Alice Zeniter – författare

Winner of the International Dublin Literary Award'Remarkable . . . a novel about people that never loses its sense of humanity' – The Sunday Times'Zeniter’s extraordinary achievement is to transform a complicated conflict into a compelling family chronicle.' – The Wall Street JournalNaïma has always known that her father's family were from Algeria – but up until now, that has meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she has learned from her grand parents' tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled.On the past, her family is silent. Why was her grandfather Ali forced to leave? Naïma’s father, Hamid, claims to remember nothing. Now, Naïma will see Algeria for herself, will ask the questions about her family’s history that, until now, have had no answers.Spanning three generations across seventy years, The Art of Losing tells the story of how people carry on in the face of loss – the loss of a country, an identity, a way to speak to your children – a story of colonization and immigration, and how we are a product of the things we have left behind.Translated from the French by Frank WynneThis book is supported by the Institut français (Royaume-Uni) as part of the Burgess programme.

Winner of the International Dublin Literary Award'Remarkable . . . a novel about people that never loses its sense of humanity' – The Sunday Times'Zeniter’s extraordinary achievement is to transform a complicated conflict into a compelling family chronicle.' – The Wall Street JournalNaïma has always known that her father's family were from Algeria – but up until now, that has meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she has learned from her grand parents' tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled.On the past, her family is silent. Why was her grandfather Ali forced to leave? Naïma’s father, Hamid, claims to remember nothing. Now, Naïma will see Algeria for herself, will ask the questions about her family’s history that, until now, have had no answers.Spanning three generations across seventy years, The Art of Losing tells the story of how people carry on in the face of loss – the loss of a country, an identity, a way to speak to your children – a story of colonization and immigration, and how we are a product of the things we have left behind.Translated from the French by Frank WynneThis book is supported by the Institut français (Royaume-Uni) as part of the Burgess programme.

Winner of the International Dublin Literary Award'Remarkable . . . a novel about people that never loses its sense of humanity' – The Sunday Times'Zeniter’s extraordinary achievement is to transform a complicated conflict into a compelling family chronicle.' – The Wall Street JournalNaïma has always known that her father's family were from Algeria – but up until now, that has meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she has learned from her grand parents' tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled.On the past, her family is silent. Why was her grandfather Ali forced to leave? Naïma’s father, Hamid, claims to remember nothing. Now, Naïma will see Algeria for herself, will ask the questions about her family’s history that, until now, have had no answers.Spanning three generations across seventy years, The Art of Losing tells the story of how people carry on in the face of loss – the loss of a country, an identity, a way to speak to your children – a story of colonization and immigration, and how we are a product of the things we have left behind.Translated from the French by Frank WynneThis book is supported by the Institut français (Royaume-Uni) as part of the Burgess programme.

Winner of the International Dublin Literary Award'Remarkable . . . a novel about people that never loses its sense of humanity' – The Sunday Times'Zeniter’s extraordinary achievement is to transform a complicated conflict into a compelling family chronicle.' – The Wall Street JournalNaïma has always known that her father's family were from Algeria – but up until now, that has meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she has learned from her grand parents' tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled.On the past, her family is silent. Why was her grandfather Ali forced to leave? Naïma’s father, Hamid, claims to remember nothing. Now, Naïma will see Algeria for herself, will ask the questions about her family’s history that, until now, have had no answers.Spanning three generations across seventy years, The Art of Losing tells the story of how people carry on in the face of loss – the loss of a country, an identity, a way to speak to your children – a story of colonization and immigration, and how we are a product of the things we have left behind.Translated from the French by Frank WynneThis book is supported by the Institut français (Royaume-Uni) as part of the Burgess programme.

Naïma hat es lange nichts bedeutet, dass ihre Familie aus Algerien stammt. Wie soll ihre Verbindung zu einer Familiengeschichte, die sie nicht kennt, denn auch aussehen? War ihr Großvater wirklich ein »Harki«, ein Verräter? Vielleicht könnte die Großmutter es ihr erzählen, aber nur in einer Sprache, die Naima nicht versteht. Und ihr Vater, der 1962 nach Frankreich kam, in eines jener damals hastig errichteten Auffanglager, wo man die Algerienflüchtlinge versteckte, redet nicht über das Land seiner Kindheit...Um mehr zu erfahren, tritt Naïma eine weite Reise an … Dieser Roman ist so lebendig wie ein Fresko. Was heißt es einerseits, aus einer Familie zu stammen, die über Generationen Gefangene einer »schlimmen Geschichte« bleibt? Ein Plädoyer für die Freiheit man selbst zu sein, jenseits allen Erbes, aller sozialer oder familiärer Bindungen.

Franck liebt Emilie –  aber liebt Emilie ihre Arbeit mehr als ihn? Das fragt er sich, als er sie nach endloser Trennung auf der verlassenen Hebriden-Insel Mirhalay besucht. Dort war die Doktorandin für ein mehrmonatiges Aufenthaltsstipendium. Und nun, wo er endlich da ist, hat sie kaum Zeit für ihn, denn als krönenden Abschluss muss sie eine Tagung organisieren und leiten. Es geht dabei um Galwin Donnell, der seine weltberühmten Kriminalromane hier auf Mirhalay schrieb - bis er eines Tages spurlos verschwand. Bald wimmelt die sonst so einsame Insel vor Professoren und Lektorinnen, Studentinnen und verkannten Dichtern. Franck allerdings ist Krankenpfleger und unter all den Geistesgrößen fühlt er sich nicht besonders wohl. Also sucht er, sehr zu Emilies Missfallen, die Gesellschaft von Jock, dem schweigsamen, ein wenig skurrilen Wächter der Insel... Ein wunderbares literarisches Vexierspiel.

Alles beginnt im Winter 2019. Antoine arbeitet für das französische Parlament, doch er weiß nicht, was er mit dem wachsenden Hass anfangen soll, der den Berufspolitikern entgegenschlägt und der auf ihn abzufärben beginnt. Da begegnet er der Hackerin L. Sie lebt im Untergrund, denn sie hat gerade miterlebt, wie ihr Freund verhaftet wurde. Er wird beschuldigt, eine Überwachungsfirma gehackt zu haben. Sie weiß, dass sie selbst auch observiert, vielleicht sogar bedroht wird, und bittet Antoine um Hilfe.»Faszinierend, unerbittlich, wütend. Ein großer Roman.« Auguste Trapenard, France Inter.

Bevor Alice Zeniter Autorin wurde, war sie vor allem eins: Leserin. Und immer fehlten ihr bei der Lektüre Heldinnen, mit denen sie sich identifizieren konnte. Seit Simone de Beauvoir wird dieses Manko von Frauen wie Ruth Klüger oder Elke Heidenreich thematisiert. Alice Zeniter, Superstar der französischen Literaturszene, kommt mit ihrer brillanten Analyse zu verblüffenden Einsichten. Es geht um die Darstellung von Frauen in der Literatur, um weibliche Rezeption, aber auch um die Frage, wie man als Autorin den alten Mustern entkommen kann, ohne dabei zu ideologisieren oder zu langweilen.