Alexa Robertson – författare

I moderna samhällen flödar texter och bilder. De är resultat av kommunikation mellan individer och grupper, men de är också centrala för hur vi förstår och agerar i samhället. Därför måste den som studerar samhället kunna analysera bildens och textens mening och makt.I denna fjärde omarbetade och aktualiserade upplaga av Textens mening och makt visar författarna hur man kan analysera texter och bilder med hjälp av:• innehållsanalys• argumentationsanalys• idé- och ideologianalys• begreppshistoria• narrativanalys• diskursteori, diskurspsykologi och WPR-ansatsen• kritisk diskursanalys (CDA)• visuell textanalys.Varje inriktning ges en teoretisk bakgrund, men boken är framför allt inriktad på hur man gör. Konkreta exempel ur aktuell forskning, liksom övningsuppgifter med utarbetade lösningsförslag, åtföljer varje inriktning. Till Textens mening och makt hör en digital del, med texter till övningsuppgifterna, åtkomlig med hjälp av koden på insidan av bokens omslag. I denna upplaga lyfts särskilt digital textanalys fram i flera av kapitlen. Boken vänder sig till metodintresserade samhällsvetare och humanister, framför allt studenter och forskarstuderande vid universitet och högskolor.

I denna heltäckande grundbok ges en introduktion till studiet av internationella relationer. Boken redogör för de dominerande teoretiska perspektiven inom internationella relationer, för de processer som formar den internationella fördelningen av makt och resurser, samt för de mest framträdande politikområdena i världspolitiken idag. Genom sitt breda anslag behandlar boken frågor som: Varför uppstår krig? Vad har globaliseringen för politiska effekter? Vem har makt i internationell politik? Hur kan utvecklingsländerna hävas ur fattigdom? Vilka motiv driver transnationella terroristnätverk? När har normer och internationella institutioner betydelse? Under vilka omständigheter får nationella identiteter genomslag i världspolitiken?I boken medverkar många av de främsta forskarna inom internationell politik i Sverige. Alla är experter inom sina respektive områden, och är väl integrerade i den internationella forskningsmiljön. På ett pedagogiskt sätt introducerar de centrala perspektiv och begrepp och knyter samtidigt an till aktuella exempel och illustrationer. Flera exempel hämtas från en svensk kontext och boken belyser därmed på ett unikt sätt Sveriges relationer med omvärlden. I denna fjärde upplaga har samtliga kapitel uppdaterats. Boken vänder sig i första hand till introduktionskurser i internationell politik eller internationella relationer vid universitet och högskolor.

Media power in the global era has to do with how people understand the world, their place in it, and their relation to the others who populate it. Making connections with distant places and people is the work of cosmopolitan imagination, which involves seeing the world through the eyes of others. In this book, Robertson engages with the growing literature on cosmopolitanism to address these issues, combining theoretical debates with an innovative empirical portal. Based on the analysis of over 2000 news reports broadcast on national and global channels and interviews with journalists and audience members, Mediated Cosmopolitanism illustrates that the same everyday stories about the world can take on different meanings in different cultures. It argues that if we are to understand how media actors may help people to make the connections that underpin a cosmopolitan outlook, attention must be paid to evidence that some actors may not, and that national broadcasters could be more active agents of cosmopolitanism than global channels. Accessibly written, the book will be essential reading for advanced undergraduate and masters students, particularly of media studies, but also of sociology, politics and international relations.

Media power in the global era has to do with how people understand the world, their place in it, and their relation to the others who populate it. Making connections with distant places and people is the work of cosmopolitan imagination, which involves seeing the world through the eyes of others. In this book, Robertson engages with the growing literature on cosmopolitanism to address these issues, combining theoretical debates with an innovative empirical portal. Based on the analysis of over 2000 news reports broadcast on national and global channels and interviews with journalists and audience members, Mediated Cosmopolitanism illustrates that the same everyday stories about the world can take on different meanings in different cultures. It argues that if we are to understand how media actors may help people to make the connections that underpin a cosmopolitan outlook, attention must be paid to evidence that some actors may not, and that national broadcasters could be more active agents of cosmopolitanism than global channels. Accessibly written, the book will be essential reading for advanced undergraduate and masters students, particularly of media studies, but also of sociology, politics and international relations.

Globalization and technological advances have had a dramatic impact on the relationship between media and politics. How can we understand the connection between the two in the present day? Alexa Robertson argues that we cannot understand the power of the one without taking the other into account. This exciting and accessible book provides fresh insight into our contemporary media landscape, adopting a truly comparative global approach.  In Media and Politics in a Globalizing World, Robertson encourages the reader to explore the relationship from different perspectives – those of the politician, the journalist, the activist and the ordinary citizen – and how the relationship between media and politics varies across cultures. Illustrated with contemporary examples throughout, the book weighs up arguments for seeing new developments in terms of change or continuity, as empowering or debilitating, and as promoting or undermining democracy.  Suitable for undergraduates and postgraduates studying politics, media and sociology, it also will be of interest to the general reader wishing to understand the complex role of the media in political life the world over. For additional support and information visit this book's companion website at http://mediapolitics.net/

Globalization and technological advances have had a dramatic impact on the relationship between media and politics. How can we understand the connection between the two in the present day? Alexa Robertson argues that we cannot understand the power of the one without taking the other into account. This exciting and accessible book provides fresh insight into our contemporary media landscape, adopting a truly comparative global approach.  In Media and Politics in a Globalizing World, Robertson encourages the reader to explore the relationship from different perspectives – those of the politician, the journalist, the activist and the ordinary citizen – and how the relationship between media and politics varies across cultures. Illustrated with contemporary examples throughout, the book weighs up arguments for seeing new developments in terms of change or continuity, as empowering or debilitating, and as promoting or undermining democracy.  Suitable for undergraduates and postgraduates studying politics, media and sociology, it also will be of interest to the general reader wishing to understand the complex role of the media in political life the world over. For additional support and information visit this book's companion website at http://mediapolitics.net/

Screening Protest brings together a range of scholarly perspectives on the study of protest mediations on television and in film. Arguing that the screen is a fruitful, if overlooked, analytical focus, the book explores how visual narratives of protest wander across borders – territorial, temporal and generic.Chapters compare coverage of major protests in recent history by global news channels like Al Jazeera English, BBC World, CNN International and RT. They consider how geopolitical agendas, newsroom culture and the ubiquity of eyewitness footage shape the narration of events such as the ‘Umbrella Revolution’ in Hong Kong, anti-austerity protests in Greece, pro-EU mobilizations in the Ukraine and clashes in Ferguson. A focus on narrative allows authors to compare such news stories with popular cultural depictions of the protester, in films and television series such as The Hunger Games, Robin Hood and Suffragette. Although focussed on the screen, the scope of the book is broad, given its exploration of images distributed worldwide.Written with both scholars and students in mind, Screening Protest will interest researchers in political science, sociology, media and film studies, as well as the general reader interested in current affairs.

Screening Protest brings together a range of scholarly perspectives on the study of protest mediations on television and in film. Arguing that the screen is a fruitful, if overlooked, analytical focus, the book explores how visual narratives of protest wander across borders – territorial, temporal and generic.Chapters compare coverage of major protests in recent history by global news channels like Al Jazeera English, BBC World, CNN International and RT. They consider how geopolitical agendas, newsroom culture and the ubiquity of eyewitness footage shape the narration of events such as the ‘Umbrella Revolution’ in Hong Kong, anti-austerity protests in Greece, pro-EU mobilizations in the Ukraine and clashes in Ferguson. A focus on narrative allows authors to compare such news stories with popular cultural depictions of the protester, in films and television series such as The Hunger Games, Robin Hood and Suffragette. Although focussed on the screen, the scope of the book is broad, given its exploration of images distributed worldwide.Written with both scholars and students in mind, Screening Protest will interest researchers in political science, sociology, media and film studies, as well as the general reader interested in current affairs.

Global News explores how media representation is conceived and enacted in a world of diversity and transborder flows. Among the ‘new media’ crowding the global mediascape are influential television outlets that promise viewers alternative vantage points to those of established Western broadcasters. The different worlds depicted by Al Jazeera English and Russia Today are compared with those of CNN International and BBC World. At a time when media organizations are slashing their budgets for international reporting, these channels represent a spectrum of financing solutions and relations to political power, being variously privately-, publicly-, or state-owned, backed by corporations, democratic states, authoritarian regimes, and ruling dynasties. Despite their differences, however, they have much in common. Their journalists espouse the universal values of professionalism and objectivity and speak to their global audiences in English. This book explores the different theoretical worlds of global media studies, takes a rare look at content, has a comparative perspective, and moves beyond the conflict frame that has dominated much of the literature in the field.

Global News explores how media representation is conceived and enacted in a world of diversity and transborder flows. Among the ‘new media’ crowding the global mediascape are influential television outlets that promise viewers alternative vantage points to those of established Western broadcasters. The different worlds depicted by Al Jazeera English and Russia Today are compared with those of CNN International and BBC World. At a time when media organizations are slashing their budgets for international reporting, these channels represent a spectrum of financing solutions and relations to political power, being variously privately-, publicly-, or state-owned, backed by corporations, democratic states, authoritarian regimes, and ruling dynasties. Despite their differences, however, they have much in common. Their journalists espouse the universal values of professionalism and objectivity and speak to their global audiences in English. This book explores the different theoretical worlds of global media studies, takes a rare look at content, has a comparative perspective, and moves beyond the conflict frame that has dominated much of the literature in the field.