Amy Golahny is an art historian and writer. She is Logan A. Richmond Professor of Art History Emerita at Lycoming College and Past President of the Historians of Netherlandish Art. She has written and edited numerous books including Rembrandt: Studies in His Varied Approaches to Italian Art (Brill, 2020), Rembrandt's Reading: The Artist's Bookshelf of Ancient Poetry and History (Amsterdam University Press, 2003) and The Eye of the Poet: Studies in the Reciprocity of the Literary and Visual Arts (Bucknell University Press, 1996).

‘The book is a substantive contribution to Rembrandt studies, approachable and illuminating for readers of varying levels of knowledge about printmaking. In particular, the text would serve well as thought-provoking reading for college students and for anyone interested in studying art through the lenses of microeconomics and marketing, or with an eye to broader sociological analyses of fame and ‘viral imagery’. Golahny’s text makes amply evident what print scholars know so well: the intrinsic interdisciplinary appeal of prints, many of which are worthy of dedicated volumes like this one.’ – Joanna Sheers Seidenstein, Print Quarterly

• Preface; Chapter 1: The Hundred Guilder Print: Price and Value; Chapter 2: The Theme of Christ's Ministry; Chapter 3: The Hundred Guilder Print within the Print Tradition; Chapter 4: Technique; Chapter 5: Rembrandt's Life and Work; Chapter 6: Visual and Poetic Reception in Rembrandt's Time; Chapter 7: The Afterlife of The Hundred Guilder Print: Reception in Word and Image to the Present; Conclusion; Select Bibliography

Amy Golahny is an art historian and writer. She is Logan A. Richmond Professor of Art History Emerita at Lycoming College and Past President of the Historians of Netherlandish Art. She has written and edited numerous books including Rembrandt: Studies in His Varied Approaches to Italian Art (Brill, 2020), Rembrandt's Reading: The Artist's Bookshelf of Ancient Poetry and History (Amsterdam University Press, 2003) and The Eye of the Poet: Studies in the Reciprocity of the Literary and Visual Arts (Bucknell University Press, 1996).

‘The book is a substantive contribution to Rembrandt studies, approachable and illuminating for readers of varying levels of knowledge about printmaking. In particular, the text would serve well as thought-provoking reading for college students and for anyone interested in studying art through the lenses of microeconomics and marketing, or with an eye to broader sociological analyses of fame and ‘viral imagery’. Golahny’s text makes amply evident what print scholars know so well: the intrinsic interdisciplinary appeal of prints, many of which are worthy of dedicated volumes like this one.’ – Joanna Sheers Seidenstein, Print Quarterly

• Preface; Chapter 1: The Hundred Guilder Print: Price and Value; Chapter 2: The Theme of Christ's Ministry; Chapter 3: The Hundred Guilder Print within the Print Tradition; Chapter 4: Technique; Chapter 5: Rembrandt's Life and Work; Chapter 6: Visual and Poetic Reception in Rembrandt's Time; Chapter 7: The Afterlife of The Hundred Guilder Print: Reception in Word and Image to the Present; Conclusion; Select Bibliography

Amy Golahny is an art historian and writer. She is Logan A. Richmond Professor of Art History Emerita at Lycoming College and Past President of the Historians of Netherlandish Art. She has written and edited numerous books including Rembrandt: Studies in His Varied Approaches to Italian Art (Brill, 2020), Rembrandt's Reading: The Artist's Bookshelf of Ancient Poetry and History (Amsterdam University Press, 2003) and The Eye of the Poet: Studies in the Reciprocity of the Literary and Visual Arts (Bucknell University Press, 1996).

‘The book is a substantive contribution to Rembrandt studies, approachable and illuminating for readers of varying levels of knowledge about printmaking. In particular, the text would serve well as thought-provoking reading for college students and for anyone interested in studying art through the lenses of microeconomics and marketing, or with an eye to broader sociological analyses of fame and ‘viral imagery’. Golahny’s text makes amply evident what print scholars know so well: the intrinsic interdisciplinary appeal of prints, many of which are worthy of dedicated volumes like this one.’ – Joanna Sheers Seidenstein, Print Quarterly

• Preface; Chapter 1: The Hundred Guilder Print: Price and Value; Chapter 2: The Theme of Christ's Ministry; Chapter 3: The Hundred Guilder Print within the Print Tradition; Chapter 4: Technique; Chapter 5: Rembrandt's Life and Work; Chapter 6: Visual and Poetic Reception in Rembrandt's Time; Chapter 7: The Afterlife of The Hundred Guilder Print: Reception in Word and Image to the Present; Conclusion; Select Bibliography