Amy Golahny – författare
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3 produkter
3 produkter
Inbunden, Engelska, 2021
605 kr
Skickas inom 5-8 vardagar
Always recognised as a master print from the moment of its appearance around 1649, the Hundred Guilder Print is one of Rembrandt's most compositionally complex and visually beautiful works.This book gives a full overview of the fascinating story surrounding this print, from its genesis and market value toattitudes towards it in the present day. Focusing on the tradition of printmaking as well as the reception of theprint in Rembrandt's time, Golahny explores the ways the artist made visual references to the work of such mastersas Michelangelo, Raphael and Leonardo da Vinci, while uniquely combining aspects of Christ's ministry.Placing the work within its wider cultural and historical context, Rembrandt's Hundred Guilder Printoffers an original and engaging approach to current Rembrandt scholarship and is essential reading for anyoneinterested in the work of one of the most famous artists of the Dutch Global Age.
Inbunden, Engelska, 2020
2 466 kr
Skickas inom 5-8 vardagar
Rembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion.This study also discusses Dutch artists’ attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt’s art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists.
Häftad, Engelska, 2007
1 201 kr
Skickas inom 10-15 vardagar
Collected in memory of the Vermeer scholar and Yale economist J. Michael Montias, these essays take into account the latest trends in the field and provide new data on a wide range of topics in Netherlandish art. Themes include the reception of paintings and architecture; art collecting as interpreted through inventories and other documents that reveal modes of display; relationships between patrons and painters; recently found or attributed works of art; artists as teachers; and the art market. Taken together, these focused studies offer fresh perspectives on the historical appreciation and evaluation of art.Drawing upon J.M. Montias’ contribution to art history, these 32 essays present new analyses, attributions, and documents on Netherlandish art and material culture – including the work of Vermeer, Rubens, Rembrandt, van Eyck and others – by internationally known scholars of art history and the economics of art