Angela Lord – författare

Rudolf Steiner painted his Archetypal Plant watercolour in 1924, at a time when contemporary scientific methodologies were emerging and nature was being examined under the microscope. In contrast to the dissecting tendencies of natural science, however, Steiner's painting depicts the living, dynamic potential which stands behind the plant - lifting us out of the specific genus and providing an image of the growing and formative forces inherent within each individual plant. Researching Rudolf Steiner's painting of the Archetypal Plant can help reconnect our outer sense-perceptions with the inner realm of imaginative cognition, releasing us from the spell of matter.To support and enliven such research work and processes, Angela Lord surveys her subject-matter from various aspects, including the historical, evolutionary relationships we share with plants; the representation of plants in art and architecture; plant myths and legends; poetry inspired by flower imagery; cosmic aspects of nature, including earth's relationships to the sun, moon, planets and stars; formative, creative forces of colours and their relationships to plant forms; and finally, working artistically and painting the Archetypal Plant motif itself. In developing a broad overview, the author forms a deeper, more complete picture of the plant world, paying homage to its diverse characteristics, and stimulating new perceptions and perspectives. This book is richly illustrated with full-colour images.

Rudolf Steiner’s intuitive artistic knowledge enabled him to use colours in a unique way, giving expression to their individual natures. Together with his many lectures on art, Steiner’s paintings provide artists with fresh ways of understanding colour, allowing for an entirely new creativity and aesthetics. In 1924, Steiner painted a watercolour of the Madonna and Child, giving it the title `New Life’. Through Steiner’s depiction of Mary, mother of the Divine Child, this painting draws us to the feminine expression of spirituality. In this highly-illustrated, full-colour book Angela Lord studies this feminine principle, beginning with the very earliest stages of human evolution – the `Fall’ from paradise and the pre-historic periods of Lemuria and Atlantis. From the Mysteries of Egypt and Greece to the development of Christian art, she offers insights to the myths and legends of female deities and goddesses. According to Rudolf Steiner, at the time of Jesus’s birth humanity had entered a decadent phase of development. Small groups of initiated individuals, however, were preparing for a sacred birth: the descent of a heavenly being into earthly existence. The God of the Old Testament would be revealed `in flesh’, born to a virgin mother. In the second part of New Life – Mother and Child, Angela Lord takes us on a journey through two thousand years of Christian art, covering Iconography, the Middle Ages and the Renaissance. We see how artistic images of Mary and her Child have changed, why these variations have occurred and how they reflect the changing consciousness of humanity. Finally, the `New Life’ painting is considered from the interactive processes of colour and composition, illustrated with a series of artistic colour sequences.

In this innovative anthology, Angela Lord presents a unique series of commentaries on art, aesthetics and colour by three of western culture’s greatest intellects. Her comparative study of the works of Aristotle, Thomas Aquinas and Rudolf Steiner illustrates how each of these towering thinkers employed an individual and groundbreaking approach. Yet, remarkably, there are common threads that weave through their collective works that have previously been overlooked.By selecting and extracting specific quotations and arranging them in particular sequences, Lord throws light on texts that have often been restricted to theological and academic study. Through this exposure, she reveals their relevance to the Arts today, showing how their content can stimulate an enhanced awareness of truth, beauty and knowledge in our lives. Art Aesthetics and Colour also offers us the opportunity to reinterpret the works of Aristotle and Thomas Aquinas in the light of Rudolf Steiner’s contemporary spiritual-scientific insights.In addition to the extensive quotations from the three historical figures, Lord provides brief biographies, an introduction, notes and a bibliography. The book is well-illustrated throughout and includes colour plates.

Rudolf Steiner's watercolour painting 'The Archetypal Human-Animal' presents us with the enigmatic image of a strange creature apparently swimming in water. It has a human profile, showing a clearly outlined nose and slightly-opened mouth, with a mysterious eye, almost concealed in its greenish hair. It has appendages similar to hands and feet, and dark-blue plant-like forms float about in the water beneath the creature's bright red and yellow body. Only the title provides us with a clue to its meaning: it is an 'archetypal human-animal' form. But even this is enigmatic. What is this strange, unusual creature - this archetypal human-animal? We are presented with a perplexing image and a puzzling description.In this original work, illustrated throughout with full-colour paintings and images - many by the author herself - Angela Lord takes us on a journey of discovery to realizing the meaning of Rudolf Steiner's painting. From Goethe's theory of metamorphosis in nature, we are introduced to Steiner's ideas of human evolution, from the primal beginnings of the archetypal human-animal on 'Ancient Moon'. Lord recounts myths and legends from many cultures that tell of human-animal forms, and reflects on the meaning of the fish in Christianity. She takes us through a series of 'colour sequences' for repainting Steiner's human-animal motif, and includes appendices that summarize evolutionary phases of the earth and humanity from a spiritual-scientific perspective.The Archetypal Human-Animal is both a valuable workbook for painters and a fascinating insight into hidden aspects of human evolution.