Alexandra Fuller – författare

When Alexandra "Bo" Fuller was in Zambia a few years ago visiting her parents, she asked her father about a nearby banana farmer who was known for being a "tough bugger". Her father's response was a warning to steer clear of him: "Curiosity scribbled the cat," he told Bo. Nonetheless, Fuller began her strange friendship with the man she calls K, a white African and veteran of the Rhodesian War. With the same fiercely beautiul prose that won her such acclaim for Don't Let's Go to the Dogs Tonight, Fuller here recounts her friendship with K.He is, seemingly, a man of contradictions. Tattooed, battle-scarred, and weathered by farm work, K is a lion of a man, feral and bulletproof. Yet he is also a born-again Christian, given to weeping when he recollects his failed romantic life and welling up inside with memories of battle. For his war, like all wars, was a brutal one, marked by racial strife, jungle battles, brutal tortures, and the murdering of innocent civilians. Like all the veterans of the war, K has blood on his hands.Driven by K's memories, Fuller and K decide to enter the heart of darkness in the most literal way, by traveling from Zambia through Zimbabwe (formerly Rhodesia) and Mozambique to visit the scenes of the war and to meet other veterans. What results from Fuller's journey is a remarkably unbiased and unsentimental glimpse at life in Africa, a land that besets its creatures with pests, plagues, and natural disasters, making the people there at once more hardened and more vulnerable than elsewhere.

The debut novel from the bestselling author of Don''t Let''s Go to the Dogs Tonight and Leaving Before the Rains Come.   Lakota Oglala Sioux Nation, South Dakota. Two Native American cousins, Rick Overlooking Horse and You Choose Watson, though bound by blood and by land, find themselves at odds as they grapple with the implications of their shared heritage. When escalating anger toward the injustices, historical and current, inflicted upon the Lakota people by the federal government leads to tribal divisions and infighting, the cousins go in separate directions: Rick chooses the path of peace; You Choose, violence.    Years pass, and as You Choose serves time in prison, Rick finds himself raising twin baby boys orphaned at birth in his meadow. As the twins mature from infants to young men, Rick immerses the boys in their ancestry, telling wonderful and terrible tales of how the whole world came to be and affirming their place in the universe as the result of all who have come before and will come behind. But when You Choose returns to the reservation after three decades behind bars, his anger manifests, forever disrupting the lives of Rick and the boys.   A complex tale that spans generations and geography, Quiet Until the Thaw conjures the implications of an oppressed history, how we are bound not just to immediate family but to all who have come before and will come after us, and, most of all, to the notion that everything was always, and is always, connected.

Cocktail Hour Under the Tree of Forgetfulnesstells the story of the author''s mother, Nicola Fuller. Nicola Fuller and her husband were a glamorous and optimistic couple and East Africa lay before them with the promise of all its perfect light, even as the British Empire in which they both believed waned. They had everything, including two golden children - a girl and a boy. However, life became increasingly difficult and they moved to Rhodesia to work as farm managers. The previous farm manager had committed suicide. His ghost appeared at the foot of their bed and seemed to be trying to warn them of something. Shortly after this, one of their golden children died. Africa was no longer the playground of Nicola''s childhood. They returned to England where the author was born before they returned to Rhodesia and to the civil war. The last part of the book sees the Fullers in their old age on a banana and fish farm in the Zambezi Valley. They had built their ramshackle dining room under the Tree of Forgetfulness. In local custom, this tree is the meeting place for villagers determined to resolve disputes. It is in the spirit of this Forgetfulness that Nicola finally forgot - but did not forgive - all her enemies including her daughter and the Apostle, a squatter who has taken up in her bananas with his seven wives and forty-nine children. Funny, tragic, terrifying, exotic and utterly unself-conscious, this is a story of survival and madness, love and war, passion and compassion.

When Alexandra ("Bo") Fuller was home in Zambia a few years ago, visiting her parents for Christmas, she asked her father about a nearby banana farmer who was known for being a "tough bugger." Her father''s response was a warning to steer clear of him; he told Bo: "Curiosity scribbled the cat." Nonetheless, Fuller began her strange friendship with the man she calls K, a white African and veteran of the Rhodesian war. With the same fiercely beautiful prose that won her acclaim for Don''t Let''s Go to the Dogs Tonight, Fuller here recounts her friendship with K.

K is, seemingly, a man of contradictions: tattooed, battle scarred, and weathered by farm work, he is a lion of a man, feral and bulletproof. Yet he is also a born-again Christian, given to weeping when he recollects his failed romantic life, and more than anything else welling up inside with memories of battle. For his war, like all wars, was a brutal one, marked by racial strife, jungle battles, unimaginable tortures, and the murdering of innocent civilians—and K, like all the veterans of the war, has blood on his hands.

Driven by K''s memories, Fuller and K decide to enter the heart of darkness in the most literal way—by traveling from Zambia through Zimbabwe (formerly Rhodesia) and Mozambique to visit the scenes of the war and to meet other veterans. It is a strange journey into the past, one marked at once by somber reflections and odd humor and featuring characters such as Mapenga, a fellow veteran who lives with his pet lion on a little island in the middle of a lake and is known to cope with his personal demons by refusing to speak for days on end. What results from Fuller''s journey is a remarkably unbiased and unsentimental glimpse of men who have killed, mutilated, tortured, and scrambled to survive during wartime and who now must attempt to live with their past and live past their sins. In these men, too, we get a glimpse of life in Africa, a land that besets its creatures with pests, plagues, and natural disasters, making the people there at once more hardened and more vulnerable than elsewhere.

Scribbling the Cat is an engrossing and haunting look at war, Africa, and the lines of sanity.

A story of survival and war, love and madness, loyalty and forgiveness, Cocktail Hour Under the Tree of Forgetfulness is an intimate exploration of Fuller’s parents, whom readers first met in Don''t Let''s Go to the Dogs Tonight, and of the price of being possessed by Africa’s uncompromising, fertile, death-dealing land. We follow Tim and Nicola Fuller hopscotching the continent, restlessly trying to establish a home. War, hardship, and tragedy follow the family even as Nicola fights to hold on to her children, her land, her sanity. But just when it seems that Nicola has been broken by the continent she loves, it is the African earth that revives and nurtures her. Cocktail Hour Under the Tree of Forgetfulness is Fuller at her very best.Alexandra Fuller is also the author of the forthcoming novel, Quiet Until the Thaw.

A heartrending story of the human spirit from the author of the bestselling Don''t Let''s Go to the Dogs Tonight Alexandra Fuller returns with the unforgettable true story of Colton H. Bryant, a soulful boy with a mustang-taming heart who comes of age in the oil fields and open plains of Wyoming. After surviving a sometimes cruel adolescence with his own brand of optimistic goofiness, Colton goes to work on an oil rig-and there the biggest heart in the world can''t save him from the new, unkind greed that has possessed his beloved Wyoming during the latest boom. Colton''s story could not be told without telling of the land that grew him, where the great high plains meet the Rocky Mountains to create a vista of lonely beauty. It is here that the existence of one boy is a true story as deeply moving as the life that inspired it.

When Alexandra "Bo" Fuller was in Zambia a few years ago visiting her parents, she asked her father about a nearby banana farmer who was known for being a "tough bugger". Her father's response was a warning to steer clear of him: "Curiosity scribbled the cat," he told Bo. Nonetheless, Fuller began her strange friendship with the man she calls K, a white African and veteran of the Rhodesian War. With the same fiercely beautiul prose that won her such acclaim for Don't Let's Go to the Dogs Tonight, Fuller here recounts her friendship with K.He is, seemingly, a man of contradictions. Tattooed, battle-scarred, and weathered by farm work, K is a lion of a man, feral and bulletproof. Yet he is also a born-again Christian, given to weeping when he recollects his failed romantic life and welling up inside with memories of battle. For his war, like all wars, was a brutal one, marked by racial strife, jungle battles, brutal tortures, and the murdering of innocent civilians. Like all the veterans of the war, K has blood on his hands.Driven by K's memories, Fuller and K decide to enter the heart of darkness in the most literal way, by traveling from Zambia through Zimbabwe (formerly Rhodesia) and Mozambique to visit the scenes of the war and to meet other veterans. What results from Fuller's journey is a remarkably unbiased and unsentimental glimpse at life in Africa, a land that besets its creatures with pests, plagues, and natural disasters, making the people there at once more hardened and more vulnerable than elsewhere.

With an introduction by author Anne Enright.Shortlisted for the Guardian First Book award, a story of civil war and a family's unbreakable bond.How you see a country depends on whether you are driving through it, or live in it. How you see a country depends on whether or not you can leave it, if you have to.As the daughter of white settlers in the civil war in 1970s Rhodesia (renamed Zimbabwe at independence), Alexandra Fuller remembers her childhood in this extraordinary and devastating memoir. Don't Let's Go to the Dogs Tonight is the astonishingly clear-eyed story of a family living through a civil war, of a quixotic battle with nature and loss. It is the story of the end of empire, of prejudice and privilege, too much drink and not many rules, violence and shattering grief. Shortlisted for the Guardian First Book Award, Alexandra Fuller's classic memoir of an African childhood is suffused with laughter and warmth even amid disaster. Unsentimental and unflinching, but always enchanting, Don't Let's Go to the Dogs Tonight is the story of an extraordinary family in an extraordinary time.

With an introduction by author Anne Enright.Shortlisted for the Guardian First Book award, a story of civil war and a family's unbreakable bond.How you see a country depends on whether you are driving through it, or live in it. How you see a country depends on whether or not you can leave it, if you have to.As the daughter of white settlers in the civil war in 1970s Rhodesia (renamed Zimbabwe at independence), Alexandra Fuller remembers her childhood in this extraordinary and devastating memoir. Don't Let's Go to the Dogs Tonight is the astonishingly clear-eyed story of a family living through a civil war, of a quixotic battle with nature and loss. It is the story of the end of empire, of prejudice and privilege, too much drink and not many rules, violence and shattering grief. Shortlisted for the Guardian First Book Award, Alexandra Fuller's classic memoir of an African childhood is suffused with laughter and warmth even amid disaster. Unsentimental and unflinching, but always enchanting, Don't Let's Go to the Dogs Tonight is the story of an extraordinary family in an extraordinary time.

The sequel to the bestselling Don’t Let’s Go to the Dogs TonightBorn in England and uprooted to southern Africa as a toddler by her parents, Alexandra Fuller experienced a unique upbringing – both coloured with tragedy and joy – against the backdrop of the Rhodesian wars. Following her marriage to American Charlie Ross, she leaves Africa for Wyoming in the United States. This sequel to the bestselling Don’t Let’s Go to the Dogs Tonight vividly captures the highs, lows and ultimate dissolution of Fuller’s twenty-year marriage and her unbreakable tie to her African past as she searches for explanations for the present and answers for the future.Interlaced with stories from her childhood in Africa, Fuller paints a brilliant picture of an expatriate’s love for her homeland, a daughter’s acceptance of her father and the moving journey of her marriage and divorce. Poignant, candid and wistfully humorous, Leaving Before the Rains Come will resonate with anyone who has ever fallen out of love – with a person, idea or a place – and into self-acceptance and the belief that only we can save ourselves.‘Remarkable, beautifully written and fantastically entertaining… a compulsive read’ Observer

** PULITZER PRIZE FINALIST 2025 **The story of a mother grieving the sudden loss of her twenty-one-year-old child – from the bestselling memoirist of Don’t Let’s Go to the Dogs Tonight‘Truly extraordinary’ HELEN MACDONALD‘A mesmeric celebration... Will help others surviving loss – surviving life’NEW YORK TIMESIt’s midsummer 2018, and Alexandra Fuller is about to turn fifty, but feels like her life is coming apart. She vows to get herself back on an even keel. And then – suddenly and incomprehensibly – her son Fi, at twenty-one years old, dies in his sleep.No stranger to loss – young siblings, a parent, her home country of Zimbabwe – Alexandra is nonetheless levelled. At the same time, she is painfully aware that she cannot succumb and abandon her two surviving daughters. From a sheep waggon in the mountains of Wyoming to a silent meditation retreat in Alberta, Canada, she embarks on a journey up and down the spine of the Rocky Mountains, trying to find out how to grieve herself whole.‘For anyone who’s ever loved and lost, or ever will; in short, a book for us all’ OPRAH DAILY‘A profound and gripping memoir’ SUNDAY TIMES* A BOOK OF THE YEAR FOR THE NEW YORK TIMES, WASHINGTON POST AND TIME *

** PULITZER PRIZE FINALIST 2025 **The story of a mother grieving the sudden loss of her twenty-one-year-old child – from the bestselling memoirist of Don’t Let’s Go to the Dogs Tonight‘Truly extraordinary’ HELEN MACDONALD‘A mesmeric celebration... Will help others surviving loss – surviving life’NEW YORK TIMESIt’s midsummer 2018, and Alexandra Fuller is about to turn fifty, but feels like her life is coming apart. She vows to get herself back on an even keel. And then – suddenly and incomprehensibly – her son Fi, at twenty-one years old, dies in his sleep.No stranger to loss – young siblings, a parent, her home country of Zimbabwe – Alexandra is nonetheless levelled. At the same time, she is painfully aware that she cannot succumb and abandon her two surviving daughters. From a sheep waggon in the mountains of Wyoming to a silent meditation retreat in Alberta, Canada, she embarks on a journey up and down the spine of the Rocky Mountains, trying to find out how to grieve herself whole.‘For anyone who’s ever loved and lost, or ever will; in short, a book for us all’ OPRAH DAILY‘A profound and gripping memoir’ SUNDAY TIMES* A BOOK OF THE YEAR FOR THE NEW YORK TIMES, WASHINGTON POST AND TIME *

NEW YORK TIMES BESTSELLER • ENTERTAINMENT WEEKLY’S #1 NONFICTION BOOK OF THE YEAR • A NEW YORK TIMES NOTABLE BOOK • FINALIST, GUARDIAN FIRST BOOK PRIZE   “This is not a book you read just once, but a tale of terrible beauty to get lost in over and over.”—Newsweek   “By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling.”—The New Yorker In Don’t Let’s Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with visceral authenticity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller’s endearing ability to find laughter, even when there is little to celebrate. Fuller’s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. From 1972 to 1990, Alexandra Fuller—known to friends and family as Bobo—grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation. A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don’t Let’s Go to the Dogs Tonight is more than a survivor’s story. It is the story of one woman’s unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt.Praise for Don’t Let’s Go to the Dogs Tonight   “The Africa of this beautiful book is not easy to forget. Despite, or maybe even because of, the snakes, the leopards, the malaria and the sheer craziness of its human inhabitants, often violent but pulsing with life, it seems like a fine place to grow up, at least if you are as strong, passionate, sharp and gifted as Alexandra Fuller.”—Chicago Tribune   “Owning a great story doesn’t guarantee being able to tell it well. That’s the individual mystery of talent, a gift with which Alexandra Fuller is richly blessed, and with which she illuminates her extraordinary memoir. . . . There’s flavor, aroma, humor, patience . . . and pinpoint observational acuity.”—Entertainment Weekly   “This is a joyously telling memoir that evokes Mary Karr’s The Liars’ Club as much as it does Isak Dinesen’s Out of Africa.”—New York Daily News   “Riveting . . . [full of] humor and compassion.”—O: The Oprah Magazine   “The incredible story of an incredible childhood.”—The Providence JournalFrom the Hardcover edition.

When her father becomes gravely ill on holiday in Budapest, Alexandra Fuller rushes to join her mother at his bedside, where they see out his last days together and then carry his ashes back to their farm in Zambia.A master of time and memory, Fuller moves seamlessly between the days and months following her father''s death. She contends with his overwhelming absence, and her memories of a childhood spent running after him in southern and central Africa. She then faces seemingly irreparable family fallout, new love found and lost, and, eventually, further unimaginable bereavement. Bursting with pandemonium and tragedy, here is a story of joy, resilience and vitality, from a writer at the very height of her powers.

The sequel to the bestselling Don’t Let’s Go to the Dogs TonightBorn in England and uprooted to southern Africa as a toddler by her parents, Alexandra Fuller experienced a unique upbringing – both coloured with tragedy and joy – against the backdrop of the Rhodesian wars. Following her marriage to American Charlie Ross, she leaves Africa for Wyoming in the United States. This sequel to the bestselling Don’t Let’s Go to the Dogs Tonight vividly captures the highs, lows and ultimate dissolution of Fuller’s twenty-year marriage and her unbreakable tie to her African past as she searches for explanations for the present and answers for the future.Interlaced with stories from her childhood in Africa, Fuller paints a brilliant picture of an expatriate’s love for her homeland, a daughter’s acceptance of her father and the moving journey of her marriage and divorce. Poignant, candid and wistfully humorous, Leaving Before the Rains Come will resonate with anyone who has ever fallen out of love – with a person, idea or a place – and into self-acceptance and the belief that only we can save ourselves.‘Remarkable, beautifully written and fantastically entertaining… a compulsive read’ Observer

The story of a mother grieving the sudden loss of her twenty-one-year-old child - from the bestselling memoirist of Don't Let's Go to the Dogs Tonight** Pulitzer Prize Finalist 2025 in Memoir/Autobiography **'Truly extraordinary' HELEN MACDONALD‘A profound and gripping memoir about surviving unexpected, devastating loss’ SUNDAY TIMES‘A mesmeric celebration... Will help others surviving loss — surviving life' NEW YORK TIMESIt’s midsummer in Wyoming and Alexandra Fuller is barely hanging on. Grieving her father and pining for her home country of Zimbabwe, reeling from a midlife breakup, freshly sober and piecing her way uncertainly through a volatile new relationship with a younger woman, Alexandra vows to get herself back on even keel.And then – suddenly and incomprehensibly – her son Fi, at twenty-one years old, dies in his sleep.From a sheep wagon deep in the mountains of Wyoming to a grief sanctuary in New Mexico to a silent meditation retreat in Alberta, Canada, Alexandra journeys up and down the spine of the Rocky Mountains in an attempt to find how to grieve herself whole. By turns disarming, devastating and unexpectedly, blessedly funny, Alexandra recounts the wild medicine of painstakingly grieving a child in a culture that has no instructions for it.

When her father becomes gravely ill on holiday in Budapest, Alexandra Fuller rushes to join her mother at his bedside, where they see out his last days together and then carry his ashes back to their farm in Zambia.A master of time and memory, Fuller moves seamlessly between the days and months following her father's death. She contends with his overwhelming absence, and her memories of a childhood spent running after him in southern and central Africa. She then faces seemingly irreparable family fallout, new love found and lost, and, eventually, further unimaginable bereavement. Bursting with pandemonium and tragedy, here is a story of joy, resilience and vitality, from a writer at the very height of her powers.