Anne-Claire Schmitz – författare
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2 produkter
2 produkter
Häftad, Engelska, 2019
354 kr
Skickas inom 5-8 vardagar
The provocative and often comic Belgian art duo Jos de Gruyter and Harald Thys present in book form their collaborative contribution to the 2019 Venice BiennaleThe Belgian artists Jos de Gruyter (b. 1965) and Harald Thys (b. 1966) have collaborated for more than two decades on artworks in a variety of media, including film, photography, drawing, painting, and sculpture; they are known for thought-provoking works, often imbued with an antic sense of humor. The pair was selected to represent Belgium at the 2019 Venice Biennale, and this book accompanies and documents their exhibit, also titled Mondo Cane. The book is composed of a series of original, illustrated texts, written alternately in English, French, German, Dutch, and Italian. The texts are intended to evoke a variety of human conditions in an environment reminiscent of present-day Europe. Its title refers to a 1962 Italian film that documented—in a style intended to provoke Western audiences—cultural practices from around the world. Lavishly illustrated and designed by the artists themselves, this book both reflects de Gruyter and Thys’s contribution to the Venice Biennale and is a work of art in its own right.Distributed for MercatorfondsExhibition Schedule:Belgian Pavilion of the 58th Venice Biennale(May 8–November 24, 2019)Centre for Fine Arts, Brussels(Spring 2020)
Häftad, Engelska, 2026
409 kr
Skickas inom 5-8 vardagar
Exhibition catalogue for Jean Katambayi Mukendi’s solo exhibition RATIO at KW Institute for Contemporary Art (Berlin, 21 February – 10 May 2026) and M HKA (Antwerp, 6 June - 20 September 2026).Jean Katambayi Mukendi: Circuits is the first comprehensive monograph dedicated to the Congolese artist, published on the occasion of his solo exhibition RATIO at KW Institute for Contemporary Art, Berlin, and M HKA—Museum of Contemporary Art Antwerp. Spanning his career from its inception to the present, the volume combines richly illustrated pages with insightful texts that situate Katambayi’s work within contemporary art history, African thought, and the cultural context of present-day Lubumbashi. It includes interviews, two texts written by the artist, and a multidisciplinary exploration of his installations, performances, and drawings.This book is published in partnership with the Contemporary Art Committee KU Leuven, KW, and M HKA.