitic antizionism and its underappreciated Soviet roots; the impact of analogies with the Nazis; the rise of antisemitism on the European continent, exploring the hybrid forms emerging from a cross-fertilisation between new left, Christian and Islamist antisemitism; the impact of antizionist activism on higher education; and the bitter debates over the adoption of the oft-misrepresented International Holocaust Remembrance Alliance (IHRA) definition of antisemitism.

This work will be of considerable appeal to scholars and activists with an interest in antisemitism, Jewish studies and the politics of Israel.

''A cracking crime thriller'' The SunTHERE''S BLOOD ON THE WATER. NO ONE IS SAFE...1999. A young Detective Constable Louise Mangan crosses the Thames one misty morning in pursuit of a killer. She finds a tranquil community on a leafy island close to Hampton Court Palace, but soon realises that all is not as it seems. There is something evil at play in this quiet suburb, and this junior detective''s questions seem only to scratch the surface.Twenty years later, a horrific fire brings Detective Chief Superintendent Mangan back to that same island. Soon, she discovers that murder was just a drop in these dark waters.The river runs deep, and the tide is rising at last. Will the truth rise with it?Praise for Alan Johnson''s novels:''A punchy thriller'' Irish Independent''A fast-paced who-done-what'' SAGA Magazine''Featuring espionage, the Russian Mafia and a gorgeous female on a train with a deadly secret, the tantalising plot has set Alan up for dominance of the bestseller charts for years to come'' Fiona Phillips''Is there no limit to his talents? . . . I absolutely loved Alan''s new thriller, it''s brilliant'' Hunter Davies''Johnson''s writing style is easy, relaxed, self-deprecating . . . impressive'' Observer''Johnson writes wonderfully'' Telegraph''This boy can write . . .'' The Spectator

A woman hiding a deadly secret. And the man who went in search of adventure, but found himself in danger ...''The Girl on the Train with a dash of Russian poisoning and a classic femme fatale'' Sunday Telegragh''A fast-moving plot ... expertly told.'' Alastair Campbell''A cracking crime thriller.'' The Sun''Really gripping, so many twists and turns'' ⭐ ⭐ ⭐ ⭐ ⭐ READER REVIEW''I couldn''t put this book down.'' ⭐ ⭐ ⭐ ⭐ ⭐ READER REVIEW''Action from start to finish'' ⭐ ⭐ ⭐ ⭐ ⭐ READER REVIEWGary Nelson has a routine for the commute to his rather dull job in the city. Each day, he watches as a woman on the train applies her make up in a ritual he now knows by heart. He''s never dared to strike up a conversation . . . but maybe one day.Then one evening, on the late train to Gipsy Hill, the woman invites him to take the empty seat beside her. Fiddling with her mascara, she holds up her mirror and Gary reads the words ''HELP ME'' scrawled in sticky black letters on the glass.From that moment, Gary''s life is turned on its head. He finds himself on the run from the Russian mafia, the FSB and even the Metropolitan Police - all because of what this mysterious young woman may have witnessed. In the race to find out the truth, Gary discovers that there is a lot more to her than meets the eye . . .Readers love Alan Johnson and The Late Train to Gipsy HIll''A fast-moving plot ... expertly told. The fact it comes from the pen of a former Home Secretary makes the rich security detail all the more powerful'' Alastair Campbell''Espionage, the Russian Mafia and a gorgeous female on a train with a deadly secret'' Fiona Phillips''Johnson''s writing style is easy, relaxed, self-deprecating . . . impressive'' Observer''Johnson writes wonderfully'' Telegraph''This boy can write . . .'' The Spectator